To those who have read today’s piece and described it as “scary”, fasten your seatbelts. Part II to be published by @fijnigeria tomorrow will be scarier.
And Part III on Friday, that’s the scariest!
Five days into my next undercover investigation, set to be released by @fijnigeria later this week, I sent the picture in Frame 1 to my three-man backroom team. They all laughed at me, one of them remarking I looked “like a fisherman”.
The pictures in frames 2 and 3 are from my 44th day on the field. Nobody was in ebullient mood this time. They all screamed instead. None of them could say it, but I knew I could pass for a mad man on the streets.
Meanwhile, Frame 4 is who I was before I embarked on the project.
It is the first time ever that I’ve given the public a glimpse into the making of an undercover investigation. I do it this time to contextualise public understanding of the physical, material and mental cost of investigative reporting. Behind every daring work of investigation you have read is several weeks, sometimes months, of self-sacrifice by the journalist.
Of higher importance, I do it to remind younger journalists that investigative journalism isn’t the white-collar stardom propeller many seem to think it is; more often than not, it is about getting your hands dirty while still believing this is hands down the best job in the world!
It feels good to be fully back on social media after nearly five months out…
Two problems I see here. They never formalized relationships in the industry, especially between creatives and ownership or distribution. Acting was treated as a commodity for sale rather than creative work and intellectual property.
The depth of the Nigerian legal system and profession is also an issue. My late friend Sym Otike-Odibi was one of the earliest Nigerian IP lawyers I knew, and he was one of the few trying to put a framework in place. Maybe @fozadoza is doing something here now as well.
There was also no proper Agency framework like what CAA built for Hollywood. I would think that instead of complaining, she should fix it by helping to create a system.
I don't remember if it was @GodwinTom talking about how he raised writers too. CAA got everyone in the industry, especially writers, to be recognized and paid from the proceeds of their work, almost in perpetuity.
There are many problems in the Nigerian creative space, and the reason we will keep having poor, mass-produced content is this lack of foundational structure. I see the same issue in tech too. Many recruiters act like traders who buy and sell commodities in the market, but few are proper talent agencies.
I should write an article on this.
I have a crazy music video script I plan to shoot in the north someday but if Firstklaz first me shoot am, I fit cry. That guy is milking every possible northern element. 👏🏿
If Bruno wins PFA Player of the Year, we can all shut up.
There is a reason Players prefer that award to the EA Award. The PFA award is voted for by your fellow players.
It is that "we sight you, you play pass pass us this season" award.
If Bruno wins PFA Player of the Year, we can all shut up.
There is a reason Players prefer that award to the EA Award. The PFA award is voted for by your fellow players.
It is that "we sight you, you play pass pass us this season" award.