One show she did that embedded her into my childhood subconscious was this really fun series on Discovery Kids called TRUTH OR SCARE, telling about hauntings and other preternatural phenomena. It was one of my favorites, as was BUFFY. I genuinely cannot believe this one. R.I.P.
R.I.P Gene Hackman, one of the all time greats, whilst often typecast, he was an actor of real versatility and vulnerability, attaining the stature to end his career on his own terms, enjoying a decade of well earned retirement
This one stings. Bad. Not just because of how much he's contributed to American cinema, but how recently I've returned to him as a source of inspiration. David Lynch, I'd go as far to say, is a hero of mine. A man of boundless vision, creativity, & kindness. God rest his soul.
Happy 84th Birthday to Studio Ghibli legend, Hayao Miyazaki!
“My process is thinking... thinking... and thinking. If you have a better way, please let me know.”
Another end-of-an-era moment. The incredible woman who brought a series of incredible books from out the pages & onto television screens the world over. I wouldn't have become a filmmaker were it not for THOMAS. That's how much this woman means to me. Godspeed, Britt Allcroft.
My prescription for experimental cinema: to hell with allegory, look for fantasy. I love looking for speculative fiction in this kind of work.
EAUX D’ARTIFICE (1953, Anger) / THE GAMES OF ANGELS (1964, Borowczyk) / BREAKFAST (1974, Bokanowski) / THE BLACK TOWER (1987, Smith)
NEW VIDEO! 🎬
20 years on, let's talk about the Thunderbirds (2004) movie. Featuring brand new interviews with cast, crew and fans, Security Hazard is proud to present this extensive retrospective covering all aspects of the film's production: https://t.co/gy3Sr1mCiU
The Terminator's 40th anniversary: For all the billions and technological advancements Cameron has made since, its still the low budget thrills that leaves the most impact, surging with nightmarish force & immediacy it still makes a salient point in debates of A.I & the future
If there's one thing I'm taking away from @megalopolismov it's to take more risk in my work. I can't think of a man who has orchestrated a more diverse portfolio than Francis Ford Coppola. I feel more invigorated than ever as an artist having known his electrifying oeuvre.
Editor @stagescreen60 takes on Francis Ford Coppola's latter-day #scifi epic #Megalopolis and tries to articulate what it is that made this such a fascinating and powerful watch. Well worth a trip to theaters.
https://t.co/NKzn8xJAeZ
In light of certain listicle, I've expanded my Top 25 list of horror films to a Top 100. Not sure how to rank them yet, so for now, we're filing the numbers off & letting you bask in an absolutely wild lineup. Remember: only YOU can prevent bad taste!
https://t.co/Q7pGvAy4jl
Wrote about this phenomenon in my review, but the amount of allusion Coppola pulls on is the mark of a well-read man in an objectively illiterate society. If that realization makes you angry, it's not the film's fault. Get reading. Literally anything.
https://t.co/ZnMU5qWk92
Even without knowing it's a nod to Shaw, it's a genuinely funny scene & tells a great deal about Cesar. I'm more amused by how angry MEGALOPOLIS has made people. It's like watching a thousand shattered Dunning–Kruger complexes furiously collected from off the theater floor.
APOCALYPSE NOW (1979)
Dir: Francis Ford Coppola
DP: Vittorio Storaro
Music: Carmine & Francis Coppola
An Army Captain is sent after a deranged Green Beret during the Vietnam War. An epic odyssey that, even in its initial theatrical cut, arrests & hypnotizes the audience fully.
We're ill-equipped for this film. It's not that audiences are "too stupid" for it; they're watching it in a completely foreign language they do not speak, understand or even recognize. It's literal Greek (or should I say Latin) to the modern audience. A fascinating phenomenon.