Max Gas

AI and Vibe...) its change my life...

[Max Gas @aqualanga]

The city had been there longer than anyone could remember.
She arrived Tuesday.
Nobody asked questions after that.

LILITH: CITY OF BRONZE —-Intro

full prompt + how I built this - below

[Max Gas @aqualanga]

@aerocryp Wow!!! Really strong service

[Max Gas @aqualanga]

Model - GPT Image 2`
Ultra-detailed manga panel illustration, "THE DRAWING" - single dramatic panel art for a premium action manga chapter opener. Black and white ink with deep screentone shading and high-contrast spotting.

MAIN CHARACTER: young male swordsman, late teens, sharp angular face, a diagonal scar cutting across his left cheek, single white hair streak running through dark messy hair, slightly damp from rain. He stands in a low half-draw iaido stance - right hand gripping the tsuka mid-draw, blade catching neon light reflection, katana half-unsheathed at a 45-degree angle. His dark haori jacket billows from wind and rain. Eyes sharp, pupils dilated, jaw set - zero hesitation, pure killing focus. Viewed from a low Dutch angle, roughly 30-40 degrees tilt, camera sitting just below hip level shooting upward.

THREAT: massive ONI DEMON erupting from shadow directly behind him and to the left - cracked ceramic mask split diagonally across the face, one glowing eye visible through the crack, muscular arm outstretched in a lunging lunge, clawed fingers inches from the swordsman's shoulder. Motion lines blur the demon's form - partially dissolved into ink-black shadow, partially materializing into sharp detail at the claw. The contrast between the swordsman's clean linework and the demon's jagged fragmented silhouette creates immediate visual hierarchy.

ENVIRONMENT: rain-soaked urban rooftop at night, wet concrete tiles reflecting fragmented neon kanji signage from below - glowing streaks of light broken by heavy rainfall. Rooftop edge visible in the background with blurred city grid lights far below. Puddles on the roof tiles show concentric rain-ring ripples. A broken water tower to the far right, silhouetted.

RAIN + SPEEDLINES: dense diagonal speed lines radiating from a vanishing point behind the demon's lunging motion - thickest near the demon, thinning toward the swordsman to preserve his sharp focus area. Separate layer of fine parallel rain lines covering the entire panel at a steeper angle, creating a cross-hatch energy tension with the speedlines. Rain streaks catch neon light on the blade and on the swordsman's scar.

SCREENTONE SHADING: mid-tone dot-pattern screentone on the sky background, gradient screentone on the swordsman's coat and hair mid-tones, coarse diagonal line-screentone on the demon's body suggesting texture and mass. Pure black ink spotting: demon's shadow form, the swordsman's silhouette outline, rooftop edge. Pure white ink highlights: blade edge, white hair streak, rain rivulets on the scar, neon reflection on wet tiles. Maximum tonal range - pure black to pure white with exactly three screentone density bands between.

LINEWORK: confident thick-to-thin brush ink lines on the swordsman - variable weight suggesting form and fabric. Scratchy broken ink lines on the demon - aggressive, unstable, conveying supernatural wrongness. Fine ruler-straight lines for architectural background elements. Brush splatter ink droplets scattered mid-panel to suggest impact energy.

COMPOSITION: low Dutch-angle upward shot, swordsman occupying lower-center and right third, demon filling upper-left third, negative space at top-right occupied by rain and neon light scatter. Rule of tension - swordsman looking toward viewer slightly, demon lunging from behind creating an over-the-shoulder threat dynamic. The unsheathed blade forms a strong diagonal from lower-right to upper-center, pointing toward the demon as a compositional arrow.

PANEL BORDERS: thick black panel border, single white gutters. No internal panel breaks - full bleed dramatic single panel.

TECHNICAL: hand-drawn ink illustration style, cel-shaded black and white, heavy ink bleed on shadow areas, clean manga linework, professional manga chapter splash panel quality, 8K resolution, ultra-crisp linework at full zoom --ar 3:4 --style raw --s 180 --q 2

[Max Gas @aqualanga]

He walked the path of carnage with nothing left to lose. 修羅道

promt below 👇

[Max Gas @aqualanga]

@Breck0882 What’s interesting is that your style is clearly visible in your art) a knight for sure

[Max Gas @aqualanga]

I suffered for a long time, but it turned out what I wanted...)
promt below 👇

[Max Gas @aqualanga]

Model - GPT Image 2
Promt -
Ultra-detailed manga panel illustration, "THE DRAWING" - single dramatic panel art for a premium action manga chapter opener. Black and white ink with deep screentone shading and high-contrast spotting.

MAIN CHARACTER: young male swordsman, late teens, sharp angular face, a diagonal scar cutting across his left cheek, single white hair streak running through dark messy hair, slightly damp from rain. He stands in a low half-draw iaido stance - right hand gripping the tsuka mid-draw, blade catching neon light reflection, katana half-unsheathed at a 45-degree angle. His dark haori jacket billows from wind and rain. Eyes sharp, pupils dilated, jaw set - zero hesitation, pure killing focus. Viewed from a low Dutch angle, roughly 30-40 degrees tilt, camera sitting just below hip level shooting upward.

THREAT: massive ONI DEMON erupting from shadow directly behind him and to the left - cracked ceramic mask split diagonally across the face, one glowing eye visible through the crack, muscular arm outstretched in a lunging lunge, clawed fingers inches from the swordsman's shoulder. Motion lines blur the demon's form - partially dissolved into ink-black shadow, partially materializing into sharp detail at the claw. The contrast between the swordsman's clean linework and the demon's jagged fragmented silhouette creates immediate visual hierarchy.

ENVIRONMENT: rain-soaked urban rooftop at night, wet concrete tiles reflecting fragmented neon kanji signage from below - glowing streaks of light broken by heavy rainfall. Rooftop edge visible in the background with blurred city grid lights far below. Puddles on the roof tiles show concentric rain-ring ripples. A broken water tower to the far right, silhouetted.

RAIN + SPEEDLINES: dense diagonal speed lines radiating from a vanishing point behind the demon's lunging motion - thickest near the demon, thinning toward the swordsman to preserve his sharp focus area. Separate layer of fine parallel rain lines covering the entire panel at a steeper angle, creating a cross-hatch energy tension with the speedlines. Rain streaks catch neon light on the blade and on the swordsman's scar.

SCREENTONE SHADING: mid-tone dot-pattern screentone on the sky background, gradient screentone on the swordsman's coat and hair mid-tones, coarse diagonal line-screentone on the demon's body suggesting texture and mass. Pure black ink spotting: demon's shadow form, the swordsman's silhouette outline, rooftop edge. Pure white ink highlights: blade edge, white hair streak, rain rivulets on the scar, neon reflection on wet tiles. Maximum tonal range - pure black to pure white with exactly three screentone density bands between.

LINEWORK: confident thick-to-thin brush ink lines on the swordsman - variable weight suggesting form and fabric. Scratchy broken ink lines on the demon - aggressive, unstable, conveying supernatural wrongness. Fine ruler-straight lines for architectural background elements. Brush splatter ink droplets scattered mid-panel to suggest impact energy.

COMPOSITION: low Dutch-angle upward shot, swordsman occupying lower-center and right third, demon filling upper-left third, negative space at top-right occupied by rain and neon light scatter. Rule of tension - swordsman looking toward viewer slightly, demon lunging from behind creating an over-the-shoulder threat dynamic. The unsheathed blade forms a strong diagonal from lower-right to upper-center, pointing toward the demon as a compositional arrow.

PANEL BORDERS: thick black panel border, single white gutters. No internal panel breaks - full bleed dramatic single panel.

TECHNICAL: hand-drawn ink illustration style, cel-shaded black and white, heavy ink bleed on shadow areas, clean manga linework, professional manga chapter splash panel quality, 8K resolution, ultra-crisp linework at full zoom --ar 3:4 --style raw --s 180 --q 2

[Max Gas @aqualanga]

For fans of girls) his sister. I liked this style, of course. Prompt, as usual, below 👇

[Max Gas @aqualanga]

I suffered for a long time, but it turned out what I wanted...)
promt below 👇

[Max Gas @aqualanga]

Model - GPT Image 2
Promt -
Ultra-detailed manga panel illustration, "THE DRAWING" - single dramatic panel art for a premium action manga chapter opener. Black and white ink with deep screentone shading and high-contrast spotting.

MAIN CHARACTER: young male swordsman, late teens, sharp angular face, a diagonal scar cutting across his left cheek, single white hair streak running through dark messy hair, slightly damp from rain. He stands in a low half-draw iaido stance - right hand gripping the tsuka mid-draw, blade catching neon light reflection, katana half-unsheathed at a 45-degree angle. His dark haori jacket billows from wind and rain. Eyes sharp, pupils dilated, jaw set - zero hesitation, pure killing focus. Viewed from a low Dutch angle, roughly 30-40 degrees tilt, camera sitting just below hip level shooting upward.

THREAT: massive ONI DEMON erupting from shadow directly behind him and to the left - cracked ceramic mask split diagonally across the face, one glowing eye visible through the crack, muscular arm outstretched in a lunging lunge, clawed fingers inches from the swordsman's shoulder. Motion lines blur the demon's form - partially dissolved into ink-black shadow, partially materializing into sharp detail at the claw. The contrast between the swordsman's clean linework and the demon's jagged fragmented silhouette creates immediate visual hierarchy.

ENVIRONMENT: rain-soaked urban rooftop at night, wet concrete tiles reflecting fragmented neon kanji signage from below - glowing streaks of light broken by heavy rainfall. Rooftop edge visible in the background with blurred city grid lights far below. Puddles on the roof tiles show concentric rain-ring ripples. A broken water tower to the far right, silhouetted.

RAIN + SPEEDLINES: dense diagonal speed lines radiating from a vanishing point behind the demon's lunging motion - thickest near the demon, thinning toward the swordsman to preserve his sharp focus area. Separate layer of fine parallel rain lines covering the entire panel at a steeper angle, creating a cross-hatch energy tension with the speedlines. Rain streaks catch neon light on the blade and on the swordsman's scar.

SCREENTONE SHADING: mid-tone dot-pattern screentone on the sky background, gradient screentone on the swordsman's coat and hair mid-tones, coarse diagonal line-screentone on the demon's body suggesting texture and mass. Pure black ink spotting: demon's shadow form, the swordsman's silhouette outline, rooftop edge. Pure white ink highlights: blade edge, white hair streak, rain rivulets on the scar, neon reflection on wet tiles. Maximum tonal range - pure black to pure white with exactly three screentone density bands between.

LINEWORK: confident thick-to-thin brush ink lines on the swordsman - variable weight suggesting form and fabric. Scratchy broken ink lines on the demon - aggressive, unstable, conveying supernatural wrongness. Fine ruler-straight lines for architectural background elements. Brush splatter ink droplets scattered mid-panel to suggest impact energy.

COMPOSITION: low Dutch-angle upward shot, swordsman occupying lower-center and right third, demon filling upper-left third, negative space at top-right occupied by rain and neon light scatter. Rule of tension - swordsman looking toward viewer slightly, demon lunging from behind creating an over-the-shoulder threat dynamic. The unsheathed blade forms a strong diagonal from lower-right to upper-center, pointing toward the demon as a compositional arrow.

PANEL BORDERS: thick black panel border, single white gutters. No internal panel breaks - full bleed dramatic single panel.

TECHNICAL: hand-drawn ink illustration style, cel-shaded black and white, heavy ink bleed on shadow areas, clean manga linework, professional manga chapter splash panel quality, 8K resolution, ultra-crisp linework at full zoom --ar 3:4 --style raw --s 180 --q 2

[Max Gas @aqualanga]

Вы помните, когда зарегистрировались в X? Я — да. #МояГодовщинаВX

[Max Gas @aqualanga]

a knight sang of love. then went to slay the dragon for her.
he won the first fight. and the second.
the third was waiting. 🎭

Midnight Curtain - where fairy tales end in the dark.

[Max Gas @aqualanga]

what if your roller coaster didn't stop at the park? 🎢

it takes a wrong turn... straight into a neon city that shouldn't exist 🌃

ride #1. more impossible worlds coming.

[Max Gas @aqualanga]

how I turned one AI model into every Edgerunners girl

1/ one base model, locked face + a signature golden star tattoo
2/ each character = a "databook" image (GPT Image 2)
3/ transitions = a golden particle "snap" in Kling, end-frame chaining
4/ glued in CapCut, music added per platform

the trick nobody does: a FRAMING LOCK so she never changes size between shots.
hardest this time: keeping Kiwi recognizable without the mask hiding the face 👇

[Max Gas @aqualanga]

one model. every Cyberpunk Edgerunners girl.

Lucy → Kiwi → Rebecca 🔥

made with AI, which one's your favorite? 👇

[Max Gas @aqualanga]

how I turned one AI model into every Jujutsu Kaisen boy (genderbend edition)

1/ one base model, locked face + a signature golden star tattoo
2/ each character = a "databook" image (GPT Image 2)
3/ transitions = a golden particle "snap" in Kling, end-frame chaining
4/ glued in CapCut, music added per platform

the trick nobody does: a FRAMING LOCK so she never changes size between shots.
the genderbend twist: keep her face feminine while wearing the boys' full canon fits.
hardest this time: Gojo's blue eyes glowing THROUGH tinted round glasses 👇

[Max Gas @aqualanga]

one model. every Jujutsu Kaisen boy.

Gojo → Geto → Sukuna 🔥

made with AI, which one's your favorite? 👇

[Max Gas @aqualanga]

how I turned one AI model into every Jujutsu Kaisen girl

1/ one base model, locked face + a signature golden star tattoo
2/ each character = a "databook" image (GPT Image 2)
3/ transitions = a golden particle "snap" in Kling, end-frame chaining
4/ glued in CapCut, music added per platform

the trick nobody does: a FRAMING LOCK so she never changes size between shots.
hardest one this time: Maki's eyepatch with glasses over it + one red eye 👇

[Max Gas @aqualanga]

one model. every Jujutsu Kaisen girl.

Nobara → Maki → Mei Mei 🔥

made with AI, which one's your favorite? 👇

[Max Gas @aqualanga]

how I turned one AI model into every Chainsaw Man girl

1/ one base model, locked face + a golden star tattoo as the signature
2/ each character = a "databook" image (GPT Image 2)
3/ the transitions = a golden particle "snap" in Kling, end-frame chaining
4/ glued in CapCut, music added per platform

the trick nobody does: a FRAMING LOCK so she never changes size between shots 👇

[Max Gas @aqualanga]

one model. every Chainsaw Man girl.

Makima → Power → Reze 🔥

made with AI — which one's your favorite? 👇

[Max Gas @aqualanga]

The lesson: a good prompt isn't enough. You fight the model's default look every single time. Next pass I push the filmic, anti-CGI, natural-motion side way harder, and eat the dubs that burn. Ten bucks down. The world's worth another shot.
#Seedance #AIvideo

[Max Gas @aqualanga]

Burned $10 on a single 15-second AI video. It came out looking like a PS3 cutscene, not a film. The prompt wasn't the problem. The dub was.

[Max Gas @aqualanga]

The prompt was solid: full world, a character, a whole dark-fantasy fight. Then Seedance rendered it like a game engine. Hard CGI edges, stiff jerky motion, zero of the 35mm film look I asked for. Not the tool's fault, it's strong. You just have to fight its default look. Sometimes that fight costs $10. 🎰