Ssmb30 will take time, asalu varanasi pre/ post high digali ante manke chala time pattudi...Ah standards ki minim guarantee projects chala time teskuni ayina set cheskovali..without fumbling..
Vanga is front runner always..his previous commitments and timeline should align
Superstar @urstrulyMahesh is currently shooting for #Varanasi and is fully focused on the project and its global promotions. No future films have been finalized yet. A few directors are developing scripts, but meetings are yet to happen and discussions remain at an early stage.
To All SSMB Fans, 🔥
The trending Rudhra Locket is now available at a special price starting from ₹170 only!
🎁 Get an extra 10% OFF using promo code: SSMB10
⏳ Limited-Time Offer
🛒 Order now: https://t.co/hkdBW92iuo
Follow: @rudhracore
Superstar Mahesh Babu is completely focused & grinding hard for #Varanasi !!
No new projects finalized, full concentration is on completing this film. Total shoot wrapping up by August.Get ready for a massive worldwide grand release on April 7, 2027. 🏹💥
వృత్తి ధర్మం ♥️
ఈ కాంట్రవర్సీలపై నా స్టాండ్ పక్కన పెడితే... వీని లైఫ్ మోగోని తీరి 💪🏻🤙🏻
@BarbellPitchMee
వీడి భయానికి నేను ఒళ్ళు దగ్గర పెట్టుకొని 2సంవత్సరాల నుండీ కథ రాస్తూనే ఉన్నా 🤣
#Cinema needs him 🔥👍🏻
#Tfi#Barbell
Guys what the fuck is our industry, VenkyBO has deactivated…I’m sure he was forced to do it. This is crazy man.
This was his last post about #Peddi
I’m sure everyone can understand what happened :)
It was barbell few days ago, now it’s Venky. Freedom of speech is gone!
Am OBSESSED with OBSESSION..
Till even a few weeks before the whole industry believed that only Big starred , massive budgeted , Vfx spectacle films will pull audience into the theatres and now OBSESSION reset that BUTTON
No BIG STARS No GRAND LOCATIONS No LAVISH PRODUCTION DESIGN No FOREIGN SHOOTS No TOP TECHNICIANS and contrary to it’s reported budget of 7 cr (Indian) it’s easy to see , it’s pure making cost cannot be more than 70 lakhs minus technical fees considering it’s entirely shot in exactly 3 locations ( two rooms in a modest house, interior of a car AND interior of a small store
The directors style is visually simplistic but very unique ( I was especially struck with his use of too much head space in many shots which strangely enhances the mood )
He treats editing not just as a technical craft but as psychological weapon blending rapid cuts with especially lengthy stays (case in point is long stay on Nikki’s face in interval shot )
These kind of long takes build unbearable tension because the audience is trapped in the character’s perspective with no escape.
His cutting on sharp sound effects (a door slam, a sudden laugh, a heartbeat) to create rhythmic punctuation is awe inspiring
Barker’s editing philosophy seems to be: “Make the audience feel what the character feels, which is being unstable”
He throws out traditional editing rules (smooth continuity, clear emotional beats) in favor of something extremely anarchic
The result is a film that feels unpredictable and alive, like the editing itself is also a part of the horror.
He mostly used single source lighting and lit up spaces rather than individual shots very much like David fincher but much more effectively
More than the 179 million dollars collection so far with a less than 1 million dollar budget , what needs to be even more studied are the path breaking edit and sound design techniques not to forget CHARACTER DESIGN