Kesha’s “Shadow” has a really nice sustained D6, really glad to see she hasn’t abandoned the high falsetto. I was hoping to hear some whistles after the C7 she gave us last year, but there’s a lot of good belting.
Might do an album range video if someone else doesn’t get to it first. I’d love to find a C3 in the backing vocals to get her to 4 octaves (she’s just a semitone off and can definitely hit it), but we’ll see!
@JUSTDEMITOY The thing is that their other videos are relatively accurate because they’re based on information lifted from people who actually know what they’re talking about, but they refused to accept the general consensus on Katy’s technique because she’s their fave.
This person came into the comments of old-ass video of the B2 in “Feels” to attack people who suggested that it wasn’t Katy, and when I checked their channel they had this inflated-ass “supported” range video. It’s always the wrong ones who are loudest🙄
https://t.co/HV5Vv4mJ4h
I haven’t been keeping active in the vocal world lately, so I’m sure this is relatively common knowledge already, but this is a B6/C7. Range is now C3-A5-A6(falsetto)-C7(whistle). 4 octaves :)
I wish we had more studio recordings from HMTiana. She was obviously still straining her upper belts, but I would’ve loved to hear how she was altering her technique to improve her stamina and clarity.