anon 🐦

🦊🐦‍⬛⍟🐦‍⬛🦊

🎸🐦‍🔥⍟🐦‍🔥🎸

[anon 🐦 @anonymousbbird]

Yuri takeover

[anon 🐦 @anonymousbbird]

when they're slandering your goat but they're lowk right 🥀

[frank langdon's lacanian psychoanalyst @ferniealism]

canonically: mel is repeatedly described as being alone in ptmc and having no friends. we see santos completely disregarding mel's mother's death and mel in the nicest way possible saying that "bullying behavior has been linked to personality disorders" after interacting w her

[CSAURAGEUL @csaurageul]

Video games will never be taken seriously as an art form because neither the industry nor the audience treats them as art, and the audience is the larger part of the problem. Games are treated as products to be made fast, sold loud, consumed, discarded, and replaced. That is why Call of Duty and FIFA sell in the billions, not because they endure, but because they are disposable and familiar.

This has nothing to do with graphical fidelity, art style, music, voice acting, or budget, even though players insist otherwise. For most people, “artistic merit” means how flashy, pretty, and expensive a game looks. Spectacle is mistaken for depth, and production value is confused with meaning.

Games are not built to be evergreen because the audience does not want evergreen. The people who revisit old titles, engage deeply with systems, or approach games patiently are a minority. Most want the new release, the hype cycle, and the spectacle, then move on as soon as something shinier appears. This is the same reason Avatar makes a billion dollars per film yet leaves almost no cultural footprint. Audiences want stimulation for a few hours, then the exit.

Art requires patience and trust, and games demand both. They ask players to learn systems, accept friction, and think. The audience rejects this. Anything slow, strange, or uncomfortable is dismissed as boring or pretentious, so risk is punished not just by publishers, but by players themselves.

Because of this, metrics replace meaning. Engagement time, retention, and monetisation become the measure of success, because that is what the audience rewards. Art asks what something is saying. Products ask how long you stayed logged in. Games suffer most here because their greatest strength, player agency, is treated as an inconvenience rather than an opportunity.

Legacy is impossible without permission to fail, and the audience does not allow failure. A bad novel does not kill literature. A bad film does not kill cinema. A bad game can kill a studio, because players demand perfection, constant novelty, and infinite support while rejecting experimentation.

So the ceiling stays low by choice. Not because games cannot be art, but because an audience trained on disposability, spectacle, and instant gratification will not tolerate sincerity, patience, or risk. What survives is not what lasts, but what sells loudly and disappears quietly.

[Richard Siken @richardsiken]

There are people who fought for your right to exist. And many died for it. We wrote some books to give you history and arm you with skills. I am old and I am safe. By the time you really need me, I'll be dead. Use the work for your fandoms but know where it came from.

[Fallon @filthtofilth]

it is absolutely essential to have friends you can have extremely insane pervert conversations with. this is kind of what makes life worth living

[aeris julus augustus 🎀🐬 @dayIightdancer]

I bring a kind of "vampirism began as a manifestation of living's fear of death and disease in Eastern Europe and overtime has developed into a wide variety of allegories" vibe to the "there can be only one correct interpretation" party that some ppl don't fw

[mari @mystificada]

the mischaracterization of most aot characters comes from a lack of understanding of the impact that being child soldiers had on their lives WHO SAID THAT

[meredith 🍉 @dietz_meredith]

men are a lot like deer. i cannot stop hitting them with my car. i’ve actually hit so many with my car you would think im going out of my way to find them and hit them with my car. because i’ve truly hit so many with my car

[Klydos 🎭| ERURIHAN CENTRAL @klydos]

Writing smut during class 💕 I do not care about the people sitting around me, they can mind their own business if they don't want to be traumatized

[Klydos 🎭| ERURIHAN CENTRAL @klydos]

How it feels to write forcemasc dombottom subtop with elements of human experimentation instead of studying for my economics test

[Klydos 🎭| ERURIHAN CENTRAL @klydos]

SHALLOW RIVER BY THE CRANE WIVES IS THE WORLDS MOST YUMIHISU SONG IN EXISTENCE

[Klydos 🎭| ERURIHAN CENTRAL @klydos]

Your challenge is to not become the worst person ever when you see Female Hange

[Klydos 🎭| ERURIHAN CENTRAL @klydos]

IS IT CRAZY TO SAY CARELESS WHISPER IS SO LEVHAN?? LIKE?? NO I CAN'T TELL THE DIFFERENCE BETWEEN THESE IMAGES

[Wizzy @Wizzard_132]

Transmasc butch Hange

[Klydos 🎭| ERURIHAN CENTRAL @klydos]

The Hange angst I was writing got a little too real but I high-key cooked with it so we ALL gonna cry 😂😂😂

[Klydos 🎭| ERURIHAN CENTRAL @klydos]

Finding a way to fit all the freaky things I want to write into the narrative

[Klydos 🎭| ERURIHAN CENTRAL @klydos]

cooking up some filthy forcemasc Eruhan w/ top Hange

[Klydos 🎭| ERURIHAN CENTRAL @klydos]

I am TIRED of nobody talking about tfem butches. Shout-out to my tfem butches out there

[Klydos 🎭| ERURIHAN CENTRAL @klydos]

T4T Butch4Butch Eruhan with Tfem Erwin and Tmasc Hange

[Klydos 🎭| ERURIHAN CENTRAL @klydos]

It's a testament to how based eruri is that it got me to care about an m/m ship 🔥

[Klydos 🎭| ERURIHAN CENTRAL @klydos]

THE CONCEPT FOR MY ERURIHAN FIC:

Some people are connected through senses and dreams.

Intense Deja Vu-like moments where you feel as they feel, see as they see, breathe as they breathe.

Erwin, Levi, and Hange are three such people; searching for meaning in the absurd.