I did these pieces in 2014 after being in Carriacou for carnival and went to Mt. Royal for Shakespeare Mas. We had a few people come through the exhibit in Hillsborough this weekend who recognized these champions for Shakespeare Mas. I understand that th… https://t.co/F2BszBRVhB
This is one of the objects I show as an example of the right to opacity. A piece of wood with nails in it that I found on a beach - obviously has a history - has a narrative… but it is opaque. I can look at the object and appreciate its aesthetic qua… https://t.co/8gCJNpYkpJ
“Opacité” - 6th Grenada Contemporary “Opacité” – 6th Grenada Contemporary “… restoring liberating, catalysing, and dangerous power to the object, that he gives back the profaned object its dignity of mystery and its radiant force…” Aimé... https://t.co/PjdPg60Z4j
I realize it’s been a bit since doing an art post. Caged Bois-Canots were some of my favorite elements in my Empathy of Place installation at the @grenadapavilionvenice. I am still spending time with these defiant leaves and processing whether I am prote… https://t.co/ZvWlFg7TEm
Day 1 visiting exhibits in NYC - for the articles about Caribbean heritage artists at the @labiennale - I have not seen articles about the Caribbean artists at the @whitneymuseum along with the #basquiat exhibit going on nearby. Some favorites: #denyseth… https://t.co/7unzHuDtt4
This photo is a significant convergence of themes around my current and future art practice.
1. I wonder if the grid wire that I’m using in my work right now was subliminally inspired by this familiar shop aesthetic.
2. I have a future project involvin… https://t.co/UkWR4MVL9x