Art+Australia

Art+Australia Publishing | Contemporary Art | Victorian College of the Arts University of Melbourne

[Art+Australia @artandaus]

‘Multinaturalism’ has arrived! Ed. by Tessa Laird, this issue is born out of forest fires and deforestation, extraction and despoliation which ravages landscapes and people, and anger and despair for irretrievable losses. Launching online on the 26th March at the NGV Art Bookfair

[Art+Australia @artandaus]

Art+Australia would like to thank @lisaradford and @YhonnieS for guest-editing #the_image_is_not_nothing during 2020, with amazing and generous contributions from artists, writers, poets, filmmakers and activists on the memoralisation of the nuclear.
https://t.co/GNO8ZhdP9d

[Art+Australia @artandaus]

Watch the video of the speech by Karina Lester a UN in 2017 and check the Nuclear Plants Worldwide Map in the last issue of the Image is not nothing (Concrete Archives) of A+A online edited by @lisaradford @YhonnieS at the following link:
https://t.co/1GWzD4bNjP

[Art+Australia @artandaus]

‘The Treaty to Prohibit Nuclear Weapons gains its 50th state ratification...The event is dismissed or ignored by nuclear-armed states (as well as some others, such as the Australian government).’in Andy Butfoy’s Time-Line:1994-2020 @lisaradford @YhonnieS
https://t.co/4C3pgKjqoC

[Art+Australia @artandaus]

‘Emu bombs spoiled the country. Kapi (water), kuranu (became bad) [he said this emphatically]. He used the word diduduna which he said meant stirring up the country, making it mucky, making it no good.’
From Daniel Browning’s essay
https://t.co/bUeKOtwQ94
@lisaradford @YhonnieS

[Art+Australia @artandaus]

‘Our bad memories forever being re-written and re-coded, by both will and force, deliberation and accident.’ The last editorial from @lisaradford & @YhonnieS for #The_image_is_not_nothing_Concrete_Archives is up at https://t.co/POihzxpmMN

[Art+Australia @artandaus]

Read in our October issue 'The Frisch-Peierls Memorandum' by Otto Frisch and Rudolf Peierls, March 1940, courtesy of the Bodleian Library, Special Collections, Oxford University https://t.co/Nx77gZ6Am7
@lisaradford @YhonnieS

[Art+Australia @artandaus]

See the Proton Synchrotron–Photographs from 1947 (the Barr Smith Library Archives) and read all the articles in this issue for the haunting impact of nuclear science. https://t.co/jz1bBcK6p8
@lisaradford @YhonnieS

[Art+Australia @artandaus]

Read this informative essay by Christopher Hill’s essay linking settler nuclear science with terra nullius.
https://t.co/GBMTZJUwXU
@lisaradford
@YhonnieS
@DrCRHill

[Art+Australia @artandaus]

Art + Australia Online October issue is out with amazing and diverse contributions on nuclear colonisation.
To read the complete October editorial in our A+A online issue, see, read and listen to artworks, go to the following link:
https://t.co/bxNZ8yQCD8
@lisaradford @YhonnieS

[Art+Australia @artandaus]

‘Seul le clapotis sans fin des vagues
au-delà des barbelés
berce notre sommeil enfermé aux aguets’
‘Only the endless wave-song
beyond the barb-wire
is a lullaby that rocks our enclosed and watchful sleep’
from Déwé Gorodé Wave-Song
@lisaradford @YhonnieS
https://t.co/HfPYVfm8N3

[Art+Australia @artandaus]

Read the fascinating essays by Noi Sawaragi and Jason Waite, excerpts from a catalogue of the ongoing exhibition housed in the irradiated #fukushima exclusion zone, opened in 2015, but remains inaccessible.
in our September Issue @lisaradford @YhonnieS
https://t.co/3s4SSzs8aP

[Art+Australia @artandaus]

‘... artists and writers, notably from Latin America, have raised questions about the ever-latent atomic danger and humanity’s ability to control the powers it can, and has, unleashed.’ Claudia Arozqueta in our September issue https://t.co/X4tek8ziLf @lisaradford @YhonnieS

[Art+Australia @artandaus]

Check these amazing 100 photographs of Ti Parks Polynesian 100 recently digitised by the @NGVMelbourne staff in this link available in A+A Online August 2020 of The image is not nothing (concrete archives), edited by @lisaradford @YhonnieS
https://t.co/biIARqCt6x

[Art+Australia @artandaus]

‘The concrete-ness of it is, most likely a ruse.’—Excerpt from the September Editorial for #The_image_is_not_nothing_Concrete_Archives by @lisaradford & @YhonnieS. Read all about the ruse at https://t.co/75TQIjqU37

[Art+Australia @artandaus]

Check Michelle Keown's essay on Kathy Jetñil-Kijiner poem/performance in the embedded film 'Anointed' directed by Dan Lin in relation to the atrocities in the history of nuclear tests in the Marshall islands https://t.co/fPDYc93gGW
eds by @lisaradford and @YhonnieS

[Art+Australia @artandaus]

The staff at Art +Australia are deeply saddened to farewell Dr. Kate Daw, an incredible colleague and artist who has inspired the art community. Words fail us. Our love and thoughts go to her family and the community in this difficult time. Vale Kate Daw.
https://t.co/Kua3VbIQT6

[Art+Australia @artandaus]

‘Is there affect in the algorithm of the archive?’Excerpt from the editorial. The August issue is finally out, edited by
@lisaradford & @YhonnieS with amazing contributions from Michelle Keown, Kathy Jetñil-Kijiner, Dan Lin, Ti Parks,Te Papa Press
https://t.co/4rBlTofCXT

[Art+Australia @artandaus]

https://t.co/u4tGkN0Shc
@lisaradford @YhonnieS

[Art+Australia @artandaus]

"A code of silence in the immediate aftermath makes detection extremely difficult." from the introduction of the map of the Colonial Frontier Massacres, Australia (Date Range: 1780 to 1930), see details in this link
https://t.co/1EpZGAfnmk
@lisaradford @YhonnieS