zaklet

as you wish. | @VPeepz | @Floor21Films

[zaklet @_izakletargo]

🎭🪟📺

[Rocket Man @Elon_musk51620]

“Yeah, yeah, yeah, yeah
Four walls make dissonance, ya heard?”

ESPAÑA by Kennedy | a dance thang by Izak Letargo
Watch the video at: https://t.co/gE5bTqqmhF

[zaklet @_izakletargo]

call me if you get lost (2022)

[•wxves @jaywxves_]

i want this nigga girlfriend so bad brah

[ralph @prodjustinside]

the psychology of briefs according to lorna tolentino in moral (1982)

[juju 💰 @ayeejuju]

yall wasn’t there

[zaklet @_izakletargo]

my previous personality vibing with my current one

[dev @devinbreee]

Tyler the creator and childish gambino fucking it up

[DepressedBergman @DannyDrinksWine]

Jim Jarmusch's 5 Golden Rules of Filmmaking:

Rule #1:
There are no rules. There are as many ways to make a film as there are potential filmmakers. It’s an open form. Anyway, I would personally never presume to tell anyone else what to do or how to do anything. To me that’s like telling someone else what their religious beliefs should be. F*ck that. That’s against my personal philosophy—more of a code than a set of “rules.” Therefore, disregard the “rules” you are presently reading, and instead consider them to be merely notes to myself. One should make one’s own “notes” because there is no one way to do anything. If anyone tells you there is only one way, their way, get as far away from them as possible, both physically and philosophically.

Rule #2:
Don’t let the fu*kers get ya. They can either help you, or not help you, but they can’t stop you. People who finance films, distribute films, promote films and exhibit films are not filmmakers. They are not interested in letting filmmakers define and dictate the way they do their business, so filmmakers should have no interest in allowing them to dictate the way a film is made. Carry a gun if necessary.

Also, avoid sycophants at all costs. There are always people around who only want to be involved in filmmaking to get rich, get famous, or get laid. Generally, they know as much about filmmaking as George W. Bush knows about hand-to-hand combat.

Rule #3:
The production is there to serve the film. The film is not there to serve the production. Unfortunately, in the world of filmmaking this is almost universally backwards. The film is not being made to serve the budget, the schedule, or the resumes of those involved. Filmmakers who don’t understand this should be hung from their ankles and asked why the sky appears to be upside down.

Rule #4:
Filmmaking is a collaborative process. You get the chance to work with others whose minds and ideas may be stronger than your own. Make sure they remain focused on their own function and not someone else’s job, or you’ll have a big mess. But treat all collaborators as equals and with respect. A production assistant who is holding back traffic so the crew can get a shot is no less important than the actors in the scene, the director of photography, the production designer or the director. Hierarchy is for those whose egos are inflated or out of control, or for people in the military. Those with whom you choose to collaborate, if you make good choices, can elevate the quality and content of your film to a much higher plane than any one mind could imagine on its own. If you don’t want to work with other people, go paint a painting or write a book. (And if you want to be a fucking dictator, I guess these days you just have to go into politics…).

Rule #5:
Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don’t bother concealing your thievery—celebrate it if you feel like it. In any case, always remember what Jean- Luc Godard said: “It’s not where you take things from—it’s where you take them to.”

[Isabel Sandoval @Isabelvsandoval]

I’m making a new movie. A 1960s romantic noir set in Manila in the vein of In A Lonely Place and Casablanca. Shooting in Manila in April.

[zaklet @_izakletargo]

this man is a fucking machine

[DiscussingFilm @DiscussingFilm]

Wes Anderson’s next film will be his dark espionage film starring Michael Cera, Benicio del Toro and Bill Murray.

Filming begins this year.

(Source: Deadline)

[Courtney Howard @Lulamaybelle]

“If I don’t win, I’m leaving” - Jennifer Lawrence mouths to the camera during her category at the #GoldenGlobes

[Pinto @martinscorses3]

the scorsese and de niro of the 21st century

[Inner Practitioner @MindTendencies2]

The validation you seek from others is usually the self-love you don't know how to give yourself. Practice validating yourself. A person who validates themselves instead of seeking validation from others to comfort their insecurities is a very powerful person.

[MASSIVE Cinema @massivecinema]

the robbed queens of the 2023 Academy Awards

[Will Mavity @mavericksmovies]

Insane that Triangle of Sadness gets Picture, Director and screenplay but can't get Dolly De Leon in

[zaklet @_izakletargo]

SANA PINATAY KA NI MICHAEL MYERS GAGO

[edgarwright @edgarwright]

I'm still writing Dolly De Leon on my ballot.

[A24 @A24]

“Shut up please.” Golden Globe WINNER Michelle Yeoh 🏆

[zaklet @_izakletargo]

atlanta is literally the black version of seinfeld

[Rocket Man @Elon_musk51620]

“Yeah, yeah, yeah, yeah
Four walls make dissonance, ya heard?”

ESPAÑA by Kennedy | a dance thang by Izak Letargo
Watch the video at: https://t.co/gE5bTqqmhF