zsh

[Yesbox - Metropolis 1998 @YesboxStudios]

🪄 A small touch. Tree shadows will now 'render' in pseudo-3D space so they are casted onto walls and objects. But only when you cant see inside the buildings

[lost in latency @lostinlatencyX]

i’ll stay here for a bit

[Lσla Sιlҽɳȥισ @silenziomio]

by Aliriza CAKIR.

[Monique Santificer @MoniqueMonsters]

Water

[日本美術史bot @NihonBijutsushi]

横山 大観　よこやま たいかん　Yokoyama Taikan　1868–1958

《瀟湘八景 山市晴嵐》
しょうしょうはっけい さんしせいらん

1912（大正元）年
絹に彩色・掛軸
東京国立博物館

[fatih ozturk @fthoztrk]

cs_italy

[Kaysurreal @kak_dc]

GM ☀️☕️

[Archaeology & Art @archaeologyart]

Tortoise over the Venetian Lagoon, Melchior Lorck, 1555.

According to the commentary from the British Museum, where the drawing is housed, the tortoise's shell and the walled city share the same 'armored' appearance. The shell's plates and the stones of the city walls are bound together by the same black charcoal and white highlights. The animal and the city share a common language of defense, weight, and resilience.

Researcher Mara Wade associates this composition with a widely known Renaissance motto: festina lente -'make haste slowly.'

The slow advance of the tortoise, the sturdiness of its shell, and the bustling port city of Venice below...

[Outsider Aesthetics @outsidercore1]

OutsiderCore

[@_rt* @literatura_rte]

The Cats Assembly
Quint Buchholz

[Archaeology & Art @archaeologyart]

Vincent van Gogh: Three Cicadas, 1889

[cap'n @xicojam]

C:\\ BAY
8/8 ~ 12xtz

[Masterpieces of Japan @JapanTraCul]

Omiya in Rain, by Kawase Hasui, 1930s

[Marysia @marysia_cc]

Haruomi Izumi, Poem of Light, 2018