WaveSpeedAI CPP

Official hub for WaveSpeedAI's Creator Partner Program (CPP).
Apply here: @wavespeed_ai

[WaveSpeedAI CPP @WaveSpeedCPP]

Ready to take your AI creations to the next level? The WaveSpeedAI Creator Partner Program (CPP) is officially open!
We're looking for passionate visionary creators to shape the future of AI video with us.

✨ Why join us?

🎁 Monthly FREE creation credits & exclusive rewards
🔮 Early access to our cutting-edge AI models
🤝 Official traffic support & community spotlight

Turn your wild ideas into reality and grow with us!
Apply to be an official Collaborator today 👇 🔗 https://t.co/1lBNZjs2yT

[WaveSpeedAI CPP @WaveSpeedCPP]

A quiet moment in a world full of color ✨
Created with MiniMax H3.
👇

[Kirara-Owlbear 🦉 @KiraraOwlbear18]

Furina and Chisa just hanging out in a colorful room

i'm still trying to figure out how to get the resolution higher though

made with minimax h3 on @wavespeed_ai
@HiWscreator

[WaveSpeedAI CPP @WaveSpeedCPP]

A world shaped one string at a time.

OPHELIA feels like a living painting, with every movement guided by an invisible hand.

Beautiful work by @itsPixieVerse, created with Seedance 2.5 and GPT Image 2.5 on WaveSpeedAI.

[PIXEL @itsPixieVerse]

Seedance 2.5 x GPT Image 2.5 Prompt Share

OPHELIA —"The Celestial Puppeteer", Reality doesn't bend on its own—someone has to pull the strings.

Made on @wavespeed_ai @HiWscreator

Prompts in replies 👇

[WaveSpeedAI CPP @WaveSpeedCPP]

This is what happens when the storyboard comes first.

Love the energy in this post workout Raiden Shogun scene, brought to life with GPT Image 2.5 and MiniMax H3.

Great example of making AI video feel intentional, dynamic, and full of character 👇

[Kirara-Owlbear 🦉 @KiraraOwlbear18]

Raiden Shogun after workout

finally hopped on the ai video train since it's everywhere now. the trick for me was using gpt image 2.5 to map out the storyboard first so it doesn't just do its own random thing. Storyboard in the replies

minimax H3 on @wavespeed_ai
@HiWscreator

[WaveSpeedAI CPP @WaveSpeedCPP]

A whole story in one continuous shot.

The atmosphere, camera movement, and little human moments make this feel like a memory from Seoul, 2003.

Big respect to @AI__TSUBAKI for bringing it to life with Seedance 2.5 on WaveSpeedAI.

AI filmmaking with real heart 👇

[TSUBAKI @AI__TSUBAKI]

Seoul, 2003.

Seedance 2.5 on @wavespeed_ai @HiWscreator

Prompt:

SCENE CONTEXT
Early-2000s Seoul, a narrow market street at the end of a summer afternoon sliding into dusk. SOYU walks the street filming a selfie vlog with her right arm outstretched, is offered a single small tteokbokki rice cake on a thin wooden stick, and stops to help a little boy who has dropped his arcade coins. The viewpoint is her own outstretched right arm — the audience sees exactly what that arm sees. One continuous 30-second take.

ACTIVE REFERENCES
@Image1 = SOYU — 21-year-old Korean woman, long glossy straight black hair, soft oval face, almond dark brown eyes, minimal makeup, slim model figure. Soft, slightly low-pitched clear voice, gentle Korean accent. 100% matches the reference.

LOCATION MAP
Foreground: SOYU's own face and shoulder at arm's length, her free left hand entering frame, occasional passing shoulders brushing past the lens.
Midground: a 4-meter-wide market street — a tteokbokki cart with a steaming red griddle on the camera's left, a hand-painted signboard shop on the right, plastic stools stacked outside.
Background: an electronics shop window with six switched-on CRT televisions stacked in a grid, a stairwell entrance to an internet café with a buzzing Hangul neon sign, tangled overhead power lines crossing the upper frame, a red public phone booth at the far end.
Light comes from the low sun down the street behind SOYU's left shoulder; shop light spills from the right.

FIRST FRAME / BLOCKING
Frame opens already moving: SOYU centered in a tall 4:3 frame, her face 60cm from the lens, her head in the upper third with the tangled power lines and shop signage filling the headroom above her, the street visible in a narrow band past her right shoulder. Her right shoulder is angled toward the lens and the lower edge of her right forearm skims the bottom-right corner of the frame — the arm holding the viewpoint. Her left hand and the rest of the frame stay clear. She is mid-step, walking toward the camera as it retreats ahead of her, eyes on the lens from frame one.

FORMAT MODE
One continuous shot, 30 seconds, the camera does not cut on its own. Beats progress as follows:
0.0s to 5.0s — SOYU walks out of a shaded alley into the open street, looks into the lens, lifts her free left hand in a small wave, tucks hair behind her right ear as she speaks.
5.0s to 9.0s — The viewpoint swings away from her face to the street: it sweeps right across the CRT-filled shop window, tilts up the internet café neon, then drops back down to the cart.
9.0s to 12.5s — She arrives at the tteokbokki cart. The view rises to the vendor woman, who lifts one small glossy red rice cake speared on the tip of a thin wooden stick off the griddle and holds it out. SOYU takes the bare end of the stick in her left hand and thanks her with a small bow of the head.
12.5s to 14.5s — She raises it in front of her mouth at 15cm, lips parting only slightly, and breathes out a thin quiet stream of air onto the rice cake twice; her cheeks stay flat and relaxed, and the thread of steam bends away from her breath each time. She tilts the stick to check the underside.
14.5s to 18.0s — She eats the rice cake off the tip in one bite, closing her lips around it and drawing the stick back out completely bare, then chews with her mouth closed and extends the empty stick back across the griddle into the vendor's hand.
18.0s to 27.0s — Walking on, a boy of about seven in a school backpack fumbles a fistful of 100-won coins that scatter and roll across the pavement toward the camera. SOYU stops mid-step and crouches — the whole frame drops 90cm and tilts down — gathering the coins with her left hand, sliding them off the rough concrete. She pours them into his cupped palms, closes his fingers over them with a light tap, and rises; the view lifts with her. She ruffles the top of his head once, easily, and he grins up past the lens.
27.0s to 30.0s — The view swings back onto her own face, streetlamps flicking on behind her. She speaks her closing line, waves her left hand once, and lowers her right arm — the frame sinks and tilts down toward the pavement as the shot ends.

OPTICS
84° wide FOV held for the entire take, no drift. Consumer handheld lens character: mild barrel curvature at the frame edges, the near face and hand slightly enlarged against a receding street, deep focus with only the far end of the street softening. Natural motion blur on fast pans and on the drop into the crouch.

CAMERA
Viewpoint held 60cm from SOYU's face at her own arm's length, height 150cm standing and 60cm while crouched, carried by her outstretched right arm — a constant low-amplitude walking bob of 2–3cm at footstep rhythm, slightly heavier on each right step. Pans are arm-driven: they start a touch late, overshoot by a few degrees, and settle. Focus hunts for a quarter second twice — once on the rice cake as it comes toward the lens, once on the coins on the pavement — then locks. Wide tonal latitude with soft highlight roll-off on the neon and the sun.

ACTION
Camera motion: retreating dolly ahead of SOYU at 3 km/h in beat one; a 90° rightward arm-pan and upward tilt across the shopfronts in beat two; a rise to the vendor, a short push toward the rice cake and a recovery through beats three to five; a 90cm vertical drop with downward tilt into the crouch and a matching rise in beat six; a final downward sink in beat seven.
Subject motion: SOYU walks at 3 km/h throughout, stopping 9 seconds at the cart and 9 seconds at the crouch. Her left hand does everything — waving, tucking hair, taking the stick, holding it up to breathe on, returning it, gathering coins, closing the boy's hands, ruffling his hair. Her right arm stays extended toward the lens the entire time and never crosses into the middle of the frame.
The rice cake is small: the same length and thickness as her own thumb, a short soft cylinder that fits inside her mouth in one bite, sitting on the last centimeter of a thin plain wooden stick roughly 12cm long. The remaining length of the stick stays bare wood, clearly visible as empty space between her fingers and the rice cake.
The vendor woman leans over the griddle, lifts the stick clear with a small shake so a drop of red sauce falls back onto the griddle, holds it out, and takes it back. The boy freezes with both hands still open, then crouches half a step behind SOYU and holds his palms cupped. Coins roll toward the camera at walking pace, spinning flat before they settle. Scooters pass behind at 20 km/h in the far background.

PERFORMANCE
SOYU is relaxed and quietly warm, the way someone is with a camera they know. Restrained expressions: a small closed-lip smile that reaches the lower eyelids, one micro-pause before each sentence, eyes flicking off-lens to the street and back. While breathing on the rice cake her gaze drops to it and her brows lift slightly; the movement is small and composed, jaw loose, cheeks smooth, just a soft narrow exhale and a quick amused glance back to the lens. On the first chew her eyes widen and she nods once, mouth closed. At the spill, the smile leaves first and her brows lift in a half-second before she moves; she crouches without hesitation and looks at the boy's face, not at the lens, while gathering. The head-ruffle is casual and quick, delivered on the way up, with an easy open smile. The boy's mouth pulls tight with worry, then breaks into a wide gap-toothed grin. Pore-level skin realism, faint capillary flush across the cheeks from summer heat, a thin sheen of sweat at the temple, catch-lights of the low sun in the lower iris, visible breath movement in the throat between lines.

PHYSICS
Hair swings with a half-beat lag behind each head turn, falls forward past her cheeks as she crouches, and sticks lightly to the damp temple. The white tee shifts with the shoulder bag strap, the bag swings against her hip on every second step and hangs forward when she bends. A thin thread of steam lifts off the small rice cake and bends sideways, away from the lens, on each soft exhale before rising again. Hot red sauce sits glossy on it, one drip running down onto the bare wood and darkening it. Coins have real weight, spinning flat and rattling against the concrete before settling, one wobbling to a stop against the curb. The boy's backpack sways when he crouches.

LIGHTING
Key: low orange sun at 10 degrees elevation coming down the street from behind SOYU's left shoulder, rimming her hair and the edge of her jaw. Fill: bounce off the pale concrete road, lifting the shadow side of her face two stops under the key; in the crouch this bounce becomes the dominant light on her face from below. Practicals building through the take — the internet café neon and the shop fluorescents read faintly at 0s and clearly by 22s; sodium streetlamps flick on at 27s and add a warm top spill. White balance fixed at 4000K, so the sun and sodium run warm amber while the shop fluorescents stay slightly green-cool.

COLOR GRADE
Warm amber sunlight on skin and concrete, the red of the tteokbokki griddle glowing hot in the midground and the dull brass of the scattered coins catching the same low sun at ground level, faded denim blue and the tired cyan-green of aged shop awnings holding the cooler end. Slightly lifted blacks and soft highlight bloom around the neon, the look of early-2000s consumer film stock.

WARDROBE
White fitted short-sleeve tee with a fine grey butterfly print, low-rise faded blue bootcut jeans, a black studded leather belt, a small black leather shoulder bag on the right shoulder, chunky black shoes. Cotton soft and slightly creased from wear, denim faded at the thighs. The boy wears a striped t-shirt, shorts, white sneakers and a scuffed navy school backpack.

AUDIO
Ambient market: scooter engines, distant Korean pop from a shop speaker, sizzling from the griddle, footsteps and chatter.
SOYU, softly, to the lens at 2s: "얘들아, 나 오늘 여기 왔어."
Vendor woman at 10s, brightly: "하나 먹어봐~"
SOYU at 11.5s: "감사합니다!"
Two soft quiet exhales at 13s and 13.9s.
SOYU at 17s, handing the stick back: "잘 먹었습니다."
Boy at 20s, small and panicked: "아, 내 동전!"
SOYU at 24s, gently: "자, 여기."
Boy at 25.5s: "감사합니다!"
SOYU at 26.5s, ruffling his hair: "조심히 가~"
SOYU at 28.5s, waving: "오늘은 여기까지!"

STYLE
Photorealistic, cinematic, 8K detail intent, fine organic film grain, natural handheld imperfection, period-accurate early-2000s Korean street.

OUTPUT SETTINGS
4:3 aspect ratio, real-time speed throughout, no slow-motion. No on-screen text, no subtitles, no captions anywhere in frame.

POSITIVE LOCKS
One continuous shot for the full 30 seconds. SOYU's face matches @Image1 in every beat. Wardrobe, bag and hairstyle stay identical from first frame to last.
Both of SOYU's hands stay empty of any object except the wooden stick between 12.5s and 18s. Her right arm stays extended toward the lens, and only the forearm edge appears at the bottom-right corner. The frame stays clear of any handheld device, screen, or equipment of any kind — the viewpoint itself is invisible.
The stick carries a single small rice cake the size of her own thumb, on its tip only, with plain bare wood visible along the rest of the stick. She breathes on it twice with a calm face and flat cheeks, eats it in one bite, and the stick comes away completely bare, returning to the vendor's hand by 18s.
84° FOV held throughout. Light direction stays consistent — sun from behind her left shoulder, shop spill from the right. Hangul shop signage stays legible and consistent in the background. All spoken dialogue in Korean, with no text rendered on screen.

[WaveSpeedAI CPP @WaveSpeedCPP]

AI morning energy, beautifully brought to life.
Huge shoutout to @xc5_ for creating this with WaveSpeedAI.

[萌奈のおすそわけ♥️AI動画クリエイター🩷AI & Web3 KOL🧡💛💚 @xc5_]

起きてる？起きてるんだ・・・💓
萌奈は10時まで寝てました🤣💕

よーし、AI朝活❣️
久々にWaveSpeedAI使ってみましたっ🫶
サクッと生成したいときやっぱり便利だっ✨

PRリンクもしておきますっ📣⭐️
@HiWscreator @wavespeed_ai
🔗 https://t.co/Y6RJcV3QNs

今日も元気にぱいぱいFIGHT💪💗

[WaveSpeedAI CPP @WaveSpeedCPP]

Love how this turned out ✨
A really nice mix of cinematic visuals and product storytelling.
Made with Seedance 2.5 on WaveSpeedAI by @Romi2656

[Romana @Romi2656]

One button. Three chaotic friends. One wild adventure. 🐾✨

Created this cinematic AI animation using Seedance 2.5 on @wavespeed_ai, blending expressive characters, comedy, action, and a crazy sci-fi twist into one seamless story.

From a mysterious glowing button to a massive explosion and an unexpected space adventure, every scene brings the story to life. 😂🔥

@HiWscreator

#Seedance25 #AIVideo #AIContentCreation #CinematicAI #WaveSpeedAI

[WaveSpeedAI CPP @WaveSpeedCPP]

So much energy in this one

[B.M. Cifer @CiferFusion]

Thank you @wavespeed_ai & @HiWscreator for inviting me to be part of their creator partner program.
Let's kick into gear with some seedance action! More to come!
Made in WaveSpeed AI.

[WaveSpeedAI CPP @WaveSpeedCPP]

The vibe is insane

[AIスタジオワンルーム（AIアニメ、動画、漫画） @studio_oneroom]

WaveSpeed AIさんからのご依頼で、
Seedance 2.5を利用してショートアニメを制作しました。

私の場合、2.5で生成可能時間が30秒になった事により、便利な反面、細かい調整で結構苦戦しております。ただ、やっぱり30秒分、一気に撮れるのはありがたいですね。クリップをまたがなくていいので今まで15秒と15秒の間をどうやって繋げばいいのか頭を悩ませていた問題は解決しました。

あとWaveSpeed AIは、やっぱり生成時間が早いと感じました。

@wavespeed_ai
@HiWscreator

[WaveSpeedAI CPP @WaveSpeedCPP]

Wow, movie-level stuff 🎥

[ChainRogue @Hopper_Jim_]

Made a sorcerer-vs-mercenaries battle.
Three experienced mercenaries, heavy artillery, missiles the size of a fridge... defeated by a guy who just really loves flowers 💐
This is what "director-level control" actually looks likethrough seedance 2.5🎬⚡️
Crafted on @wavespeed_ai @HiWscreator
Edited + colour grading on @AdobeVideo
Upscaled on @topazlabs

#SponsoredByGIMI @GimiApp

[WaveSpeedAI CPP @WaveSpeedCPP]

Love this vibe！

[SORAY-AI @SORAY_AI]

Now, shall we sleep? Or....

I might make this a thing. Starting each day with a hot shirtless man. 😊
#sorayai_fantasy
@wavespeed_ai @HiWscreator

[WaveSpeedAI CPP @WaveSpeedCPP]

Pretty cool！

[PIXEL @itsPixieVerse]

Seedance 2.0 + GPT Image 2 Prompt Share

TREY --STREET SKATER

Made on @wavespeed_ai @HiWscreator

Prompts in replies 👇

[WaveSpeedAI CPP @WaveSpeedCPP]

Wow! Such a creative take 👀

[V𝕩Render @VxRender]

Be purified, demon!

~ Made with Seedance 2.0 on @wavespeed_ai / @HiWscreator

[WaveSpeedAI CPP @WaveSpeedCPP]

Cool! The realism is insane

[Zara @ZaraIrahh]

Love how natural the lighting, expressions, and product showcase turned out in this one.

Created with Seedance 2.0 on @wavespeed_ai, @HiWscreator

Prompt:

Shot on iPhone front camera, natural HDR, slight exposure shifts, real skin tones, authentic UGC creator energy, warm indoor natural light
A bright casual room — warm natural light from the side, a clean desk surface with the ATELIER INK 12 CORE colors set in its clear transparent plastic case, the colorful marker caps visible through the case walls, a white sketchpad open beside it. A young woman sits close to the front camera, relaxed and natural, speaking slowly and genuinely.
Action and dialogue sequence:
She picks up the full ATELIER INK clear case with both hands and holds it up to the front camera, the 12 colorful caps facing the lens, the label readable. She looks at it for a beat — then at the camera: "Okay I need to show you these." She sets the case down, pulls out the green G04 marker, uncaps it slowly, sniffs the tip, pauses. Looks at camera: "Why does it smell like that." Genuine. Unhurried.
She opens the sketchpad and draws a slow deliberate star with the green marker. Holds the paper up to the lens. Says nothing for a beat — just lets the color speak. Then quietly: "That color is insane." She picks up the cobalt blue B17, draws beside the green. Holds it up again. "The pigment is so good."
She sets the paper down. Looks directly into the camera. Taps the marker cap slowly against her lip. One breath. Then: "Honestly — if you draw, if you doodle — just get these." She lifts the full clear case up to the lens, all 12 caps facing camera. Holds it there. Smiles slowly. Says nothing.

[WaveSpeedAI CPP @WaveSpeedCPP]

Pure cinematic vibes 🎬

[MO @MO_IAI]

Invasion
Made by Seedance 2 on @wavespeed_ai
@HiWscreator
Prompt Below

[WaveSpeedAI CPP @WaveSpeedCPP]

alright creators, time to bring your wildest ideas to life with #Seedance 2.5 on WaveSpeed

[WaveSpeedAI @wavespeed_ai]

How far can you push your imagination?
Bigger worlds.
Wilder shots.
Ideas that shouldn't be possible.

Don't ask what AI can create.
Ask: what do you want to see?

Create it with Seedance 2.5 on WaveSpeed.

[WaveSpeedAI CPP @WaveSpeedCPP]

feels so free and inspiring

[Zyrella @Zyrellix]

Chasing new views unforgettable moments and the beauty of every destination.

Made with Seedance 2.0 on @wavespeed_ai

A high-quality, cinematic travel montage featuring a handsome young Caucasian man with light brown hair, dressed in a light blue linen button-down shirt, white chinos, and white sneakers. The video seamlessly transitions across vibrant European destinations: exiting a grand classical building, walking through a colorful cobblestone flower market in a selfie-style tracking shot, sipping espresso at a sunny outdoor sidewalk café, riding a bicycle along a lush riverside path, looking up at the Milan Cathedral (Duomo), hiking along high rolling green mountain ridges, and ending with him standing on a rocky peak with arms outstretched facing a golden hour sunset over the horizon. Dynamic camera movements, rich natural lighting, photorealistic 8k, cinematic travel vlog style.

[WaveSpeedAI CPP @WaveSpeedCPP]

Nice Viiiiiiiibe

[ANKIT PATEL 🇮🇳 | AI @Ankit_patel211]

Summer Beach Vibe

Seeedance 2.0

Create a raw, casual smartphone home video of a sunny beach day with friends. It should feel like genuine phone footage: slight handheld shake, normal frame rate, quick memory-style jump cuts every 1–2 seconds, and no cinematic polish. The vibe should be unedited, spontaneous, and authentically amateur, like a real person recorded it on their phone.

Use Main face as a reference for the main woman. Keep her identity consistent and unchanged throughout the video. Surround her with a mixed group of friends of different ages enjoying a relaxed beach outing.

Scene flow
0–2.5s: Shaky handheld shots of the main woman laughing near the shoreline with friends. Include quick inserts of feet in sand and waves washing over them.

2.5–5s: Jump cuts to a close-up of her smiling with sunglasses pushed up on her head, then the group splashing water and taking casual selfies.

5–7.5s: She sits on a beach towel chatting animatedly with friends. Snacks and cold drinks are visible around them, with natural sunlight and subtle exposure shifts.

7.5–10s: Quick close-up of her smiling warmly at the camera and waving, followed by the group building a small sandcastle while laughing.

10–12.5s: Everyone gathers under a beach umbrella, passing chips and drinks around, casually toasting with cans and talking over one another.

12.5–15s: Final shot of her sitting relaxed among her friends, softly smiling toward the ocean. End with a gentle phone sway, like someone stopped recording naturally.

Visual style
Natural smartphone video quality.
Slight realistic handheld shake.
Smooth normal motion, not cinematic.
Authentic casual body language and interactions.
Relistic sunlight, shadows, and exposure changes.
No beauty filters, no heavy effects, no stabilization.
Raw, unpolished home-video aesthetic.
No glitches, distortions, duplicated people, or impossible movements.

Important
Keep the main woman consistent across all shots.
Preserve the exact look from the reference images.
Make the whole video feel like a real beach memory captured on a phone.

This video was made on @wavespeed_ai

[WaveSpeedAI CPP @WaveSpeedCPP]

Grab a feeling of summer

[ANKIT PATEL 🇮🇳 | AI @Ankit_patel211]

Here's my video creation

Seedance 2 Mini

This is real 1990s home video footage shot on a VHS camcorder at a crowded public swimming pool. The video has the typical faded colors, analog grain, soft image quality, slight tracking distortion, and subtle tape noise characteristic of consumer VHS recordings from that era.
The camera is handheld and very shaky, filming from a distance across the pool. In the background, a woman wearing a colorful floral one-piece swimsuit stands nervously at the top of the diving board. A large crowd around the pool begins cheering rhythmically with loud "eh-eh-eh" chants, encouraging her to jump.
After several seconds she finally runs forward and performs a surprisingly perfect cannonball. She hits the water with tremendous force, creating an enormous splash that reaches several meters into the air and completely drenches nearby spectators.
For a brief moment everything becomes silent. Then an elderly man wearing sandals, white tube socks, sunglasses, and a sun visor slowly walks into frame carrying a homemade cardboard sign with a large handwritten "10.0." Without saying anything he raises it high above his head exactly like an Olympic diving judge.
The entire crowd immediately erupts into loud cheering, applause, laughter, whistles, and celebration. Several strangers begin chanting her name while children clap excitedly. The woman climbs out of the pool laughing as spectators congratulate her like she has just won an international championship. People gather around asking to take photos with her while the elderly judge proudly continues displaying the scorecard.
The camera movement remains extremely handheld and shaky throughout, with natural motion blur, imperfect zooming, accidental reframing, and several unplanned cuts as the person filming struggles to follow the celebration.
Natural sound only. Crowd chanting, loud applause, laughter, splashing water, echoing pool ambience, and authentic VHS microphone audio. No background music or narration.
The result must feel like authentic raw 1990s home video footage capturing a completely ordinary pool jump that somehow turned into an Olympic-level celebration.

Inspired by @techhalla

This video was made in @wavespeed_ai

[WaveSpeedAI CPP @WaveSpeedCPP]

A trust fall!

[ANKIT PATEL 🇮🇳 | AI @Ankit_patel211]

Here's my version

Same concept but last one with humor

Authentic live-action cinematic footage shot on real 35mm Kodak film as one uninterrupted continuous tracking shot through a real urban city during overcast daylight. Natural lighting, practical filmmaking, authentic locations, realistic camera operation, subtle handheld movement, smooth gimbal transitions, heavy analog film grain, cinematic color science, believable physics, no visible CGI. Every transformation feels like a practical in-camera magical effect captured on film using subtle white mist, floating feathers, and light particles.

Use the exact man from the reference image: a 40-year-old white man with a short dark beard, black beanie, thick gold chains, black-and-grey plaid overshirt over a white T-shirt, blue jeans, rugged boots. Keep his face, clothing, proportions, hairstyle, beard, accessories, and identity perfectly consistent throughout.

0-3s:
The man stands on the edge of a gritty city rooftop with both hands inside his pockets, completely calm. Wind gently moves his shirt. The camera slowly pushes toward him from the front. Without hesitation he leans backward and intentionally falls off the building. Instead of cutting, the camera quickly tilts over the edge and dives after him in one seamless movement.

3-6s:
The camera freefalls beside him between buildings. His clothes ripple violently in the wind. Just before reaching the street, his entire body explodes into a swirling cloud of white mist, loose feathers and sparkling particles. Inside the cloud, an ordinary colorful scarlet macaw instantly emerges and continues the same momentum without interruption. The camera naturally transitions into chasing the parrot only a few feet behind it as it flies low through traffic, narrowly weaving between buses, trees, lamp posts and pedestrians before heading toward a nearby park.

6-10s:
The continuous tracking shot follows the parrot into the park. It circles once above an elderly woman sitting alone on a wooden bench while she happily throws bread crumbs to birds. The parrot lands beside several pigeons and begins eating naturally among them. The camera lowers all the way to ground level, sliding beside the birds with beautiful cinematic motion while the elderly woman watches with a warm smile.

10-13s:
As the parrot pecks at another breadcrumb, a sudden burst of white mist, floating feathers and shimmering particles surrounds it. Within a split second the bird transforms back into the same man, now crouching exactly where the parrot stood. He casually stands up, brushes imaginary dust from his shirt, cracks his shoulders, smiles confidently and walks toward the elderly woman as if nothing unusual happened. The camera smoothly rises with him.

13-15s:
The man reaches the elderly woman. They exchange a friendly fist bump. He smiles, turns around and confidently walks away down the park path without looking back. The camera slowly pulls away, staying focused on the elderly woman. She watches him leave in complete disbelief, then slowly looks down at the piece of bread still in her hand. She raises one eyebrow, shrugs dramatically, tears off another piece, throws it into the air and jokingly looks around the sky as if expecting another human to fall from above. After nothing happens, she laughs to herself, shakes her head with an amused smile, and continues feeding the birds while the camera keeps pulling back to reveal the peaceful park.

Photorealistic live-action cinema, practical effects, ultra-realistic skin, authentic scarlet macaw feathers, realistic clothing simulation, physically accurate motion, natural wing animation, believable gravity, seamless continuous camera choreography, authentic environmental sound, rich Kodak 35mm film texture, heavy analog grain, subtle motion blur, zero digital artifacts, zero cartoon appearance, zero AI look, stable performer identity, 100% real movie footage aesthetic.

This video was made on @wavespeed_ai

[WaveSpeedAI CPP @WaveSpeedCPP]

Elegance and confidence

[liana @Lianaalane]

A confident businesswoman, timeless elegance, and a luxurious modern interior come together to create a cinematic visual that feels both sophisticated and inspiring. Every frame is designed with realistic lighting, smooth camera movement, and premium fashion aesthetics.

Created this 14-second cinematic businesswoman story using Seedance 2.0 on @wavespeed_ai.

Prompt:

A stunning young businesswoman stands in a luxurious, sunlit modern kitchen with white marble countertops, sleek cabinetry, and minimalist interior design. She wears a perfectly tailored navy blazer and matching pencil skirt over a crisp white blouse, carrying a small black leather handbag with gold hardware. Her dark brown hair is styled in a soft low bun with loose face-framing curls. She looks down with a gentle, confident smile, then slowly raises her gaze toward the camera while elegantly adjusting her handbag. She takes a few graceful steps forward with natural body movement, relaxed shoulders, and poised posture. Warm golden-hour sunlight streams through the large windows, creating soft highlights and cinematic shadows. The camera begins with a medium shot and performs a slow cinematic dolly-in, maintaining shallow depth of field with creamy background bokeh. Ultra-realistic skin texture, subtle facial expressions, realistic fabric physics, natural hand movements, smooth walking animation, premium luxury lifestyle aesthetic, photorealistic, HDR, 4K, 24fps, soft color grading, high-end commercial fashion advertisement, stable camera, no flickering, no distortion, no extra fingers, no artifacts.