BLUE

Everything Marvels&Movies|Chelsea

[BLUE @_chides]

I miss when the monsterverse made you feel like you were there as a civillian. this scene was perfect

Also love the part where the bus driver thought he needed to get the kids to safety.

[BLUE @_chides]

Nobody move a muscle, dude are you for real 😭

[BLUE @_chides]

King Kong Vs Skullcrawler

[Manny🎬🇨🇦 @Manny4p]

The diner scene in Lanterns episode 6 is a quiet, grounded conversation between John Stewart and Hal Jordan. John notes that Guy Gardner “ripped off that bat guy over in Gotham too.” Hal explains Guy planted a giant beacon right in the middle of town so people could summon him, then reveals Batman’s reaction: it was a “make-good” for whatever the Lanterns had done. The delivery is dry and almost throwaway, which makes the world-building land harder.

Suggested comment for high engagement:

Guy Gardner copying the Bat-Signal and calling it a “make-good” is the most Guy Gardner sentence ever written. Batman’s in the cave right now drafting a cease-and-desist that starts with “I invented the glowing sky logo, you absolute menace.” The DCU just confirmed these heroes actually talk to each other and it’s petty as hell.

[Manny🎬🇨🇦 @Manny4p]

John dropping Starro and Metropolis in the same breath while pitching a city plan is peak DCU. Gunn’s really treating the films and this show as one timeline and it’s working.

What city is he even presenting to in 2026, and how long until Guy Gardner walks in and ruins the meeting?

[BLUE @_chides]

Dangerous Smile

[BLUE @_chides]

Skull Island (2017)

[BLUE @_chides]

King Kong Vs Skullcrawler

[BLUE @_chides]

I would shit in my pants

[BLUE @_chides]

KONG vs GAINT OCTOPUS

[BLUE @_chides]

You eat what you kill

[BLUE @_chides]

Just a gentle giant minding its own business. The Sker Buffalo is easily one of the most beautiful titans on Skull Island.

[BLUE @_chides]

@OmoAlade005 They really found the perfect look for Snape and knew not to mess with it.

[Adeoluwa👑ꕤ @OmoAlade005]

Snape’s costume was basically untouchable throughout the entire Harry Potter series.

From Philosopher’s Stone to Deathly Hallows, his iconic black robes barely changed at all.

Jany Temime, who took over as costume designer from Prisoner of Azkaban and redesigned most of the characters’ looks, deliberately left Snape’s costume alone.

Her reasoning was simple: “Because it was perfect. When something is perfect, you cannot change it.”

[BLUE @_chides]

@Ofcimcold Wanda’s fate is still officially ambiguous. Marvel never confirmed her death.

[𝕮𝕠𝕝𝕕𝔸𝕦𝕣𝕒 @Ofcimcold]

Genuine question: does Wanda actually die at the end of Multiverse of Madness, or does she "walk away to be better"?
It’s been years, and Marvel still hasn’t clearly confirmed what actually happened to her.

[BLUE @_chides]

@SuccyBankz Bob, easily. His human side gives the character so much more depth than just watching Sentry overpower everyone.

[SUCCY BANKZ @SuccyBankz]

I would really love to see more of Bob when he’s not in the gold suit.

Lewis Pullman made the quiet, broken version far more interesting than the god-mode Sentry. If they only use him as a living weapon in Doomsday, they will have wasted the best part of the character.

That’s only if the MCU keeps the human side after Secret Wars.

Which would you love to see more on screen, Bob, Sentry, or the Void version?

[BLUE @_chides]

@Greg3f Exactly. Both men did real harm, and neither their later actions nor their personal history completely erase it. That moral complexity is what makes their stories so interesting.

[Greg 💀 @Greg3f]

James’s cruelty toward Snape and Snape’s cruelty toward Harry should absolutely be judged by the same moral principle: neither person gets a free pass for hurting someone who did not deserve it. But the nature of their wrongdoing is not identical. James was a teenager who repeatedly used his social power to humiliate and torment Snape, and the books make it clear that this behavior was genuinely ugly Harry himself is forced to confront that his father was capable of being a bully. Snape, however, is an adult with authority over Harry who knowingly makes a child pay for the sins of his father. Harry is not James, and Snape’s resentment does not become morally justified simply because James once hurt him. In fact, Snape sometimes crosses the line from personal bitterness into abusing the power he has as a teacher.

At the same time, the books deliberately complicate any simple “James was bad, Snape was good” reading. James’s later maturity matters: he appears to abandon the behavior that defined his adolescence, becomes a member of the Order, marries Lily, and dies protecting his family. Snape’s later courage matters too: he becomes a double agent, protects Harry for years, and ultimately gives his life fighting Voldemort. But neither redemption story magically cancels the harm each man caused. The sharper moral distinction is this: James’s past cruelty does not make Snape’s cruelty toward Harry acceptable, and Snape’s heroic sacrifice does not make James’s bullying acceptable. The books are strongest precisely because they refuse to turn either man into a simple hero or villain.