Not Guilty

[Not Guilty @apologistfrank]

Noticed a few posts in IG the other day with women flashing their boobs and coochies. All going well I see.

[Not Guilty @apologistfrank]

Euphoria S3 surprisingly good. Very Tarantino-esque in many ways.

[Not Guilty @apologistfrank]

But he did it to feed his kids right? Waste of talent. Complete sell out.

[Not Guilty @apologistfrank]

GONE BY LUNCHTIME LOL

[The Economist @TheEconomist]

Winston Peters entered New Zealand’s Parliament five decades ago. But while he might look and sound like a throwback, his protectionist and anti-immigrant politics are now in fashion around the world https://t.co/emWVyESzp6

[Not Guilty @apologistfrank]

OMG, that doesn't sound too good.

[BBC Breaking News @BBCBreaking]

Serial sex offender being monitored by Metropolitan Police found guilty of murdering two women and raping a third https://t.co/STYJAqLt2r

[Not Guilty @apologistfrank]

Just started TRUE BLOOD. How can a show be so bad but so good? As a kiwi I’m here to support Anna Paquin’s breasts. I would have done the same if Sam Neil flashed his penis for the art.

[Not Guilty @apologistfrank]

Traditional voters will vote traditional no matter what they may have pointed to in an early poll. Know the Devil you know.

[Not Guilty @apologistfrank]

NOT COMING HOME 😂

[Not Guilty @apologistfrank]

IT'S COMING HOME

[Not Guilty @apologistfrank]

IT'S COMING HOME

[Far Side Fix @farsidefix]

#TheFarSide

[Becky Paton @rpaton11]

Nothing but broken promises.

[Not Guilty @apologistfrank]

@GayMaxine LET'S ALL GET EXCITED!!!

[Skipster @FarRightSkip]

You were watching PawPatrol on YouTube after curfew were you not?

[ye @kanyewest]

GEMINI SEASON
Directed by Bianca Censori
Out Now

[Not Guilty @apologistfrank]

PORN BOTS ARE BACK
PORN BOTS ARE BACK
PORN BOTS ARE BACK

[Ave @SebastianAvenue]

RIP Rob Base !!

It Takes Two ..

[DepressedBergman @DannyDrinksWine]

Quentin Tarantino on how he got the idea to make "Pulp Fiction" (1994):

"The idea for 'Pulp Fiction' (1994) was born even before I began writing 'Reservoir Dogs' (1992). I was trying to imagine how to make a film without money, so I thought of a short I’d be able to show at festivals that could be a kind of calling card. I’d be able to demonstrate what I was capa­ble of, which would allow me to shoot a feature-length film. So I thought of the story of Vincent Vega and Marsellus’s wife.

Then I realized, why not write a second short crime story, and then a third, and then shoot them one after another when I got enough money together, and then put them together? That’s pretty much what Jim Jarmusch did with 'Stranger Than Paradise' (1984), showing one part at one festival, then getting the financial backing to do the second, etc.

So I phoned my friend Roger Avary to ask him to write the second story, but with the condition that it had to be the most classic story possible; and from there he could take us to the moon! And that’s what he wrote: the one about the boxer who gets knocked out in the ring. The third story was going to be the one of Reservoir Dogs. But then our enthusiasm kind of died down, that project never got done, and I used the story of Dogs for my feature-length film.

Later we came back to the project, but abandoned the idea of an anthol­ogy. What I really wanted was to make a novel on the screen, with characters who enter and exit, who have their own story but who can appear anywhere. I could get to do what a contemporary writer does: introduce into his book a secondary character who appeared in an earlier book, something like the Glass family that Salinger imagined, and whose members you find move from one novel to the next.

This is a register filmmakers simply don’t work in: in Hollywood, when you make a film for, let’s say, Paramount, you sell them the rights to the story. If you make the next one for Warners, you can’t use the same char­acters because they were created for another company.

With 'Pulp Fiction', I wanted in some sense to make three films for the price of one! I liked that each character of 'Pulp Fiction' could carry a film as the main hero. If I’d made a film, for example, about Butch and Fabienne and only about them, the character played by John Travolta probably wouldn’t have had a name. He’d have been called “Bad Guy No. i.” But as Pulp Fiction is conceived, he is Vincent Vega. We know his personality, we have an idea of his way of life, he’s not simply a minor character. So then when they shoot him, the spectator feels something."

(Quentin Tarantino's interview with Michel Ciment and Hubert Niogret, Postif, 1994)

P.S: On this day, 32 years ago, "Pulp Fiction" (1994) premiered at the Cannes Film Festival, France.