Zammy 🏳️‍🌈

Hi! I’m Zammy the Furry Blue Cat :3 | Lvl 36 😸 He/Him 💜 Gay 🏳️‍🌈 Taken 💕 Kinky 🔞 ENG/ESP/FRA 🌎

[Zammy 🏳️‍🌈 @ZammyBlue]

Commission from @PabloAlderFox of me, Zammy, and my boyfriend Kashow's (@EdgarNofo) new fursona. Isn't he a dreamboat~? 😻The bubbles say "Whose are these?" "Yours~" 🍑🍆
¡Muchísimas gracias, Pablo! 💖Nos encantó 💖

[Atlas Press @realAtlasPress]

Alain de Botton, what a line

[Charlie 🔞 @CharlesbutDoggy]

bricked up

[El Rojito Preñador 🔞 @rojitobarbon]

Ya estuvieras aquí mamandome la verga

Chudai
@EncuentroGayMty

[newt🔞 @NEWTL00PZ]

He crashed at your place..

[furious george 🌼 @autisriel]

deltarune body wash claims: a thread 🧵🚿🧼🫧✨

[𝔽𝕖𝕣𝕟𝕪 ℙ𝕒𝕨💜 @FernyPaw]

A Rev le gusta el peligro 😩🤙
#loonaticsUnleashed #TechECoyote #RevRunner

[Mokkabron (commissions open) @Mokkabron]

Lo único bueno de la película

[Luis - Aspiring Cartoonist @louietoons26]

I made this after learning about Frisk's backstory

[PETER ART (COMMISSIONS OPEN 3/5) @peterdamart]

I don't know if u know, but Jimbe is one of my husbandos. I can't over him...

[slapp @slapp_backup]

털보박사
(아빠로 오해받는 중)
オダマキ博士

[PETER ART (COMMISSIONS OPEN 3/5) @peterdamart]

Fat Tony & Chief Wiggum are my husbandos from the Simpsons.

I really need to sleep on their bellies... at the same time🥴

#gaysimpsons #gayart #gaycartoon

[Cam 🇨🇴 🇵🇸 カム ⍟🌹⍟ @calidosocam]

My therapist told me that this is normal and that you can't rely on your youthful energy to drive your motivation forever. You have to find another source of power from within.

[The Curious Tales @thecurioustales]

Most people look at an opal and see a pretty stone. What they're actually looking at is a frozen accident of time so improbable it borders on impossible.

Five million years for one centimeter. Read that again slowly. The opal sitting in a ring on someone's finger represents a span of geological patience that predates the entire human species. Modern humans have existed for roughly 300,000 years. The little gem catching light on a jeweler's velvet cushion has been quietly assembling itself for sixteen times longer than we've walked upright.

To understand why opals are so strange, you have to understand what they are at the molecular level, because they break a fundamental rule of what we call a "gemstone."

Diamonds, rubies, emeralds, sapphires. Every classic gem you can name is a crystal. Its atoms lock into a rigid, repeating lattice, the same geometric pattern extending in every direction. That ordered structure is exactly what gives crystals their hardness, their cleavage planes, their fire.

Opal refuses all of that. It has no crystal lattice. It's classified as a mineraloid, an amorphous solid, the same structural category as glass. At the microscopic level it's built from countless tiny spheres of silica, each one impossibly small, stacked together like cosmic billiard balls. And the magic, the entire reason opal does the thing it does, comes from how perfectly those spheres arrange themselves.

When the silica spheres are uniform in size and pack into an orderly three dimensional grid, light entering the stone gets diffracted. The gaps between the spheres act like a natural grating, splitting white light into its component colors and bouncing them back at the eye. The size of the spheres determines which colors appear. Smaller spheres throw blues and violets. Larger ones release the rare reds and oranges that make certain opals worth more than diamonds by weight.

This means the color in an opal is not pigment. There is no red dye, no green mineral, no blue compound. The stone is essentially colorless silica and water. Every flash of fire you see is pure structure, pure geometry, light itself being sorted by architecture too small to see. You are watching physics, not chemistry. The opal is a lens disguised as a jewel.

Now layer the water back into the picture.

That 6 to 10% water content is doing something almost no other gemstone does. It means opal is partly liquid history. The water trapped inside is ancient groundwater, sealed in during formation millions of years ago, fluid that touched a prehistoric world. And because that water is structurally part of the stone, opals can literally die. Take an opal from a humid environment to an extremely dry one and the water can escape over time. The stone crazes, cracks into a web of fractures, and the play of color fades forever. A diamond is functionally immortal. An opal can dehydrate and pass away like something that was once alive.

There is a poetry buried in the formation process that most people never consider. Opals form when silica rich water seeps into cracks, voids, and cavities in rock, then slowly evaporates and deposits its silica load, layer by microscopic layer, over those incomprehensible timescales. Which means an opal is a fossil of empty space. It's the cast of an absence, water patiently filling a wound in the earth and turning the scar into the most colorful substance the planet produces.

Some of the most spectacular opals on Earth take this even further. In parts of Australia, opal has replaced the bones of dinosaurs and the shells of ancient sea creatures, molecule by molecule, preserving the exact shape of a creature dead for a hundred million years but rendering it in rainbow fire. There exist opalized seashells, opalized teeth, opalized pinecones. Death and deep time and light, fused into a single object you could hold in your palm.

When you grasp all of this, the casual phrase "it's just a gemstone" collapses entirely. Each opal is a five million year exposure of liquid that touched a vanished world, an amorphous structure that bends light through pure architecture, a partially living thing that can crack and die if you treat it carelessly, and sometimes a tombstone for an animal that breathed before the first primate existed.

We mine these from the ground, polish them, and sell them in shops next to mass produced trinkets, rarely pausing to register that we're trading in compressed eternity.

The planet spent five million years per centimeter making something beautiful with no audience in mind.

We just got lucky enough to dig it up and notice.

[Gab @simon_foxxy]

God he's so hot

[Rothmus 🏴 @Rothmus]

The internet was built for this exact moment so we could all read this gem.

[Megy!! 💜🪶🦒🌸 (5 YEARS!!) @Megapoyofrog]

Estaba a punto de reirme... Hasta que me enteré que enserio cerraron

Todas sus redes cerraron, TODAS

Y casi no encuentro información en la Wikipedia que diga que pasó, alguien me explica??

[🫧— mebh @mssanswich]

inspired by a tweet i saw
#kerdly

[old toons @oldtoons_]

It is impossible to overstate how much of the classic Disney magic belongs to the foley genius Jimmy MacDonald.

[The Hollywood Handle @HollywoodHandle]

‘ICE AGE 4’ released 14 years ago today.

[Carnival of Horror @HorrorCarnival]

Released in 1967, Viy was the Soviet Union's first officially released horror film. Its breathtaking practical effects—created by fantasy pioneer Aleksandr Ptushko—remain among the most imaginative ever put on screen, culminating in one of horror's greatest supernatural finales.