Woohoo! My short A Tale of Two Windmills just blew in this cool anthology. Granted, my contribution was in the Hmm (not Mmm) sense, but it made the cut and I'm grateful for it. https://t.co/uC5CZ5XCWH
In the mood for a little sex(ton), drugs, and rock n roll? Check out my flash piece The Limey, presented by the kind folks at Metastellar. https://t.co/QsqINu6Yi2
"Sessler.. has created a believable world, fleshed out with real characters in a nightmarish, but all too realistic scenario...somewhere between Damon Runyon and Jeff Noon, blending an almost film noir aesthetic with speculative fiction."--Russell Smeaton
https://t.co/2FkeUSLyIi
“A.P. Sessler’s disturbing, delicious Science Fiction tale of a dark future where body fat is worth more in weight than gold is a must-read, cautionary tale. Brilliant and original effort by an author with vision—highly recommended!” Gregory L. Norris
https://t.co/102Ajk4qDN
See my full interview here and watch me ramble, forget people's names and to answer the questions, and talk about Project Mule. https://t.co/LLvmA5wubr
The Tuva Kush scene was a lot of fun. I've never partaken of the wacky tobaccy, but I wanted it to be like the best high one could ever experience.
https://t.co/AHT849Lsgu
Composing for orchestra is not my strong suit, so composer Giordano Maselli made sure my orchestral arrangements were correct and in some cases doubled parts. He also re-recorded a couple bass lines with real bass.
https://t.co/AHT849Lsgu
All the music in Project Mule, apart from the public domain National Anthem, are my own compositions, recorded in Reaper with a number of soft synths and real-deal guitar. https://t.co/AHT849Lsgu
All the animation you see in Project Mule is my own work. No AI. There are a handful of "analog" video effects I decided to use for a more "mixed media" look, which were sourced from public domain and third party retailer sites.
https://t.co/AHT849Lsgu