INDIA’S ARMYMAN JADUMANI SINGH! 🇮🇳
Eats 🍽️
Beats opponents 5-0 🥊
Sleeps 😴
Repeats 🔁
Another dominant win as confirms a medal for India in Men’s 55kg Boxing! 💪
“Critical for the US to protect India and allow democracy to thrive”.
Protect India?
India can’t protect itself?
How have we survived so far?
Because US protected us?
We have faced a major threat from China ever since China occupied Tibet.
Sumdorong Cho, Depsang, Chumar, Doklam, Nathu La, Galwan.
We have handled the challenge on our own.
US has protected Pakistan for decades against us and today it is again lionising Pakistan.
Obama visualised a G 2 with China. Trump is also talking of a G 2.
US policy on China is ambivalent.
On the maritime front, US seems to be walking away from the Indo-Pacific concept and the Quad.
Democracy can’t thrive in India without US protection?
Where does this thought come from?
US is no doubt a very critical partner and we need to cultivate mutually beneficial relations with it but not one of subservience as this lady is advocating.
Why wade into matters outside one’s knowledge domain.
Aiman's father was a kashmiri militant, who got hoorified by indian army in rajouri sector 14 yrs ago.
Now, this explains why she hates india.
But, the bigger question is how these kind of people are being allowed in delhi without prior security checks.
Why is the govt sleeping over this issue.
We'll keep dragging authorities until they respond.
And why is physics wallah allowing this kind of separatists on their platform?
@PhysicswallahAP@gupta_rekha@DCPNewDelhi
Acyuta's account got suspended
Need anymore proof that they are systematically working against Indians?
So many Indians who are working against racism are already suspended or minimum shadowbanned
Over 5,000 years ago, the people of the Indus-Saraswati Civilisation developed extensive methods of cultivation and processing cotton. Archaeological evidence from Mehrgarh, Mohenjo-daro, Lothal, and Rakhigarhi including charred seeds, delicate woven threads, and production tools highlights a specialized, region-wide textile economy.
This ancient expertise continues unbroken in India’s rich handloom traditions from Khadi and regional weaves to the timeless beauty of cotton sarees and fabrics used across the country every day. The thread of innovation and craftsmanship from the Indus-Saraswati Civilisation remains woven into the very fabric of Bharat’s living heritage.
#IndusSaraswatiCivilisation #LivingIndianHeritage #CivilisationalContinuity
This 4,500-year-old terracotta dice from the Indus-Saraswati Civilization is a powerful reminder of India’s living heritage. Dicing is also mentioned as a popular game in Rig and Atharva Vedas (two of the four sacred Vedic scriptures).
From symbols and craftsmanship to rituals, yogic practices, and collective memory, numerous elements of ancient Indian civilization continue to thrive in the daily social and religious life of Indian society across regions and communities.
Civilizational inheritance is not just about geography or ruins, it is defined by living customs, symbols, rituals, and unbroken cultural consciousness. India is the enduring living continuity of the Indus-Saraswati Civilization.
#IndusSaraswatiCivilization #AncientIndianHeritage
One of the most powerful symbols of India’s unbroken civilizational continuity!
Discovered at Mohenjo-daro in undivided India this steatite seal, about 4,300-year-old, shows a seated figure in yogic posture (widely seen as Shiva-Pashupati) seated in Mulabandhasana, surrounded by animals.
While ancient sites may lie across modern borders, India remains the living custodian of this heritage. The yogic posture, Shaivite symbolism, and spiritual ethos seen in the Pashupati Seal continue to thrive in India’s temples, daily worship of Shiva, yogic traditions, and cultural life even today.
From the Vedic period to contemporary Bharat, this civilizational thread has remained alive and unbroken — deeply embedded in our philosophy, rituals, and collective consciousness.🇮🇳
#PashupatiSeal #IndusSaraswatiCivilization #LivingIndianHeritage
She is Droupadi Murmu, President of the Republic of India and the Supreme Commander of the Indian Armed Forces.
Under her command stands the world’s 4th most powerful military, capable of bombing the shit outta your nation; not even the plastic surgeons of Maryam Sharif could fix it.
Gautam Khattar has been released.
Now it’s time to expose Francis Xavier at the national level, just like Babur.
Every Hindu should know who he really was.
If a 'Muslim boy' harasses a Hindu girl, then VHP has opened a helpline for Hindus. 85000 calls have been received on the first day....
Note these numbers and distribute in Hindus
020 668 03300
075 886 82181
A team of about thirty thousand workers is ready for twenty-four hours, this helpline was started with the aim of increasing brotherhood among Hindus. Ajay Shri Ram, Shyama Prasad Mukherjee National Thought Forum New Delhi India
Via Facebook
This painting, titled "Puppy Playing with a Pheasant Feather," is attributed to Yi Am, a court painter during the early to mid-Joseon Dynasty in Korea (1499 or 1507–1566).
Yi Am specialized in animal paintings, particularly dogs, and his works were highly regarded in both Korea and Japan. He was known for his distinctive technique of using ink washes instead of traditional outlines to depict animals, a style that significantly influenced later Korean animal painting.
The painting exemplifies Yi Am's delicate touch and mastery of composition, showcasing his ability to capture the naturalistic essence of animals. "Puppy Playing with a Pheasant Feather" is a notable example of his work, alongside other famous pieces like "Mother Dog" and "Flower, Bird, and Dog".
#drthehistories
Society enquire about men only when they have status, can provide something or are dead
It's a lonely battle, you have to see it out
Please don't do anything otherwise
June 25, 1990 - A Date Etched in Blood and Silence
Thirty-five years ago, in the once-beautiful valley of Kashmir, humanity was torn apart in the most horrific manner.
Girija Tickoo - a sister, a daughter, a wife, a mother - just 22 years old, was betrayed, violated, and butchered. Five men, consumed by jihadi hatred, ravaged her body in a crime so monstrous that it defies comprehension. She was lured by a colleague she trusted, only to be handed over to demons in human form.
After brutally raping her, they took an industrial saw - a wood-cutting saw, and began slicing her from her womb upwards, while she was still alive.
They tore her into two - a living woman, in excruciating agony, her cries muffled by the cruelty of fate and the silence of the world. Her body, torn and lifeless, was discarded by the roadside like refuse, like she never mattered.
Think. If even imagining this makes your chest tighten, your heart bleeds, what must she have gone through?
What did she feel when the saw tore through her abdomen, through her ribs, through her hopes and breath, knowing she would die in pieces, in pain, in betrayal?
As long as there’s breath in me, I will carry her memory like a wound.
I will remember her - and I will make sure the world remembers too.
Girija, forgive us.
We weren’t there when you needed us the most.
May your soul find the peace that this world never gave you.
A grief-stricken, eternal tribute.
Courtesy : @Vishnu_Jain1@AdityaRajKaul@AartiTikoo@payalbhayana@ARanganathan72@jsaideepak@Manik_M_Jolly@Fatima_Khatun01@AadiAchint@Sanjay_Dixit@ajaykraina
Beneath the outer layer of this structure lies sacred memory — not just architecture but ancestral sanctity etched in stone.
What you see is not erasure, but a buried truth — of a Hindu temple transformed, its carvings still crying out from behind the plaster.
#ReclaimTemples