está lloviendo

#ゴミ箱 |無言フォロー失礼いたします

[【公式】タカラヅカ・スカイ・ステージ @skystage_info]

【名作ことばの泉～第二章～＃30『高照す日の皇子』】
宝塚歌劇の名作を朗読劇で紹介する「名作ことばの泉」。
第30回は『高照す日の皇子』を花組の夏希真斗、真澄ゆかり、希蘭るねがお送りします。
Xでは、収録直後の3人のコメントも限定公開！
初回放送は6月1日(月)23:30からです。お見逃しなく！

[【公式】タカラヅカ・スカイ・ステージ @skystage_info]

【名作 ことばの泉～第二章～＃30『高照す日の皇子』】
宝塚歌劇の名作を朗読劇で紹介する「名作ことばの泉」。
第30回は『高照す日の皇子』を花組の夏希真斗、真澄ゆかり、希蘭るねがお届けします。
初回放送は本日6月1日(月)23:30からです。お見逃しなく！

[はっぱ🍃 @hanachiru_st]

5時起きの聖乃さんがシシィやれば解決する理論好きすぎる🤣
ゾフィ「なんて寝b…おお起きてる」

[está lloviendo @aruhit0]

紅唇は犯罪、艶っぽい胸鎖乳突筋は犯罪、漏れた吐息は犯罪😇👮完全な罪の女即逮捕💋

[やあ @tkmnshnppc29]

侑輝大弥が前髪なびかせるのは犯罪

[está lloviendo @aruhit0]

@MARIKA588689 はじめまして、お譲り先が決まっておりませんでしたら、是非お譲りいただきたくお問い合わせさせていただきました。🤲🏼

[está lloviendo @aruhit0]

即死事件
聖乃あすかさまにアツアツ目線をいただき手を差し出していただいて手を握っていただきました…！！！！！！^_^

[Mi @8_nowornever]

宝塚歌劇関連SNS投稿について

舞台写真:禁止→わかる
スチール:禁止→わかる
ポケカレ・ポケスチ:禁止→わかる
ポスター・フライヤー:禁止→まあわかる
FA:禁止→…わかりたくないけどわかる
アクスタ:禁止→？？？？？？？？？？？？

[miriray @_miriray]

エリザガラコンみりれい回、配信無し＝円盤無しの可能性がかなり高く、幸いなことに観劇する機会を得ている私としては歴史に残る無形文化財の目撃者として語り部になる覚悟も抱いている。我らは観客であり証人でもあるのだ。

[está lloviendo @aruhit0]

【交換譲渡】舞台刀剣乱舞 刀ステ 禺伝 矛盾源氏物語 初演再演 ランダムブロマイド ランブロ

譲：
南泉

求：
定価

2/15終演後会場周辺

[está lloviendo @aruhit0]

@nwt_tr 初めまして、検索より参りました。
こちらのチケットをお譲りいただきたくご連絡させていただきました。
ランダムグッズなど全部をお譲りいたします。
ご検討のほどよろしくお願いいたします。

[yuuga☺️R @yuuga_0707]

【エリザガラ2/14花組フルコスver】
れいちゃんご挨拶
「皆様、本日は花組フルコスチュームバージョン初日公演にお越しくださりありがとうございます。柚香光です。」
「終わってホッとしています。昨日舞台稽古をしていただいたのですが、闇を彷徨う人たちを見るトート閣下ではなく、

[R @a_r_97516]

エリザガラコンが当時の代役もOKになったということは、

トート: 柚香光(新公)
シシィ: 実咲凜音・愛希れいか(本役)
フランツ: 月城かなと(代役)
ルキーニ: 水美舞斗(新公)
ルドルフ: 桜木みなと(本役)

というALL95期ドリームバージョンも可能性ゼロじゃないってことだよね🪶信じるのは自由

[está lloviendo @aruhit0]

@yuntarouno @null ありがとうございます。
またご縁がありましたら、ぜひよろしくお願いいたします。

[南城十二 @CreamSoda_0012]

guest from @Merasgar 😌
#十二国記 #崑崙筆談

[NCT @NCTsmtown]

2025 YANGYANG B-day PARTY [001010]🎂with #TEN

#YANGYANG #扬扬 #양양
#NCT #WayV #威神V
#001010

[J.K. Rowling @jk_rowling]

I'm seeing quite a bit of comment about this, so I want to make a couple of points.

I'm not owed eternal agreement from any actor who once played a character I created. The idea is as ludicrous as me checking with the boss I had when I was twenty-one for what opinions I should hold these days.

Emma Watson and her co-stars have every right to embrace gender identity ideology. Such beliefs are legally protected, and I wouldn't want to see any of them threatened with loss of work, or violence, or death, because of them.

However, Emma and Dan in particular have both made it clear over the last few years that they think our former professional association gives them a particular right - nay, obligation - to critique me and my views in public. Years after they finished acting in Potter, they continue to assume the role of de facto spokespeople for the world I created.

When you've known people since they were ten years old it's hard to shake a certain protectiveness. Until quite recently, I hadn't managed to throw off the memory of children who needed to be gently coaxed through their dialogue in a big scary film studio. For the past few years, I've repeatedly declined invitations from journalists to comment on Emma specifically, most notably on the Witch Trials of JK Rowling. Ironically, I told the producers that I didn't want her to be hounded as the result of anything I said.

The television presenter in the attached clip highlights Emma's 'all witches' speech, and in truth, that was a turning point for me, but it had a postscript that hurt far more than the speech itself. Emma asked someone to pass on a handwritten note from her to me, which contained the single sentence 'I'm so sorry for what you're going through' (she has my phone number). This was back when the death, rape and torture threats against me were at their peak, at a time when my personal security measures had had to be tightened considerably and I was constantly worried for my family's safety. Emma had just publicly poured more petrol on the flames, yet thought a one line expression of concern from her would reassure me of her fundamental sympathy and kindness.

Like other people who've never experienced adult life uncushioned by wealth and fame, Emma has so little experience of real life she's ignorant of how ignorant she is. She'll never need a homeless shelter. She's never going to be placed on a mixed sex public hospital ward. I'd be astounded if she's been in a high street changing room since childhood. Her 'public bathroom' is single occupancy and comes with a security man standing guard outside the door. Has she had to strip off in a newly mixed-sex changing room at a council-run swimming pool? Is she ever likely to need a state-run rape crisis centre that refuses to guarantee an all-female service? To find herself sharing a prison cell with a male rapist who's identified into the women's prison?

I wasn't a multimillionaire at fourteen. I lived in poverty while writing the book that made Emma famous. I therefore understand from my own life experience what the trashing of women's rights in which Emma has so enthusiastically participated means to women and girls without her privileges.

The greatest irony here is that, had Emma not decided in her most recent interview to declare that she loves and treasures me - a change of tack I suspect she's adopted because she's noticed full-throated condemnation of me is no longer quite as fashionable as it was - I might never have been this honest.

Adults can't expect to cosy up to an activist movement that regularly calls for a friend's assassination, then assert their right to the former friend's love, as though the friend was in fact their mother. Emma is rightly free to disagree with me and indeed to discuss her feelings about me in public - but I have the same right, and I've finally decided to exercise it.

[mint @earth9200]

even AI couldn't this perfect

[영우 @_youngwoo_]

250904 NO Way OUT

#WayV #威神V
#NOWayOUT #WayV_NOWayOUT
#WayV_NOWayOUT_CONCERT
#YANGYANG #양양 #扬扬