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Manchester United officials have internally explored the possibility of bringing Mason Greenwood back. The Red Devils included a buy-back clause when they sold him to Marseille in summer 2024, and Greenwood has scored 20+ goals across two seasons in France.
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The murder of Charlie Kirk is a tragedy, and a sign of the utter desperation and cowardice of those who could not defeat him in argument. Charlie Kirk has been killed not for espousing extremist views - because he didn’t. He has been killed for saying things that used to be simple common sense. He has been killed because he had the courage to stand up publicly for reasonable opinions held by millions and millions of ordinary people both in the US and Britain. The world has a shining new martyr to free speech.
Our thoughts and prayers are with his family and loved ones.
The Dangerous Lie of Adolescence.
Wow. I just watched Adolescence and it's a stunning illustration of the lengths at which a society in denial is willing to go to superimpose a perniciously false Marxist narrative unto a sad biological reality.
In the above illustration is the actor playing the 13-year-old killer in Adolescence. If you watch the movie without doing the research, what you get is a gentlemanly White English boy, with high IQ and a slightly autistic and narcissistic temper. The mechanism to induce this boy to commit a murder is quite simply explained throughout the series: Watching too much Andrew Tate, the 80/20 theory of the redpill world, too much use of Instagram, internalized lack of self-confidence, and a slight autistic and narcissistic penchant cultivated by a culture that has gone too online. Those are the ingredients that led this high IQ White boy interested in history (he's fascinated by the Industrial Revolution) to kill a girl who maybe nagged him and made him feel inferior. But that entire story is a lie.
There are no White boys fan of Andrew Tate who recently killed any woman in the UK. Instead, the two cases we know of that most closely resemble the events in the series are, firstly, the case of Hassan Sentamu, illustrated below.
Hassan was 17-year-old when he killed Elianne Andam outside a shopping center. The elements of his murder that have been recuperated in the series include the stabbing style, the slightly autistic personality of Hassan, and the fact that the group of girls that Elianne was part of had nagged him the night before and threw water at him. The murder happened during a meeting for transfer of belongings that his ex had kept.
Notice the differences with the series: not White, not high IQ, not on the Internet, not on Instagram, no following of Andrew Tate, no incel culture, no red pill culture.
The second story on which the series could have been more loosely inspired are the murders of Southport by Axel Rudakubana.
Axel Rudakubana was a violent person who has been dreaming of committing mass violence for years; researching mass violence and mass shootings on the Internet. He was known to be dangerous but was let go by the various services in charge of putting him through "Prevent" and "Special Education" services (are these services ever successful?). He even had previously been calling the Childline to ask "What should I do if I feel the need to kill people?" On July 29th 2024, he found three victims at a danse class for children. He killed girls aged six, seven and nine years old with a knife.
Notice again the glaring differences with the series: not White, not high IQ, no following of Andrew Tate, no incel culture, no red pill culture. He was on the Internet, but it is not current blogs or red pill ideology that he was researching, it was mass killings.
Bringing us back to the fiction of Adolescence. The lie of Adolescence is not merely the fact that a White boy was used as part of a blood libel to merely change the color of the skin of a bunch of Black killers who have truly inspired the series.
They did much worse than use his White skin. They Whitened the whole story. They Europeanized it with the character's love for History. They made him into a high IQ kid (honestly, the performance of the actor is just stunning, this is where it gets even more pernicious. One ends up kinda liking him when he tells the female psychologists not to give him orders).
They Whitened his Internet behavior also, placing him somewhere among the alt-right and red-pill spheres. Instead of showing him as a retarded brute (which is probably who you should be most careful around), they made him into a sophisticated hyper-narcissist in self-denial.
What probably hurts the most in Adolescence is that the series has been produced at very high quality. The autistic psychologist female expert with her flair for objectivity will be warmly adopted as a hero by the next generation of psychologists for having properly extirped and exposed the mysogyny of the White boy. The production style, with each episode being basically a continuous oner is hyper-realistic. It wrenches your gut, the mix of humanity and inhumanity in the process of a criminal arrest of a juvenile. If the series was about illustrating the reality of juvenile police processing, I would give it 5 stars.
But what Adolescence has been designed to hide is the reality of violence in the UK and elsewhere, and that the roots of violence are not to be found in instagram culture or Andrew Tate extremism, but rather in simple realities of biology, genes and race.
As such, Adolescence is the foundational fiction for the rising anti-White justice system of the UK, which will pursue Whites for minor crimes in harsher ways than it pursues Black rapists and criminals. Every broken girl ending up in Psychology or Sociology will want to be the expert that finds the mysogyny in a young White Boy in her report.
The generation of psychologists that will have grown seeing this series will be quite disappointed by the reality they find: that it is in the biology of certain human groups to commit much more violence than others, and that their expertise in psychology is barely needed as the people who succumb to these violent tendencies can barely put a sentence together.
Let alone be fascinated by history.