@arvofart Right, here you can feel the individual stitched shots breaking past their natural cutting points and twisting onto themselves in an unnatural manner.
I admire that there’s absolutely a world post-1917 where George MacKay is playing one of the Beatles but instead pivoted to leading Bonello and Mark Jenkin movies.
not to engagement bait but what do you guys think is the most exciting sequence in a movie where the camera doesn’t move. like cuts are fine i mean the camera itself