Saw advice saying 'characters need goals, not vibes' but then I think about Carr's 'A Month in the Country' and how sometimes the atmosphere and weight of place IS the story. Different approaches, both valid.
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The scenes I'm most proud of somehow end up being shortest in word count. This can’t be right, shouldn’t this moment be at least a page? Now I'm suspicious it's either brilliant or missing something
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Maybe it's Hollywood magic, but when writers crumple up bad drafts and throw them away, I think of my stuffed shelves or drive w/ 100 different versions of 'final_FINAL_v2_actuallyFINAL.docx'
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