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abhishek rao
@abhimax2523
King of all trades
Montevideo, Uruguay
Joined May 2010
3.7K Following
120 Followers
907 Posts
Dear @narendramodi and @nitin_gadkari, I urge you to heed science, reason, and the concerns of ordinary Indians.
Here, I explain why India’s E20 policy hurts vehicle owners, water resource, and the environment; and helps the politician-middleman, the sugar, and the liquor lobby:
*Mission par Nikalna Hai*
Real Spy - Look change karlete hai, Equipments test kar lete hai, Plan revise kar lete, ek aur back up plan bana lete...
YRF Spy - Ek dance kar lete hai, Bikini pehen ke swim kar lete hai, Bike speed limit ke upar bhaga ke local police ko alert kardete hai...
Stationary car fails to move out of Thar's way
The Bollywood ecosystem's selective hype is hilarious.
When #Dhurandhar shattered box office records with raw action, the entire A-list inner circle stayed dead silent. No tweets, no praise, just cold indifference to an outsider-led project.
But the second YRF's Alpha teaser drops? The corporate machinery aligns instantly. Shah Rukh Khan, Amitabh Bachchan, and the entire nepo circle rush to copy-paste their mandatory hype stories.
The worst part? They are aggressively cheering a teaser that completely erased outsider Sharvari Wagh from the actual footage just to protect the camp's favourite.
The audience rewards merit now, not your PR-driven circle-tossing, YRF.
What exactly is worrying here?
An actor saying Bharat Mata Ki Jai in a country called Bharat is now a threat? That reaction itself exposes the mindset.
When Uri became a massive hit, it wasn’t because of propaganda or BJP it was because people connected with a story of national security and sacrifice.
The Kashmir Files didn’t get corporate backing initially, yet audiences turned it into a phenomenon. Why? Because stories that were earlier brushed aside finally found space. Voice of the voiceless moment.
RRR openly celebrated civilizational pride and went global. No one called it dangerous when Western audiences applauded it but the discomfort shows up domestically.
Go further back Lagaan, Border nationalism was never the problem. It was celebrated. So what changed? Not the audience it’s the gatekeepers.
For years a certain ecosystem decided what stories were acceptable, what patriotism should look like, and who gets funded. That monopoly is breaking and instead of admitting it, they’re calling it a threat.
No one is being silenced. No law is stopping films from being made. If anything, more voices are entering the space from writers, directors, to actors who don’t belong to old elite circles and with sheer hardwork.
What’s actually happening is simple the audience is no longer passive.They are choosing what resonates with them wrt culture, identity, history without waiting for validation from critics or columnists.
So when someone says this should worry Bollywood, they’re not talking about freedom of expression.They’re worried about losing control over it slowly n very rightly so.
Lucknow, Uttar Pradesh: On the portrayal of Mafia Don Atiq Ahmed’s direct connection to ISI in the movie Dhurandhar 2, former DGP Vikram Singh says, "There should be no doubt about this. When Atiq Ahmed was alive, his gang was listed as IS-277 (Interstate-277). In his confessional statements, he admitted that weapons—including .45 caliber pistols, AK-47s, and RDX—were brought to him via drones from Pakistan and reached Punjab. Through his contacts, he also had connections with Lashkar-e-Taiba and the ISI..."
T20 Matches are won and loss in "moments".
Harry Brook dropping that Sanju Samson sitter.
Axar Patel taking those blinders in the field.
Arshdeep persisting with that line outside off despite 3 wides to get that priced wicket of Will Jacks.
Tilak Varma hitting Archer for 3 sixes in an over in a knock of 21 that almost no one will remember.
Hardik Pandya with that effort and throw to knock out Bethell in the final over.
And of course.. Bumrah doing Bumrah things under pressure.
India showed composure in difficult moments. Backing their plans, keeping it simple and doing the basics right. England were always in the chase but India looked confident on the field that they would see this game through. And they did.
Sunil Gavaskar replied Nasser Hussain over his comments on India :
"In the 2003 World Cup, England refused to play in Zimbabwe, perhaps because they did not like the face of the then President Robert Mugabe announcing his policies. What a silly excuse. There was no security threat to them or anything, yet they chose to stay away and forfeit their points. Did the ICC do anything? No. Because at that stage, the English and Australian boards ruled the roost, and the others did not want to upset them," (Sportstar)
NOIDA Incidet: मैं पुलिस के साथ हूं!
मुझे समझ नहीं आ रहा नोएडा में इंजीनियर की मौत के मामले में कुछ लोग पुलिस को दोषी क्यों ठहरा रहे हैं।
आप एक मिनट के लिए इनकी जगह खुद को रखकर देखिए, कुछ पुलिसवाले हैं जिनका पूरा दिन रेहड़ी-पटरी वालों से पैसा लेने में बीता है। फिर उस पैसे को अथॉरिटी वालों से बांटने का मुश्किल गणित भी करना है।
इस बीच लगातार ये भी सोचना है कि जो लगातार पैसा कमाया जा रहा है, इससे गाँव में कौन-सी ज़मीन लेनी है। थार का बेस मॉडल लेना है या काली स्कॉर्पिय। इस सारी चिंता के बीच उसे सस्ता सिंघम बनकर इंस्टाग्राम पर रील भी डालनी है।
ऐसे में अचानक रात के एक बजे कोई फ़ोन करके बताए कि साहब, देखो सामने बच्चा डूब रहा है, कुछ करो… तो वो क्या कर पाएँगे। वो बेचारा तो मानसिक तौर पर किसी और ही दुनिया में है। ये उसके सिलेबस का हिस्सा ही नहीं है।
वो गरीब तो खुद इस बात से परेशान है कि थोड़ी देर पहले हरी चटनी के साथ जो मुफ़्त पराठे खाए थे, उसके बाद से डकार नहीं आ रही। वो तो बेचारा तो पेट की गैस से परेशान है और आप चाहते हैं कि वो गैस वाला गुब्बारा बनकर उड़कर बच्चे को बचा लाए।
गौतम गंभीर की ज़बान में कहें तो ये उसका डोमेन नहीं है भाई। अगर उसके इलाके में कोई ऐसा फ़ुटपाथ अनक़ब्ज़ाया छूट गया है जहाँ दो ठेले लगाए जा सकते थे और अब तक लोग उस पर पैदल चलकर उसकी कमाई की संभावनाओं को हर दिन रौंद रहे हैं, तो निश्चित तौर पर ये उस फुटपाथ और उसके Code of Miscoduct का अपमान है।
लेकिन इल्ज़ाम ये हैं कि उसने डूबते बच्चे को बचाने के लिए कुछ किया नहीं, तो ऐसा बोलने से पहले खुद आपको डूबकर मर जाना चाहिए।
कुछ करना ही है तो उसे ENO भेजिए।
-Neeraj Badhwar
#Istandwithpolice #NoidaTechieDeath #NoidaSector150 #NoidaTragedy
So so so satisfying, thanx for exposing these fake instagram doctors ❤️
A war film that asks "us" to consider the cost of war. What an idiotic take!
The aggressor bears the cost of war; the non-aggressor bears the cost of ending atrocity. Blurring this difference in the name of vague humanism erases who acted, who is guilty, and who is responsible. If considering “the cost of war” means the victim must hesitate to defend itself just because violence feels uncomfortable to kitty party intellectuals, then that idea ultimately asks victims to accept massacre and submit to genocide.
In 1971, the Pakistan Army committed a documented genocide: nearly 3 million civilians killed, 200,000–400,000 women raped, 10 million refugees, and the systematic execution of intellectuals. To pause and “weigh the cost of war” if such crimes erupt in our neighbourhood again is, in effect, to argue for inaction, to watch, rationalise, and thereby enable mass murder. That position is not moral caution or enlightened pacifism; it is the logic of surrender, advanced only by those who are either morally indifferent or too cowardly to accept the responsibility of stopping evil.
Ajmal Kasab interrogation scene:
Commissioner Rakesh Maria: Kyu maara tune itne masoom logo ko?
Ajmal Kasab: Aaka ka hukum tha zyada se zyada dushman maarne hain.
Rakesh Maria: Kaun dushman?
Ajmal Kasab (crying): Sorry sir.
Rakesh Maria (crying): it's ok.
Audience *having intense Aman ki Aasha orgasmic contractions*
The end.
A Sriram Raghavan film.
He was Ilyas Kashmiri, a Pakistan Army SSG operative turned terrorist.
In the early hours of 27 Feb 2000, he led a 25-member team of Pakistani soldiers and terrorists in a cowardly assault on an Indian Army post of 17 Maratha LI in the Nowshera sector. The post was tactically indefensible, surrounded on three sides by Pakistani positions. The CO had flagged this fatal flaw and sought permission to pull the post back but was denied by his superiors.
Seven Indian soldiers paid with their lives. After killing them, Kashmiri beheaded Sepoy Bhausaheb Maruti Talekar. The severed head was carried across the LoC, paraded as a trophy before a cheering crowd, and then kicked around like a football.
For this act of medieval barbarism, Pakistan’s then president, Pervez Musharraf, publicly honoured Kashmiri and rewarded him with ₹1 lakh Pakistani for bringing back the head of an Indian soldier.
Sepoy Talekar was cremated in his village without his head. His sister begged to see her brother’s body last time. The Army obviously refused.
This is who we are dealing with: a religiously radicalised army-state that celebrates sadism, institutionalises hatred, and teaches its men that the more brutally they butcher their enemies, the greater their reward, on earth and in heaven.
And yet, sitting comfortably on this side of the border, protected from every real consequence of war, are elite idiots who romanticise this force as “professional soldiers just following orders.”
“Kaun dushman?” My foot.
In Norway, 2 children got food poisoning in a public school after having school’s lunch.
School’s Principal Resigned
Cafeteria Cook was sacked
Contract was cancelled
Health secretary came and apologise
Prime Minister had to issue a statement
In India, 7 people died after drinking contaminated water in Indore, 40 more are hospitalised.
It didn’t even make Prime Time News.
Value of a common man in this country is less than a cow on the streets.
A ₹12.35 crore under-construction ropeway collapsed in Rohtas dist, Bihar, during a trial run, days before inauguration. Not just the rope, but the pillars also collapsed.
We criticise the govt when they do bad work but rarely praise them when they do something good. That’s not right. So here’s the credit where it’s due. By making it so low quality that it collapsed before inauguration, the Bihar administration has saved many lives. If the quality had been even a shade better, it would have collapsed after inauguration and could have been catastrophic.
Thank you to whoever the honest people were behind this. I’m sure the entire ₹12.35 crore was spent on the project and nobody, from top to bottom, took any cut. God bless you for being the saviours.
He is right. The cinema world is shivering. The tremors can be felt even before the video is out.
I went to PVR this morning to watch Dhurandhar, but they said they have cancelled all the shows because Rathee's video is coming. It’s happening pan-India.
The makers are recalling all the prints from cinema halls, and they’ll dump them in the Ghazipur landfill. Aditya Dhar is planning to quit filmmaking and shift to Mozambique, where he’ll run a chicken pakoda shop to earn a living. Akshay Khanna is planning to apologise for acting in this movie. Sanjay Dutt will return to the underworld, Madhavan to Dubai, and Rampal to Pakistan to avoid making movies henceforth.
This is the end of the nationalist cinema era. The catastrophic butterfly effect of this video is already unfolding even before its release. Studios are panicking, directors are hiding, actors are reassessing their life choices.
What will happen once the video is actually out? Total annihilation, presumably. I wouldn’t be surprised if it leads to nothing short of Modi’s resignation and the permanent shutdown of Indian cinema itself.
For Gill, if he wants to make a place in the playing XI, he only has to score runs in 1 out of 5 matches, and it doesn’t matter if his strike rate is 120.
For Samson, Jaiswal and Ruturaj, if they want to make a place in the XI, first they have to wait for Gill to fail in 20 matches, then they have to immediately score 50+ runs at a 200 strike rate and even after that, they will get dropped after 2 failures.
This is the harsh politics happening in the BCCI, all done by Gautam Gambhir and Ajit Agarkar.💔
That's the review movie deserves. Kudos.
DHURANDHAR
THE FILM THAT SHATTERED BOLLYWOOD’S LIE FACTORY
I walked in expecting an action thriller.
I walked out knowing I’d just seen something Indian cinema has deliberately avoided for 70 years.
Let this be said clearly:
Watch who praises this film.
Watch who panics.
Watch who froths.
That reaction alone will tell you who stands with India and who has spent decades laundering narratives.
THE TRUTH BOLLYWOOD NEVER DARED TO SHOW
Bollywood didn’t fail to show reality because India lacked stories.
It failed because truth threatens ecosystems.
Mughals Reality:
Invaders. Fratricide. Temple destruction. Loot. Occupation.
Mughals Bollywood:
Silk curtains. Urdu poetry. Soft lighting. Eroticized oppression.
History was replaced with aesthetic anesthesia.
PAXTAAN: FROM TERROR STATE TO CINEMATIC TEDDY BEAR
Reality:
•IC-814
•Parliament attack
•Mumbai 1993
•26/11
•Kashmir terror
•Global jihad pipelines
Bollywood’s fantasy:
•Bajrangi Bhaijaan: “Dil se acche log.”
•Main Hoon Na: “Bas misunderstanding.”
•Tiger, Pathaan: Romance with a state waging hybrid war.
Even Border ends with lullabies of peace.
This isn’t cinema.
This is strategic whitewashing.
And why wouldn’t it be?
When the Mumbai underworld funded across the border owned Bollywood.
When fake currency flowed in.
When stars danced for D-company heirs behind closed doors.
You didn’t get truth because truth was bad for business.
ENTER DHURANDHAR — NO FILTER. NO APOLOGY.
For the first time, a mainstream Indian film shows:
✔ Karachi’s underworld as the terror conveyor belt
✔ Lyari as the crime incubator it actually is
✔ How terror seeps into politics, borders, intelligence
✔ How India fights silently, relentlessly, daily
✔ How narratives are weapons
✔ How India was gaslit for decades from within
And here’s what really exposes the lie:
Not one religious sermon.
Not one demonization of civilians.
This film attacks the terror state, not people.
Which is exactly why the “anti-Muslim” shriek is dishonest, lazy, and revealing.
PERFORMANCES THAT DON’T ASK FOR PERMISSION
Akshaye Khanna
Ice-cold. Surgical. Merciless.
This isn’t acting its dominance.
R. Madhavan as Ajit Doval
Every line lands like a hammer.
“India’s worst enemies are inside India.
Paxtaan comes next.”
Uncomfortable?
Good. Truth usually is.
Sanjay Dutt. Arjun Rampal. The Lyari cast
No caricature. No Bollywood melodrama.
Just menace that feels real.
Ranveer Singh
This is the shock.
He knew the cost:
•Middle East markets gone
•Elite circles hostile
•Critics sharpening knives
•PR image burned
He still did it.
That’s not stardom.
That’s spine.
ADITYA DHAR DIDN’T MAKE A FILM. HE FIRED A SHOT.
Every frame carries intent:
•Uri’s discipline
•A documentarian’s honesty
•A patriot’s rage
•An analyst’s precision
This wasn’t entertainment.
It was correction.
A direct challenge to an industry that mocked India, softened its enemies, and censored its own wounds.
CRAFT THAT LEAVES NO ESCAPE
3 hours 43 minutes.
No filler. No mercy.
Kandahar.
Parliament attack.
26/11.
Not glamorized.
Not diluted.
Not sanitized.
America films its trauma.
Israel films Mossad.
France films its scars.
India finally films its truth.
WHY THE CRITICS ARE MELTING DOWN
Because Dhurandhar threatens:
•Their storytelling monopoly
•Their ideological pipelines
•Their export-friendly narratives
•Their decades of selective silence
•Their authority over what India “should” watch
This film rips the mask off.
It exposes the second war India has always fought inside its own narrative space.
Dhurandhar is not cinema. It is a rupture.
A fracture in a narrative cartel that ruled for decades. A reminder that stories don’t belong to studios, critics, or ideological brokers.
They belong to the nation that lived them. For the first time in a long time
India took back the microphone.
@AdityaDharFilms @yamigautam
#DhurandharReview #Dhurandhar
Surprisingly, no Australian is saying:
Why did the attack happen? Why were there no security forces already at the beach?
Who benefits from this attack? The govt! Hence, it’s proved it’s an inside job.
Sarhad par tanav hai kya? Pata to karo, Australia mein chunaav hai kya?
No one is born a terrorist; circumstances make them. Australians should look within to understand why the youth is turning to terrorism.
Because only terror apologists resort to conspiracy theories, deflections, whataboutery, and low-grade philosophy to shift the onus from the terrorists and their motives to everything else, something Australians don't have, but we have in abundance.
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