Mail Call!
This one is a real gem.
Nightshade #5 (1979), a tiny fantasy fanzine published out of Kentucky, featuring what may be Larry Elmore’s earliest published cover illustration.
Before TSR. Before Dragonlance. Before the Red Box.
Even better, there’s a short autobiographical sketch inside where Elmore talks about his years freelancing, his work for Heavy Metal and National Lampoon, and trying to break into fantasy illustration.
I couldn’t find another image of this cover online, so this might be a genuine YoDanno exclusive.
Sometimes the most exciting pieces of fantasy history aren’t the famous ones, they’re the ones almost nobody knew existed.
This is such a treat! Larry Elmore’s “autobiography” at a young 31 years old in 1979!
Larry Elmore
I attended Western Kentucky University, majoring in art. In 1970, I was chosen as one of Western’s top ten artists. I finished college and was drafted—in that order.
I served two years in the Army as an illustrator. After my discharge in 1973, I was employed as an illustrator for the government. I have received several awards as an artist and illustrator.
My interest in fantasy art began while I was in college, around 1967. You were a real minority then; fantasy wasn’t as popular as it is now. For the past five years, I have worked very hard cultivating my painting techniques and basically maturing as an artist. In 1978, I decided to try my luck at freelance work.
Although my art has appeared in many government publications, my desire was to get published in well-known magazines, especially in magazines that were fantasy-oriented. When Heavy Metal magazine hit the newsstand, I decided to give them my first shot.
While trying to contact those guys, I got involved with National Lampoon. They have kept me extremely busy this past year. Lampoon is not a fantasy-oriented magazine, but their assignments are very challenging. I don’t know what to expect next.
I finally got my shot at Heavy Metal and was very pleased when I found that they had accepted one of my paintings for the back cover of the April 1979 issue.
Things are looking up for me now and I keep very busy—there’s just not enough time in a day.
— Larry Elmore
Mail Call!
This one is a real gem.
Nightshade #5 (1979), a tiny fantasy fanzine published out of Kentucky, featuring what may be Larry Elmore’s earliest published cover illustration.
Before TSR. Before Dragonlance. Before the Red Box.
Even better, there’s a short autobiographical sketch inside where Elmore talks about his years freelancing, his work for Heavy Metal and National Lampoon, and trying to break into fantasy illustration.
I couldn’t find another image of this cover online, so this might be a genuine YoDanno exclusive.
Sometimes the most exciting pieces of fantasy history aren’t the famous ones, they’re the ones almost nobody knew existed.
Jason Thompson’s cartoon map of Tomb of Horrors is equal parts brilliant, hilarious, and painfully accurate.
A cheerful little guided tour through false doors, poisoned traps, instant death, shattered friendships, and one smug demilich waiting at the end.
In other words, Tomb of Horrors.
Readers flipping toward the back of Dragon #55 in November 1981 had no idea what they were witnessing.
Tucked away on pages 74–76 was “Da Letter,” a goofy little comic introducing TSR’s newest staff artist: Larry Elmore.
It looked like a joke. In hindsight, it was a harbinger of awesomeness.
Elmore would soon help define how an entire generation imagined D&D, its heroes, its dragons, its worlds, and especially Dragonlance. For countless players, fantasy would never look quite the same again.
Mail Call!
This one is a real gem.
Nightshade #5 (1979), a tiny fantasy fanzine published out of Kentucky, featuring what may be Larry Elmore’s earliest published cover illustration.
Before TSR. Before Dragonlance. Before the Red Box.
Even better, there’s a short autobiographical sketch inside where Elmore talks about his years freelancing, his work for Heavy Metal and National Lampoon, and trying to break into fantasy illustration.
I couldn’t find another image of this cover online, so this might be a genuine YoDanno exclusive.
Sometimes the most exciting pieces of fantasy history aren’t the famous ones, they’re the ones almost nobody knew existed.
Mail Call!
This one is a real gem.
Nightshade #5 (1979), a tiny fantasy fanzine published out of Kentucky, featuring what may be Larry Elmore’s earliest published cover illustration.
Before TSR. Before Dragonlance. Before the Red Box.
Even better, there’s a short autobiographical sketch inside where Elmore talks about his years freelancing, his work for Heavy Metal and National Lampoon, and trying to break into fantasy illustration.
I couldn’t find another image of this cover online, so this might be a genuine YoDanno exclusive.
Sometimes the most exciting pieces of fantasy history aren’t the famous ones, they’re the ones almost nobody knew existed.
Daniel Horne delivers the full fantasy package… blazing red hair, a monster slain beneath her, and a chain mail bikini worn with absolute confidence.
Practical armor? Not remotely.
Classic fantasy? Every glorious inch of it
Daniel Horne at his whimsical best…grand, dangerous, richly detailed, and wonderfully playful, all in the same painting.
🖼️ Daniel Horne for the cover of Christopher Stasheff’s My Son…The Wizard (1997)
I saw that Margaret Weis, Tracey Hickman, RA Salvatore, Joe Manganiello, and Luke Gygax were there together.
I know some of these folks personally, so I choose to be hopeful and optimistic. This has so much potential.
But instead of ICONS, I first read that as 200215 and now I can’t unsee it 😂
Gary Gygax called Empire of the Petal Throne “the most beautifully done fantasy game ever created.”
He wasn’t exaggerating.
M.A.R. Barker’s Tékumel is a world of alien gods, ancient empires, decadent temples, invented languages, lost technology, impossible creatures, and vast cities built atop the buried ruins of forgotten civilizations.
Nearly fifty years later, I still haven’t encountered another TTRPG setting with this much flavor, mystery, and sheer wonder.
And the artwork remains absolutely magnificent. Anyone else play this one?