Alchemy | Submissions Open

journal publishing textual & visual translations as well as experimental work that challenges the act of translation. based in uc san diego

[Alchemy | Submissions Open @alchemyjournal]

We're open for submissions till June 30!

Send us your ecological imaginaries in translation ❤️

https://t.co/qAERouK3Wl

[Ali Znaidi @AliZnaidi]

#MasonNation 💚💛
-@MasonULife
-@GMUPres
-@georgemasonu
-@mason__cw
#translatorsontwitter #ArabicLiteratureInTranslation #TunisianLiteratureInTranslation #Tunisia
“Scissors” by Omama Zaier, translated by @AliZnaidi from @alchemyjournal Issue 25. https://t.co/tbsIDlCupk

[Poetry Daily @Poetry_Daily]

Today's Featured Poem:

"Scissors" by Omama Zaier, translated by @AliZnaidi from @alchemyjournal Issue 25

Read here:
https://t.co/r7WDBEWJ67

[Alchemy | Submissions Open @alchemyjournal]

From "To put straight the long-lingering sunshine"
An original auto-translation by Fiona Martinez
https://t.co/P39ZRmjl0x

Alchemy is open for submissions till September 30 : https://t.co/qAERouK3Wl

[Alchemy | Submissions Open @alchemyjournal]

Send us your translations! We are open for submissions: https://t.co/qAERouK3Wl

[Alchemy | Submissions Open @alchemyjournal]

"I sidestep the need for certainty, or words of explanation. Instead, I trust that the ambiguity inherent in the poet’s word choice will help readers feel the complex dialectic in these poems."
- Xuelan Su on translating A Hua from the Chinese.
https://t.co/yzG2E4tSFH

[Alchemy | Submissions Open @alchemyjournal]

"I sidestep the need for certainty, or words of explanation. Instead, I trust that the ambiguity inherent in the poet’s word choice will help readers feel the complex dialectic in these poems."
- Xuelan Su on translating A Hua from the Chinese.
https://t.co/yzG2E4tSFH

[Alchemy | Submissions Open @alchemyjournal]

From Ali Znaidi's translation of Omama Zaier's poem.

You can read both in full here: https://t.co/O5DnIzMvzl

Alchemy submission guidelines: https://t.co/qAERouK3Wl

[Alchemy | Submissions Open @alchemyjournal]

"there are a few things I don’t think I’d be skilled in /
yet I’d know how to sleep in a hotel, nights in a row, /
alone, curled among bedsheets"

From Claudia Serea's translation of Svetlana Cârstean's Romanian poetry. https://t.co/C7r0mbW2KI

Alchemy is open for submissions.

[Alchemy | Submissions Open @alchemyjournal]

we are open for translation and visual art submissions. send us your work by September 30!
https://t.co/qAERouJw6N

[Fady Joudah @FadyJoudah]

What a difficult day …is

[summer :) @summabis]

my profile of Interlink Publishing went up a few days ago; very lovely to talk with Michel and Hannah :)
https://t.co/p4vDjtsJdh

[Alchemy | Submissions Open @alchemyjournal]

@EssamJassim We are honored to share this powerful translation of Hazem’s tale ✨

[Alchemy | Submissions Open @alchemyjournal]

from Damariz Aispuro’s visual arts series, “Vocero”

https://t.co/rISr8yZsZI

[Alchemy | Submissions Open @alchemyjournal]

We are happy to announce Alchemy's latest issue, which can be found here: https://t.co/tduThYkop6

Image by Gian Cruz and Gisela Marcelang

[Alchemy | Submissions Open @alchemyjournal]

"Of its total length, approximately one third of the US-Mexico border is fenced. / This barrier gets fortified not only physically, but also by way of taking thousands of photos of it. By imagining it."

from "CBP’s broken photostream" by Eliseo Ortiz

https://t.co/0vj6ZUT0Bk

[Alchemy | Submissions Open @alchemyjournal]

"or is it that through your pale clay
something gleams there
beyond the human?"

from Antonia Pozzi's "Lamp" translated, from the Italian, by Amy Newman

https://t.co/II1AVuMsaP

[Alchemy | Submissions Open @alchemyjournal]

"junam / جونم / my life [when someone calls me i reply with junam]"

"[ to shake off and free the dust from a cloth / resistance / uprising / liberation / to free palestine..."

from "traduttore, traditore," an original work by Deniz Ibrahimzade

https://t.co/Wb1idpXOhy

[Alchemy | Submissions Open @alchemyjournal]

"He lightly touches the shrine with his right hand as he enters, sensing the pinewood-saturated air, heavy with the musk and frankincense emanating..."

from Ahmed Abu Hazem's "Scattered Spectra" translated by @EssamJassim

https://t.co/mQ8iA1JkpQ