@harryhew In The Book of Longing, he says he invented "black photography." He'd take his time, then cover the lens with his hand. No one understood it except Nico, and he kept taking those photos to preserve their connection.
@alexL_E_I In The Book of Longing, he says he invented "black photography." He'd take his time, then cover the lens with his hand. No one understood it except Nico, and he kept taking those photos to preserve their connection.
@ladrondesabado@delfinaplissken Calamaro le copia. Cuentan que en una gira de Dylan por España habían puesto a Calamaro cómo telonero y Dylan salió puteando que le habían puesto a un imitador
@joan_cm Hace poco lo estaba escuchando. Continua la grandisima produccion de John Cale de los dos anteriores, sumando la participacion de Eno y Manazarena, que el mismo año fueron la banda de Cale en Fear
@adavidsouthard Roberto Bolaño's Nazi Literature in America? It's a fabricated compilation of supposed Nazi writers, as its title suggests. Perhaps it's more akin to short stories than a novel, like Borges's A Universal History of Infamy
@rasalimovies@vincegallodaily@Cai_man_oooh They aren't necessarily transgressive, but Gallo's public persona certainly was. There are only two films he directed that are accessible: Buffalo 66 and Brown Bunny, both very different from each other and highly recommended.