Alessandro Luciani

Co-founder + Data Scientist, Applied Predictive Analytics.
#datascience #ai #machinelearning #deeplearning

[Ivanna | AI Art & Prompts @ivanka_humeniuk]

Two riders. One canyon. No brakes. 🏍️🔥
Made this entirely in invideo Agent One and the dynamics came out absolutely wild. Two characters I'm a little obsessed with, tearing through a golden-hour canyon at full speed.
Okay, be honest… who are you rooting for the blonde or the brunette? 👇
Full process + all my prompts below 🧵

[Ivanna | AI Art & Prompts @ivanka_humeniuk]

🖼️ PROMT Storyboard GPT Image 2: 📌
Use the attached character as the reference @[image]. Build a storyboard sheet, vertical 9:16, monochrome pencil storyboard — graphite gesture sketches, minimal shading, strong silhouettes, loose confident hand-drawn lines, unfinished previs energy.

PANEL NUMBERING: no numbers on top of the images — keep image frames clean. Put each panel's number as small text BELOW the image, at the start of the caption ("Panel 1 — ...").

LAYOUT: 8 panels, clearly separated. Below each panel a clean caption:
[Panel N] — SHOT · CAMERA · ACTION · BEAT.

ANNOTATIONS — color-coded hand-drawn arrows over the graphite: red = body movement, blue = camera movement, green = framing/composition, orange = light/energy/impact, purple = timing/pause. Energetic but readable.

SIGNATURE ELEMENT: a thin colored timeline bar along the bottom edge of the sheet, filling up across the 8 panels to show the rising tempo.

PANELS:
Panel 1 — SHOT: extreme close-up, her leather boots pounding dry cracked ground, red fabric whipping into frame. CAMERA: low tracking, fast. ACTION: sprinting hard, fleeing. BEAT: 0-2s HOOK.
Panel 2 — SHOT: medium, her face, braids and hair flying, breath sharp, glancing back over her shoulder. CAMERA: handheld beside her. ACTION: running, fear and focus. BEAT: 2-3s.
Panel 3 — SHOT: wide, she leaps across a wide ground crack mid-stride. CAMERA: fast whip pan following the jump. ACTION: airborne leap over a ravine split. BEAT: 4-5s.
Panel 4 — SHOT: medium-close from behind her shoulder, a fast projectile whips past her head. CAMERA: orbiting around her. ACTION: she ducks, something flies past. BEAT: 6-7s.
Panel 5 — SHOT: wide reveal, she skids to a stop at the edge of a steep cliff, dust kicking up; the camera pull-back reveals the drop AND, far below on the lower slope, her riderless horse galloping along, seemingly out of reach. CAMERA: pull-back revealing the drop and the horse below. ACTION: dead end at the brink, she spots the horse below. BEAT: 8-9s TURN. [PLANT — the horse must be clearly visible but distant here]
Panel 6 — SHOT: over-her-shoulder wide, behind her a wall of dust with mounted riders charging closer. CAMERA: brief still, wind frozen. ACTION: the pursuers are finally revealed. BEAT: 10-11s.
Panel 7 — SHOT: THE MONEY SHOT — she jumps off the cliff and mid-air catches the mane of the galloping horse on the slope below, body fully airborne and stretched, arm extended, fingers closing on the flying mane. CAMERA: dramatic arc following the fall. ACTION: leap of faith, hand grabs horse mane mid-air. BEAT: 12-13s KEY FRAME.
Panel 8 — SHOT: low hero angle, she lands into the saddle, both swords catching sunlight, charging away fast toward camera. CAMERA: low tracking racing with her. ACTION: seated, riding hard, blades flashing, full speed. BEAT: 14-15s FINALE — frame stays alive and in motion.

KEY FRAME: panel 7 is the money shot — the mid-air mane-grab must be unmistakable: her body fully airborne off the cliff, arm extended, hand closing on the galloping horse's flying mane, horse below at full gallop. The horse must already be planted in panel 5.

Keep the character's face, long braided hair, red wrap top, ornate bronze armor and twin swords identical to the reference in every panel.

🎬 PROMT Animation Seedance 2.0:📌

Treat the attached storyboard @[image] as your guide for both look and motion, and the attached character sheet @[image] for the heroine's exact design. Work through the panels in order as separate shots that flow into one continuous chase scene — never blend them into one frozen image. None of the storyboard's panels, numbers, labels, arrows or borders may appear in the final video. QUALITY: ultra-high quality, maximum sharpness and clarity, crisp fine detail, razor-sharp focus on the heroine, deep cinematic depth of field, professional color grading. FILM STOCK / LOOK: shot on vintage film like classic old movies — warm faded celluloid color, rich 16mm/35mm film grain, subtle halation and soft bloom on highlights, gentle gate weave, slight vignette, organic analog texture, timeless cinematic mood. Despite the vintage film feel, keep the heroine and key action tack-sharp and high-resolution. MOTION & CAMERA: highly cinematic and dynamic — energetic handheld and tracking camera, fast whip pans, dramatic arcs, strong sense of speed and weight. Natural motion blur, real momentum, rigid-body physics. No slow motion. Always something moving in frame. Keep the heroine's design identical in every shot — face, long braided hair with gold chain headpiece, red wrap top, ornate bronze armor, twin swords. STORY (one continuous unfolding chase, energy rising then resolving on a high, never on a hold): 1. (0-2s) HOOK. Extreme close on her boots pounding dry cracked ground, red fabric snapping, low fast tracking. 2. (2-3s) Cut to her face mid-sprint, braids flying, sharp glance back, handheld beside her. 3. (4-5s) Wide — she leaps a ground crack, fast whip pan follows the jump. 4. (6-7s) Behind her shoulder, a projectile whips past her head, she ducks, camera orbits. 5. (8-9s) She skids to a stop at a cliff edge, dust bursts up, camera pulls back to reveal the drop AND her riderless horse galloping far below on the slope. TURN. 6. (10-11s) Brief held beat, wind almost still — behind her a wall of dust with mounted riders charging closer. 7. (12-13s) She jumps off the cliff and mid-air catches the mane of the galloping horse below — body airborne, hand closing on the mane. 8. (14-15s) She lands into the saddle and charges hard toward camera, twin blades flashing in sunlight, low tracking racing with her. End on full motion and speed. Give it real life — each moment leads into the next with clear cause and effect, never the stiff feeling of nudged still pictures. Shift the tempo: fast and frantic in the chase, one crisp near-still beat at the cliff turn, then explosive release on the horse. Keep something always moving — dust, fabric, hair, mane, light. CRITICAL ENDING: the final shot stays fully alive and in motion — do NOT fade out, do NOT cut to black, do NOT add a dark screen. Last frame is her riding at full speed toward camera. ON-SCREEN TEXT — CRITICAL: no text overlays, no UI, no numbers, clean footage only. Blur any background rather than rendering fake characters or symbols. No gibberish, no random symbols, no Chinese/Thai/Japanese characters anywhere.

[The Dor Brothers @thedorbrothers]

NORM20

[Alessandro Luciani @_AlexLuciani_]

Every journey begins long before the first step. #ai #seedance2 #gptimage2 #prompt

[PJ Ace @PJaccetturo]

I used to shoot $500k pharmaceutical commercials.

I made this for $500 in Veo 3 credits in less than a day.

What’s the argument for spending $500K now?

(Steal my prompt below 👇🏼)

[The Dor Brothers @thedorbrothers]

The Hustle 🔫🔥

Somebody said uncensored? Thank you @grok for letting us all have some fun 🙌💯

Note: We don't hold any political stance, just having some fun 😊 @elonmusk

#GROK #GROK2 #grokimages #Grok2images

[Carlo Calenda @CarloCalenda]

In parole semplici abbiamo bruciato la migliore (e forse ultima) riserva della Repubblica nel momento in cui il paese ne aveva più bisogno. La follia italiana è tutta qui.

[Ailyn @iamailyn_]

Siamo presenti nel report #martech Italia 2022 di @vincos.
Per leggere l’intero articolo e scaricare il report clicca sul link⬇️ #Marketing
https://t.co/ki10SFqCd7

[Ailyn @iamailyn_]

La strada dell’Europa verso un futuro #digitale, incentrato sull’uomo e #sostenibile, entro il 2030 non è semplice.
Ecco quali sono i pilastri normativi e gli obiettivi a cui puntare👇
https://t.co/QmmQTL3b5s

[Ailyn @iamailyn_]

Ogni settimana vi presentiamo un membro del nostro #team!
Oggi parliamo di @DanieleChieffi, #Giornalista, docente e socio di Ailyn, Daniele ha colto le potenzialità di un’#AI in cui la #tecnologia non sostituisce l’uomo ma amplia le sue capacità👇
https://t.co/r436afxGiC

[ADCGroup @ADCGroupItalia]

#NCDigital2021 Il PREMIO DELL'EDITORE NC DIGITAL AWARDS, categoria INNOVAZIONE TECNOLOGICA va a: @iamailyn_ . Congratulazioni!

[Ailyn @iamailyn_]

🎉Ailyn, l’#AI etica basata sulla collaborazione tra uomo-macchina, premiata oggi per l’#Innovazione Tecnologica durante i #NCDigitalAwards!
Sul palco @_AlexLuciani_ 👇
Grazie da tutto il team e soci @GRoncaglia_ @c_roncaglia @DanieleChieffi ad @ADCGroupItalia

[Ailyn @iamailyn_]

Ailyn riceve il premio per l’innovazione tecnologica agli #NCDigitalAwards⬇️
Siamo fieri di essere la prima #AI predittiva capace di creare contenuti efficaci e aiutare quotidianamente le aziende che ci hanno scelto, offrendo soluzioni #innovative e all’avanguardia!

[Ailyn @iamailyn_]

Ailyn è un’#AI umanamente ed eticamente #sostenibile, che trova la sua chiave di lettura nella capacità di aumentare l’intelligenza umana, supportandola e amplificandola.
Il ma(n)chine learning che non sostituisce l'uomo ma ne diventa alleato.

[Ailyn @iamailyn_]

Conciliare l’#innovazione tecnologica e la #sostenibilità, è diventata la vera sfida storica.
#AI, #cloud,analisi dei #dati, reti #5G: la #Tecnologia, che pure ha contribuito a “inquinare” il mondo, ora può aiutare a salvarlo.👇https://t.co/APK7OCWI9m

[Ailyn @iamailyn_]

L’uso di piattaforme avanzate, come Ailyn, è un must per le #aziende che vogliono realmente migliorare le performance di #marketing e #Sales sfruttando gli #analytics.
#AI e #MachineLearning per superare i limiti della #business intelligence ⬇️
https://t.co/F9piMdTOxO

[Alessandro Luciani @_AlexLuciani_]

I just published Il Data Analyst tra gioie, impegno e dolori. https://t.co/piAbJ14e6H

[Alessandro Luciani @_AlexLuciani_]

I just published Perché l’analisi descrittiva dei dati è cosi importante. https://t.co/VFn0zKIH7E

[Alessandro Luciani @_AlexLuciani_]

I just published Perché dovresti imparare Python https://t.co/6empf031ZJ

[Alessandro Luciani @_AlexLuciani_]

«Non mollare mai ciò che racchiude un grande potenziale per il futuro solo perché non reggi lo stress del presente». Questo sì che è un gran consiglio.