Emily Carrington Freeman

Artist and researcher | @UniOfOxford | John Ruskin, colour, materiality, perception and experience | C19-now | Specialising in wearing long coats

[Emily Carrington Freeman @_ECFreeman]

There's nothing I need more urgently than this.

[The Burgon Society @burgonsoc]

love books?
love gowns?
you need… a BOOKGOWN

[Emily Carrington Freeman @_ECFreeman]

Come and join us! 🎺 Email cowhistoryofart [at] gmail [dot] com. All welcome!

[Emily Carrington Freeman @_ECFreeman]

📣THIS FRIDAY📣Join @cjfaraday and myself for the next meeting of The Craft of Writing Art History. We're reading Baxandall's 'Chriomancy and the Grand Form', promising scintillating prose and sparkling ideas to discuss. EMAIL cowhistoryofart [at] gmail [dot] com for details 🖼

[Ruskin To-Day ('There is no wealth but life') @RuskinToday]

On 2nd March, Companion Sarah Quill is giving a lecture (zoomed live) for FoRS, the new Centre for Ruskin Studies at @CaFoscari titled "As it was, where it was..." The fall and rise of the Campanile of San Marco. Details here: https://t.co/kFGdfbfcjb

[ERC Chromotope @ercchromotope]

Chromotope team members @RibeyrolCharlo1 @MaddieHewitson, Matthew Winterbottom (@AshmoleanMuseum) & Stefano Evangelista (@TrinityOxford) are taking part in a TERRA workshop on Materiality and the Senses Fri 3 March.

Advanced booking required. Email [email protected] to sign up

[Emily Carrington Freeman @_ECFreeman]

@cjfaraday @PaulMellonCentr @TateResearch @HoArt_cambridge @OxfordArtHist @TheRuskin @UCLHoA -- open to all! 🖼🎨✍️

[Emily Carrington Freeman @_ECFreeman]

🎊IN ONE WEEK!🎊
Please join the brilliant @cjfaraday and my good self for our second Craft of Writing Art History next Friday 24th February to talk about Rosalind Krauss' text 'Grids'.
We'll be meeting in Central London - email cowarthistory [at] gmail [dot] com for details.

[Emily Carrington Freeman @_ECFreeman]

🔔TOMORROW - I'm back with @cjfaraday for our first Spring Craft of Writing Art History! 🔔

If you can't make it, we'd love to see you next time. Email cowhistoryofart [at] gmail [dot] com for details, and to join our mailing list ✍️

[Beinecke Library @BeineckeLibrary]

From William Butt's dye book, 1768-1785. https://t.co/1oFRMYqGZW
Manuscript volume containing dozens of detailed recipes for cloth dye, accompanied by small fabric swatches dyed in the intended colors.

[Oxford 18th-Century Literature & Culture @EngFac18thC]

Here's our programme for this term!

[Oxford Art History @OxfordArtHist]

Announcing the University of Oxford Slade Lectures for 2023. Details to follow. #oxfordsladelectures #oxfordarthist

[Emily Carrington Freeman @_ECFreeman]

WE ARE BACK! The Craft of Writing Art History re-starts end of Jan! 🐄🖼
Join me and the fab @cjfaraday in central London - this term we'll be reading a range of art writing from Malcolm, Krauss, Baxandall, and Warner.

For full details email: cowhistoryofart [at] gmail [dot] com

[Antigone Journal @AntigoneJournal]

Love how hard-hitting John Ruskin's first book title was:

[Emily Carrington Freeman @_ECFreeman]

THIS FRIDAY! The second edition of The Craft of Writing Art History has come around so fast! Join me and the fab @cjfaraday in central London to discuss another fascinating text and meet other HoA enthusiasts. For full details email: cowhistoryofart [at] gmail [dot] com 📚🐄

[Interdisciplinary Nineteenth-Century Studies @incsscholars]

We believe in 2nd chances! INCS 2023: Extension through 10/21 - https://t.co/zC1cHZLHFD

[Anna Mazzola - Updates only. @Anna_Mazz]

A tiny devil caught in a prism of glass. 17th century. By 1720 it was in the Treasury in Vienna and was described as a ‘spiritus familiaris that was driven out of one possessed and banned to this glass’. Now at the Kunsthistorisches Museum Collection, Vienna.⁣