Ariel limas

[Ariel limas @ariellim]

@TotallyACMILAN sudah bnyk pemain yg di rusak si kolot black magic itu 🤣

[Ariel limas @ariellim]

@andarsofian ganti pirlo aja 😃

[Ariel limas @ariellim]

@andarsofian kayak fagioli , abis dipinjamkan , trus klub ngerasa kurang pemain, beli baru lg , abis perfom di loan, balik eh udah kebanyakan pemain di posisi itu, akhirnya di lego lagi

[Ariel limas @ariellim]

@senjatanuklir kalau niat rebut tapi ga dapat katanya bakal sial ya?

[Ariel limas @ariellim]

@Smash1014314 jual ke pemain ikan hias

[annie 𓅮 @bebekhermes]

Penasaran kan kenapa lahan di Kalimantan gampang banget kebakar?

Di video ini dijelasin kalau tanah gambut tuh ngeri banget. Di permukaan keliatannya kayak udah padam dan aman aja, tapi di dalam tanah masih nyimpen bara api. Makanya susah banget dipadamkan sampai ke akarnya.

Makanya, kalau dikasih tepung juga mah ini gak bakal padam ya...

[Ariel limas @ariellim]

@WOLF_of_IHSG @zepy93 sama bang, soalnya nyangkut di 600

[Ariel limas @ariellim]

@MiskinTV_ yg dinosaurus kali ya?

[Ariel limas @ariellim]

hujan abu setiap hari 😌

[Ariel limas @ariellim]

@mikelsaham cdia kapan 😭😭

[KemenGambar @apaajadesainin]

Jajan dulu di warung gesss,

the prompt :
Main Subject — Outfit: Young Indonesian woman, early 20s, natural everyday appearance. She wears a simple plain cotton kemben / strapless inner top, slightly fitted but modest, in a faded earthy tone, paired with a high-waisted loose cotton midi skirt reaching below the knees. The kemben looks like a practical everyday inner garment commonly worn at home, not lingerie or a fashion top. Simple worn brown leather flip-flops, tiny gold stud earrings, and dark naturally wavy hair tied loosely in a messy low ponytail with several wispy strands framing her face. The clothing should feel authentically early-2000s Indonesian: inexpensive cotton fabric, slightly faded from repeated washing, natural wrinkles, imperfect fit, no modern fashion branding, no contemporary styling. Maintain exactly the same identity, outfit, hairstyle, body proportions, and appearance throughout the entire video. Alternative outfit variation: A simple sleeveless cotton kemben-style inner top layered with a very loose thin button-up shirt left open, combined with a high-waisted knee-length or midi skirt. The outer shirt moves naturally in the tropical breeze and gives the outfit a casual nostalgic 2000s Indonesian home-video feeling. Important: Keep the outfit modest, ordinary, and believable for an Indonesian residential setting. Avoid lingerie aesthetics, glossy fabrics, exaggerated cleavage, modern crop-top styling, or contemporary fashion photography. Concept: An ordinary Indonesian morning captured by a friend on an old consumer camcorder. She casually walks through her neighborhood to buy breakfast, stops at a tiny traditional warung, interacts naturally with an elderly vendor, carries a small plastic bag of food, and returns home. Nothing feels staged or performed for the camera. The charm comes from ordinary everyday moments, imperfect framing, and authentic early-2000s Indonesian neighborhood details. Location: Authentic Indonesian residential neighborhood in the early 2000s, around 8–9 AM. Narrow concrete and asphalt alleys, modest one-story houses with tiled roofs, open terraces, faded painted walls, potted plants in recycled plastic containers, hanging laundry, bamboo drying racks, old parked motorcycles, plastic chairs outside houses, small traditional warung with glass display jars, colorful snack packets, bottled drinks, handwritten price signs, banana trees, coconut trees, overhead electrical wires, and neighbors casually doing morning chores. No modern cafés, convenience stores, smartphones, LED signage, contemporary architecture, luxury vehicles, billboards, crowds, or obviously modern objects. Visual Style: Ultra-realistic documentary realism. Forgotten Indonesian home-video aesthetic from approximately 2001–2005. Genuine candid behavior, imperfect timing, natural facial expressions, spontaneous gestures, realistic walking and body movement, authentic environmental details. She occasionally forgets the camera is there and behaves naturally. Camera Style: Early-2000s consumer MiniDV / Digital8 camcorder footage recorded by a friend. Heavy handheld movement, slight nervous camera shake, imperfect framing, occasional accidental cropping, autofocus hunting, focus breathing, exposure pumping when moving from sunlight into shade, slight overexposure around bright windows, occasional motion blur, subtle rolling-shutter distortion, mild digital compression, tiny sensor noise, soft image detail, warm faded colors, slightly yellowish highlights, muted blacks, low-to-medium contrast. No gimbal. No stabilization. No cinematic dolly shots. No drone shots. No modern camera sharpness. No modern HDR. No cinematic color grading. No artificial film grain. No polished commercial look. 00:00–00:02 — Leaving Home The woman steps out from a modest Indonesian house carrying a small reusable plastic shopping bag. She pauses on the terrace to put on her brown flip-flops properly. She notices the camera and gives a quick amused smile before looking away. Her loose hair moves gently in the morning breeze. The camcorder autofocus briefly loses her face before snapping back into focus. 00:02–00:05 — Walking Through the Alley She walks casually through the narrow residential alley. The camera follows several steps behind her, sometimes drifting too far to one side. She passes an old parked motorcycle, hanging laundry, and a neighbor sweeping the pavement with a traditional lidi broom. She briefly turns around to look at the camera, laughs silently, then continues walking. Sunlight flickers naturally through banana and coconut leaves, creating moving patches of light across her clothes and the concrete pavement. 00:05–00:08 — Small Neighborhood Warung She arrives at a tiny traditional warung. She leans casually against the counter while choosing breakfast from jars and trays of local snacks. She points at a few items and smiles at the elderly female shopkeeper. The camera moves closer but autofocus struggles between her face and colorful snack packages in the foreground. She receives a small plastic bag containing traditional snacks and a cold bottled drink. 00:08–00:10 — Unexpected Candid Moment Walking home, she opens the plastic bag and playfully checks whether the snack is still warm. A neighborhood child riding an old small bicycle passes behind her. She steps aside and laughs naturally. She looks directly into the camera for a brief moment, gives a tiny playful wave, then turns away. The camera operator accidentally zooms slightly while she walks farther down the alley. The footage abruptly cuts to black mid-step, like an old camcorder recording being stopped. Audio — Hyper-Detailed Early-2000s Indonesian Neighborhood ASMR: Authentic environmental binaural audio only. No music, no narration, no dialogue, no studio effects. Detailed sounds include soft flip-flops slapping against textured concrete, cotton fabric moving with each step, faint plastic bag crinkling, glass jars lightly rattling inside the warung, plastic snack packaging rustling, refrigerator compressor humming inside the tiny shop, distant motorcycle engine passing through the alley, rhythmic broom bristles scraping concrete, leaves moving in the tropical breeze, faint bicycle chain clicking, neighborhood birds chirping, distant rooster crowing, a metal gate opening somewhere nearby, occasional water dripping from a terrace, subtle footsteps from neighbors, and the gentle plastic bottle shifting inside her shopping bag. Audio should feel like a real consumer camcorder microphone from the early 2000s: slightly compressed, imperfect stereo separation, natural environmental noise, occasional distant sounds, close-up micro-details when the camera gets near her. Overall Goal: Make the footage feel like a forgotten personal home video discovered from an old Indonesian MiniDV tape from 2002–2005. The woman is not posing, acting, dancing, or performing. She simply goes out to buy breakfast on an ordinary morning. The camera operator is her friend casually documenting the moment without directing her. The result should feel nostalgic, intimate, imperfect, warm, spontaneous, and deeply believable — a genuine slice of Indonesian everyday life from the early 2000s, not a modern recreation of the 2000s.

[Ariel limas @ariellim]

@unmagnetism doa penjual masker seperti saya

[Ariel limas @ariellim]

@MiskinTV_ gas

[Ariel limas @ariellim]

@sepakbolatribun martin palermo

[Ariel limas @ariellim]

@s1mple_virus @awnofi malah 10 tahun lagi bisa jadi bangunan bersejarah dan jd tmpt wisata , tour kopdes

[Ariel limas @ariellim]

@PakarINTELek padahal burger itu fastfood

[Ariel limas @ariellim]

@andarsofian demi cukupin kuota GK

[Ariel limas @ariellim]

@ayahnyazain kok bisa kepikiran nyetak jelly di corong merahnya 🤣🤣

[Ariel limas @ariellim]

@LuckyLaki24 kurang banyak ah, buat negara sebesar indonesia , harusnya 81 item barang suvenirnya