Andrew

[Andrew @andrewamdg]

Is there contradiction, or rather integration, of emotion in the Adagio of Haydn's first cello concerto?

[Andrew @andrewamdg]

@j00ny369T @simonsarris

[Andrew @andrewamdg]

Glorious are the finest things. More glorious, finesse, making the most of what you have.

[Andrew @andrewamdg]

The good candle's flame as restful motion

[Andrew @andrewamdg]

Technology as art, technology as prudence

[Andrew @andrewamdg]

Politics as dialectic

[Andrew @andrewamdg]

"The two parted ways over Harnoncourt's remark that Karajan was 'a good Porsche driver.' The older musician never forgot it."

[Andrew @andrewamdg]

Pair Haydn's Oxford Symphony with Carl Bach's Fourth, and his London Symphony with Bach's First.

[Andrew @andrewamdg]

Is contemplative attention necessarily episodic?

[Andrew @andrewamdg]

Styles in homes will develop for reasons other than beauty through the mid 21st century as products are made to be compatible with early automated servants' abilities.

[Andrew @andrewamdg]

Consider the cause of likeness between Byrd's Sellinger's Round and Teschner's St. Theodulph.

[Andrew @andrewamdg]

Compare the third movements of Haydn's 103rd and 92nd Symphonies for a major theme. Compare the third movements of Haydn's 103rd and 90th for a minor theme.

[Andrew @andrewamdg]

Compare the openings of Couperin's Concerts Royaux Duexieme and Bach's Goldberg Variations (BMV 988 Aria, Egarr)

[Andrew @andrewamdg]

See Emilie Mayer Symphony Two, Movement Two bearing "This Joyful Eastertide" or "Vruechten."

[Andrew @andrewamdg]

See Emilie Mayer Symphony Two, Movement One bearing Christus Vincit arr. G. Hancock.

[Andrew @andrewamdg]

Find the identical parts of Don Ottavio's "Ma qual mai s'offre" (Mozart's Don Giovanni, Act One) and the second movement of Haydn's seventh symphony.

[Andrew @andrewamdg]

Gounod's Credo in the Mass of Saint Cecelia is masterful religious art. Its rhythm attracts, clarity of speech educates, and tones make the doctrines felt most profoundly. "Et exspecto..."

[Andrew @andrewamdg]

The Credo in Mozart's Mass in C privileges attention to the Incarnation at its climax and to the Holy Spirit in its resolution.

[Andrew @andrewamdg]

Compare the Agnus Dei of Mozart's Mass in C to Don Giovanni, K. 527: No. 12 ("Batti, batti, o bel Masetto") for musical and thematic likeness.