Jacques Rivette, in "On Abjection," while excoriating Pontecorvo for the Holocaust film Kapo: "the point is that the filmmaker judges that which he shows, and is judged by the way in which he shows it."
https://t.co/3eMdDAIgnO
“Beit Lahia, Beit Hanoun, Gaza City, Jabalia, Nuseirat, Deir al Balah, Khan Younis. There are names that become inseparable from the great crimes committed there.” —Blair McClendon @__seab on With Hasan in Gaza, premiering at Metrograph from May 29.
I wrote about Kamal Aljafari's With Hasan in Gaza and the gap between archival films and history. Thanks to Kelli for having me. https://t.co/fbSlQrAbTt
@jeremypgordon Yeah, I was invited to the sight and sound list and it was way clearer what was being asked, who was asking, and what I was arguing for/against. I don���t think the guardian list would even make sense to me if I was answering for exactly the reasons you said.
Stepped away from the after party for the premiere of the Mrs. dalloway adaptation and the kebab place is playing a video explaining supply chains and Iran’s battle strategy in Hormuz
We're pleased to debut the trailer for Kamal Aljafari's 'With Hasan in Gaza,' one of the year's best documentaries, which opens @Metrograph on May 29: https://t.co/DsV7Q4ojnw
Home of the finest independent film journalism since 1962, @FilmComment is debuting a quarterly digital magazine, offering subscribers access to cover features, reviews, in-depth interviews, reporting from top film festivals, podcasts, and more.
Our first quarterly digital issue, the Summer 2026 issue, is now live, with a cover story by Blair McClendon (@__seab) on Boots Riley (@BootsRiley)'s I Love Boosters! https://t.co/6lhjEXW7IR
@BigMeanInternet I think it’s fine to dislike where money comes from (though I wish there were an actual living *and* distribution in the kind of small scale projects people idealize), and I don’t think anyone has to make a movie, but mostly people are incorrect about how power is distributed.
@BigMeanInternet I also think people are a little confused about film labor. As was shown in the trades reactions to the Sinners deal, it’s uncommon for a director to own a well financed movie. They don’t often have final cut. We call it theirs, because we do that with artists, but it rarely is.
The Cannes Directors' Fortnight lineup features Arie Esiri and Chuko Esiri’s Mrs Dalloway-reimagining 'Clarissa' with Sophie Okonedo, David Oyelowo and Ayo Edebiri
See the full lineup here: https://t.co/Bueq1rhSv6
Despite my general optimism it’s undeniable that the losses we have suffered are generational, the impact psychically, socially, interpersonally— we can’t even register the enormity of it all
🚨 The final number of dead at the Shajareh Tayyebeh girls’ school in Minab, southern Iran, is 108 school girls, a spokesperson for the Iranian Red Crescent Society said — more than half of the roughly 170 students who attend the school.
It remains unclear whether the strike was carried out by the U.S. or Israel. A CENTCOM spokesperson said they were “looking into” the reports.
Drop Site reported from the site of the massacre, speaking with families who lost their daughters. The school was reduced to rubble, and dozens of girls were trapped beneath collapsed concrete, with residents digging with their bare hands. Parents wandered through the debris in shock, calling out their children’s names. The full report is below.
Democratic leadership slow-walked the Iran war powers resolution long enough for Trump to start the war. Top Democrats support war with Iran - they just want Trump to be the one to absorb the political fallout
My report from earlier this week:
https://t.co/M3Ac18aRUl