Archiscene

Your Daily Architecture and Design Update

[DSCENE Magazine @designscene]

#JustinBieber Teases #SKYLRK Audio Venture with A Cryptic Social Media Post and drops the first images of headphones and speakers - see more images: https://t.co/NSpWM0fAXI

[DSCENE Magazine @designscene]

From the #Prada Broadway Epicenter, we got an exclusive first look at the next chapter of the @Prada and @Axiom_Space partnership. The two unveiled the next-generation Liquid Cooling and Ventilation Garment, the LCVG, that NASA astronauts will wear on the lunar surface for the first time in more than 50 years.

The garment is built with seamless knitting technology, integrated cooling tube tunnels woven directly into the fabric, and redundant water lines for added safety. It is, in every sense, a Prada piece, precise, considered, and technically uncompromising, designed not for a runway but for the surface of the moon.

At the panel, Lorenzo Bertelli, Chief Marketing Officer of the Prada Group, drew a direct line between this collaboration and the house's long history of pushing into unfamiliar territory. In the 1990s, Prada entered the America's Cup with Luna Rossa, and that adventure produced the Red Stripe, one of the most recognizable signatures in luxury. The same Red Stripe now marks the commander role on the Axiom space suit. Coincidence, Bertelli said, feels like too small a word for it.

Russell Ralston of Axiom Space described the south pole of the moon as a genuinely extreme environment, sharp-edged regolith, plasma fields from solar winds, temperature differentials that Apollo never faced. This suit is engineered for all of it. Dr. Jonathan Cirtain, CEO of Axiom Space, put it plainly: the technologies developed here will one day benefit people who never go to space at all.

Fashion and aerospace have never looked quite like this before.

More on DSCENE: https://t.co/Z6TbSvpaHh

[DSCENE Magazine @designscene]

We have more of Justin Bieber's SKLRK Audio first look images: https://t.co/NSpWM0fAXI

[DSCENE Magazine @designscene]

Why is this the most hated new skyscraper in New York? 262 Fifth Avenue explored by DSCENE EIC @zarkodavinic for @archiscene : https://t.co/Ya7gdFQ7Jf

[DSCENE Magazine @designscene]

In this week’s DORIC ORDER, Katarina reflects on New York Art Week as a city suspended between spectacle and saturation. Across fairs, openings, dinners, and institutional events, attention becomes the most valuable currency, endlessly exchanged, documented, and depleted. The week promises discovery, yet often leaves behind a strange sense of excess, where visibility moves faster than reflection. Doric examines how New York transforms during Art Week into a choreography of movement, performance, and social endurance, asking what remains once the crowds disperse and the urgency fades.

"At Frieze, a woman stood in front of a James Turrell work and asked, angrily, “How do you buy this?” It was the most honest sentence I heard all week. She did not ask what it meant. She did not ask how it worked. She did not ask whether light could become architecture, or whether perception could become material, or whether the viewer’s body completes the work. She went straight to the hidden question underneath the entire week. How do you buy this?"

For the full story head over to https://t.co/z4J5ijB8uE

[DSCENE Magazine @designscene]

From designer furniture to private dressing rooms, 3D rendering defines the future of luxury property presentation

Read more here: https://t.co/XZSGmJOZWT

[Archiscene @archiscene]

Archiscene Editor in Chief ZARKO DAVINIC in conversation with DAVID ROCKWELL talks the new #ARTEMEST Collaboration: https://t.co/Lyr1GcHjXp

[DSCENE Magazine @designscene]

The perfect way to good nights sleep? Minimalist bedroom? The start of it , the best mattresses to find : https://t.co/ryLTXqNGtQ

[DSCENE Magazine @designscene]

Home painting is the start of every DIY adventure, here are a few tips from DSCENE interiors team: https://t.co/bpoMo3DKsO

[DSCENE Magazine @designscene]

House 720 Degrees Turns Architecture Into a Living System - See more here: https://t.co/kXjPgvDZ7f

House 720 Degrees, designed by Fernanda Canales, is conceived as an architectural device rather than a conventional home. Located in Valle de Bravo, the project doubles the logic of 360-degree vision, creating a spatial system that responds to time, movement, and the shifting relationship between interior and exterior life. The house functions as both shelter and instrument, registering daily and seasonal change through its form.

Photo credit Rafael Gamo

[DSCENE Magazine @designscene]

How to hurricane‑proof your home with smart design and preparation tips that really work.

See the full guide here: https://t.co/7Z0GeMdf5c

[Archiscene @archiscene]

#windows https://t.co/uSf3mHIZda

[DSCENE Magazine @designscene]

Transform Your Home into a Christmas Sanctuary: Practical Ideas for a Cosy and Festive Season - Read more here: https://t.co/ctra6vwtfq

Image Generated by ©DSCENE

#Christmas

[DSCENE Magazine @designscene]

In this week’s ‘DORIC ORDER,’ Katarina Doric reflects on a week in Tulum not as a restful escape, but as a lesson in who gets access and who doesn’t. What sells itself as serenity and connection is really an economy of curated calm, gated shorelines, and invisible price lists. In Tulum, paradise is photographed more than shared and the locals who live beside it often never step onto the beaches they maintain. Doric unpacks how eco-conscious branding and boho chic aesthetics mask unequal access, extractive tourism, and luxury priced out of community purpose, revealing that beach culture can be a mirror for global inequality itself.

"I left Miami in a daze. Art Week had swollen into its usual swirl of commitments, openings, dinners, and obligations disguised as opportunities. Every year I think I’ve learned how to pace myself, and every year the same thing happens: I burn out on the first day, push through the rest, and spend the final night scrolling through photos I barely remember taking. It’s a ritual of overexposure. By the end, the only thing I wanted was quiet, an uncomplicated week where nothing required a guest list or a press badge. So I booked Tulum, imagining hammocks, cheap tacos, and a beach that didn’t demand anything from me. The irony, of course, is that Tulum turned out to be its own kind of stage, just one with sand instead of concrete"

For the full story head over to https://t.co/HhLSA1fzg8

[Archiscene @archiscene]

#ZahaHadid Architects bring a bold new vision to Okinawa with NOT A HOTEL’s vertex, where architecture, technology, and nature converge. More on ARCHISCENE: https://t.co/mMA1CM9zFH

[DSCENE Magazine @designscene]

BOSS Champions Artistic Innovation at Art Basel Awards in Miami - Read more here: https://t.co/d1FS6KWSMG

The inaugural @ArtBasel Awards night in Miami Beach marked a transformative moment for the global art community, not only through the celebration of exceptional talent but also by spotlighting #BOSS as a driving force behind contemporary artistic innovation. As the presenting partner of the Art Basel Awards, BOSS underscored its commitment to creativity, cultural impact, and the elevation of visionary voices across the art world.

Photo courtesy of BOSS

[Archiscene @archiscene]

Experience retail reimagined: NAUTICA BLACK LABEL’s flagship, designed by SLT, sets a new standard in store architecture by translating yacht-inspired elements into a modular, contemporary environment. From rippled stainless steel and black lava panels: https://t.co/mjfggcnqDA

[Archiscene @archiscene]

Villa Lyla by SAOTA + ARRCC - A tropical home defined by layered volumes, precise detailing, and a grounded relationship with its surroundings.

More on ARCHISCENE: https://t.co/pg5ubAgSJ4

[DSCENE Magazine @designscene]

CUPRA Unveils the Tindaya Showcar A Bold Vision for the Future of Driving - Read more here: https://t.co/27pvb7zUFi

At IAA Mobility 2025, @CUPRA revealed its boldest vision yet the Tindaya Showcar. Named after the volcanic mountain on the island of Fuerteventura in the Canary Islands, the Tindaya is more than a showcar, it is a manifesto for CUPRA’s future. With its radical design, immersive technology, and unwavering focus on the human connection behind the wheel, the Tindaya embodies the brand’s daring philosophy: “No Drivers, No CUPRA.”

Photo Courtesy of ©CUPRA

[Artprice.com @artpricedotcom]

Urs Fischer Brings After Nature to Gagosian Rome #UrsFischer #AfterNature #GagosianRome #ContemporaryArt @Gagosian via @designscene https://t.co/qy3YarrPSb