The moment Jimmy Page reminded Jack White and The Edge why they picked up guitars in the first place.
Priceless.
The film It Might Get Loud (2008) throws Jimmy Page, Jack White, and a man who willingly goes by The Edge onto a bare soundstage with nothing but stories and amplifiers.
Page straps on his battered Danelectro and uncoils "Kashmir." The Edge, wide-eyed, asks where that rhythm came from, that strange pulse. Page grins and says it was born from fooling around in DADGAD, a tuning that bends toward the sitar.
He had been sketching a piece called "Swan Song," dense and layered, when the bones of "Kashmir" surfaced at Headley Grange with Bonham pounding it into the earth. He calls itahypnotic riff, circling, cascading, brushing against dissonance until you lose yourself.
Three generations of guitar heroes stand there trading secrets like contraband and letting the noise echo in the void.