Hi #PortfolioDay , I'm Clarissa!
I love portraits & colorful, detailed compositions; I'm also on the look out for spooky or fantasy themed opportunities! Especially posters! 🔥
Experience in mural, editorial & social media illos. ✨️
https://t.co/844sHEdS94
[email protected]
Before the industry collapse, VFX were tryna unionize bc we are hired by project with no job security/benefits. If you'd like to keep up with our fight as none of us will be stopping here u gooo!
https://t.co/8XtGDZTm4o
In light of the Avatar leaks, I wanted to share a list of our visual development artists. There is so much amazing work we did on the film that we are not allowed to share right now, and it’s thanks to these people that the movie looks the way it does. Thread below ⬇️
Ridley Scott's hand-drawn ALIEN storyboard presentation for 20th Century Fox. These helped him secure the director job and almost doubled the film's budget thanks to their clarity, vision and scope. They are also known as 'Ridleygrams".
My photo book, Arcana, is now live. Link in bio. It brings together complete collections from the past six years in one place. Thank you for supporting my work over the last decade. It has been such a pleasure to have you all with me.
Anastasia (1997) remains a rare kind of animated magic. Don Bluth left Disney years before making it, yet the film rivaled their Renaissance era so strongly that many still mistake it for one.
Who Framed Roger Rabbit (1988) still feels like sorcery. It was so technically ambitious that animators worked frame by frame to align eyelines and lighting. Spielberg called it “a miracle that should not have worked but somehow did.”
Graphic design tip: never use pure black (#000000).
Pure black just looks really harsh and can lead to eye strain.
Instead, variations of black will convey the same effect while being easier on the eyes.