#CeJourLà 🎨 Née le 30 octobre 1853, la peintre, sculptrice et graveuse Louise Abbéma se fait remarquer en 1876 par un portrait de Sarah Bernhardt. Portraitiste du monde des arts, elle s’illustre aussi dans les scènes de genre et le paysage.
@gallicabnf@parismusees
Out now!
Using artworks by Berthe Morisot, Édouard Manet, Claude Monet, Pierre-Auguste Renoir, and others, @addressingart explores how women and artists in Impressionist Paris crafted their public images to exploit and resist stereotypes.
Find out more: https://t.co/M3hEoL40TI
I am resuming my book related posting as first proofs are in and I’m just waiting on final proofs and my students’ final papers. Today a tidbit about Jeanne Demarsy, who I profile in the book. I even found one of her outrageous bills for lingerie which made international news!
1/Very happy with my cute new carte de visite album. Also the new postcard of Jeanne Demarsy (the model for Manet’s Jeanne). Here she’s playing a harem role in “Mon Oncle Barbassou,” an 1891 Gymnase production. I discovered a lot about Demarsy’s career as an actress and cocotte,
Going to be a bit quieter over the next two weeks as I have final page proofs to review (and an index to assemble!). Keeping two of the women in the book close as inspiration. ❤️ Wish me luck!
1/ Now for a story that I do discuss in the book: In the late 1870s, Giovanni Boldini, a young Italian modern-life painter was enjoying an “early rise to fame,” as one contemporary critic put it. Eager to couple the beauty and celebrity of an actress with a fashionable
#19thc 🧵
Can’t resist sharing this other recent find on eBay. Another shot of Alice Regnault by Gaston, Mathieu & Cie this time in costume as Julia, a Horse Guard in "Le Trône d'Ecosse,” which debuted at the Théâtre des Variétés on Nov. 17, 1871.
#19thc#France#theatrehistory
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Exciting update, the photo of Alice Regnault (born Augustine-Alexandrine Toulet) is by Gaston, Mathieu & Cie. There's an alternate crop in the Paris Musées collection.
#fashionhistory#19thc#France#courtesan#chic
I’m going to start sharing images of some of the women discussed in my forthcoming book. These images won’t necessarily be the ones in the book, though some of them will be. Here’s a photograph of Alice Regnault, an actress at the Théâtre du Gymnase whom I discuss.
📕 My book, Édouard Vuillard, the Nabis, and the Politics of Domesticity, to be published by Bloomsbury Visual Arts @BloomsburyAcad has a cover and has gone to press! 💃
I am incredibly grateful to the 4 reviewers whose lovely comments grace the back cover.😊
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@dr_cdeutsch Though romanticizing farming isn't new. You see it already in the 18th century and into the 19th cent. It seems to go hand-in-hand with urbanization.