THE IPCRESS FILE (1965) is a masterclass in “frame within the frame” cinematography.
Director Sidney J. Furie and cinematographer Otto Heller turned doors, windows, lamps, shelves, file cabinets, walls, and foreground objects into visual architecture.
The result is not just “cool framing.” It changes how we watch the film.
Michael Caine’s Harry Palmer is constantly boxed in, observed, obstructed, and trapped inside layers of bureaucracy and espionage. The compositions make the audience feel like we are spying on the spy.
Every frame has tension. Composition is story.
A multi-part Knicks documentary is in the works at A24 & HBO.
The series will follow the Knicks' entire history up to their first NBA championship in 53 years.
Directed by Ben Stiller.
Estoy destrozado.
Pocas veces conoces en este mundo a alguien tan creativo, talentoso y buena persona.
Te lo dije en su momento y lo repito hoy: fuiste de los mejores que han existido. Hacen falta más personas como tú en este mundo.
Descansa en paz allá donde estés, Gaspi ❤️
La Parada Puertorriqueña se sentiría aún más especial si nuestra isla estuviera mejor.
A veces se me hace difícil celebrar sabiendo todo lo que todavía enfrentamos como pueblo.
Como quiera, respeto y cariño para todos los boricuas que hoy celebran. Mantenernos unidos, aquí o en cualquier parte del mundo, siempre será nuestra VERDADERA ALEGRÍA y nuestra MAYOR FORTALEZA. PR PAL MUNDO 🫶🏼🇵🇷
my filmmaking takeaway from DISCLOSURE DAY was blast a space with light and let actors perform.
so much of Spielberg's efficiency comes from deep depth of field. you can get 4 shots like this out of one when you're not worried about focus.
now we light less, shoot shallow, and cut it up.