Last week I had the opportunity to participate in the Platforms Project (Athens) with @_ProspectArt . It was a great experience in such a special place in Greece. I got there and tested an imagined sound performance that was not.
https://t.co/RsPT7Iw3n5
Mañana martes 8 de octubre presentaré una improvisación musical con el instrumento virtual ANIMAL que vengo desarrollando un par de años atrás y que permite dibujar patrones rítmicos. Si están pot Madrid vengan!
20 hs.
En MARCABLANCA
Calle de Manuel Noya, 12
Madrid
Respirarle sal a las piedras (feat. Douglas Farrand) by Lucia R. Single from the EP Música triste para tiempos subacuáticos, soon to be released by [MoM] rec.
https://t.co/PURnoGaapF
Este viernes 21 a las 20.30
IMPROBABLE
Concierto de exploración e improvisación audiovisual. en OBRADOR (Joaquín Requena 1991). En colaboración von [MoM]rec
https://t.co/SaQxOUv9EO
Mañana viernes concierto audiovisual sin tiempo definido. Elena Solís y Antar Kuri ofrcen una performance audiovisual de música pétrea en 8 1/2 (Montevideo)
Also in February and Mexico City, we conducted a new Animal Workshop at the CCEMx (Spanish Cultural Center) right behind the main cathedral, the sunken cathedral, at the main city center.
https://t.co/F9Vg4quxtH
A new presentation: La olla hirviendo, an afternoon of experimental cinema accompanied by explorative music. At the Centro de Cultura Digital, Mexico City. https://t.co/e9ANveAxhe
Yesterday at the Tower of the Winds. Excellent sound thanks to Juan C. and Audiojam. Thanks to Luis de la Torre for opening such a wonderful place. Thanks to Amalia B. and Carolina G. for the ponchos and Fernando E. for the teluric prints. https://t.co/X2nzM3qmcv
Assembling my electroacoustic set, side by side with Elena Solí's clay instruments. Preparing for Dinámica Telúrica, an audiovisual concert at La Torre de los Vientos (The Tower of the Winds) in Mexico City.
https://t.co/IcrzKoF088
Una reelaboración en clave errorista del cortometraje The Inauguration of the Pleasure Dome (Kenneth Anger, EEUU, 1954). La degradación procesual programática implicó varias capas de filtros en base a ruido-retroalimentación y un reordenamiento caótico….