s

[Dr. Van Nostrand @RSD270]

You want none of this, your entire SM identity is about being anti-Modi and running cringe hashtags.

If a politician stops caring about elections then what's the point? Nothing can be achieved while being out of power. It's not an ideal world, and you're just playing dumb.

[Shabdabhedi 🚩 🚩 🚩 🪷 @themangoindian]

Your 100% followers are pachaHamas and Congress tattus

[Megh Updates 🚨™ @MeghUpdates]

🚨 BIG STATEMENT by PM Modi

“I don’t usually talk about election outcomes, but this time the BJP will form the government with a HUGE MAJORITY.”

“I am saying this with FULL CONFIDENCE.”

[Arketip @arketipzihin]

Aynaya bakıyorsun, alın biraz daha geniş görünüyor. Saç çizgisi geri çekilmeye başlamış. Ne zaman başladığını bile fark etmedin. Saçlarını öne getirip görmezden gelmeye çalışıyorsun. Tanıdık geldi mi?

Cevabın ne olursa olsun saç dökülmesinde zaman en değerli şey. Erken başlamak çok şeyi değiştirir.

Önce sebebini anlayalım, Neden?

Erkek tipi saç dökülmesinin yüzde doksanı androgenetik alopesi yani DHT hormonu. Testosteron vücutta DHT’ye dönüşüyor. DHT saç köklerine bağlanıyor ve kökleri küçültüyor. Böylece saç teli giderek inceliyor ve bir noktada tamamen duruyor. Genetik çok önemli evet ama tetikleyiciler süreci hızlandırıyor.

Neler süreci tetikleyebilir?

→ Kronik stres — kortizol saç döngüsünü bozuyor

→ Uyku eksikliği — büyüme hormonu gece salgılanıyor, uyku azalınca saç kökü yeterince beslenemiyor

→ Düşük ferritin — erkeklerde çok gözden kaçan bir nokta, saç dökülmesinin sessiz tetikleyicisi

→ D vitamini eksikliği — saç folikülü reseptörleri D vitaminine bağımlı

→ Yüksek şekerli beslenme — insülin direnci DHT üretimini artırıyor

→ Sıkı şapka ve kask — saç derisinde kan akışını azaltıyor, uzun vadede olumsuz etkisi yüksek

Ne yapabilirsin?

→ Minoksidil — FDA onaylı, saç derisine uygulanan solüsyon. Kan akışını arttırır ve kökleri uyarır. Erken başlanırsa saç çizgisini geri döndürebiliyor

→ Finasterid — DHT’yi bloke ediyor, reçeteli. Dermatologa danışılmalı

→ Biberiye yağı — klinik çalışmada minoksidil ile karşılaştırılabilir değerde etki gösterdi. Taşıyıcı yağla seyrelterek saç derisine uygulanır

→ Saç derisi masajı — günde 4 dakika. Kan akışını artırıyor, kökleri mekanik olarak uyarıyor. Çalışmalar saç kalınlığını artırdığını gösterdi

→ Tahlil yaptır — ferritin, D vitamini, tiroit, testosteron. Altta yatan sebep varsa önce onu çözmek gerekiyor.

En önemli şey: görmezden gelmemek ya da genetik abi ya yapacak bir şey yok diyip razı olmamak . Saç kökü tamamen kapandıktan sonra geri döndürmek çok daha zor. Şimdi başlamak her zaman daha iyi. 💪

[Dr. Van Nostrand @RSD270]

People don't realise right now BJP is in power after only getting 65/170 seats from three biggest states (UP/MH/WB) in 2024 elections, in all likelihood these numbers will only get better, and certainly not worse.

[Ram Gopal Varma @RGVzoomin]

Well sir , your explanation is complex but consoling 🙏 By the way I am a big fan of yours and hope to meet you soon 🙏

[News Arena India @NewsArenaIndia]

"BJP's 2 core issues, uniform civil code and one-nation, one-election, yet to be implemented; positive discussions on them going on."

- PM Modi at BJP Foundation Day Event

[Kumar 🚩 @JSPWorks]

During my recent journey (yesterday) had an opportunity to interact with a seasoned Social Media Intelligence and Political Analyst , an IIM Ahmedabad alumnus who consults part-time for various political parties.

His core responsibility is tracking the real-time “online pulse” of the electorate to inform campaign strategies and even government policy decisions.

What stood out most was his candid assessment of digital platforms in Telugu state politics where X has increasingly become an arena dominated by “personal ego clashes, polarized battles, and high-decibel confrontations.

In contrast, YouTube and Instagram exert far stronger influence, especially in rural and semi-urban areas.

He highlighted parties (Telugu states) are heavily investing in YouTube Instagram Reels, and creator driven content for mass outreach.

It was a sobering reminder that the loudest voices on X do not always reflect the true pulse of the electorate. The real influence, particularly in Andhra’s vast rural heartland, lies in the video ecosystems of YouTube and Instagram only

Really a great interaction and valuable insight into how data driven political strategy is evolving in our digital democracy (YT/Insta)

PS: Was shocked to hear from him the most controversial handles in X (including all parties) 🤣

[void @wosgnn]

How Hinduism created Christianity with complete proof and explanation....
Share max for insane cope of wyts

[𝗦𝗵𝗶𝘃𝘂𝗱𝘂 @Shiva4TDP]

చి దీనెమ్మ… మన లైఫ్ చూసుకుందాం… పాలిటిక్స్ వల్ల టైం బొక్క తప్ప ఏమి లేవు…నేను తిట్టించుకుంటూ ఇంట్లో వాళ్ళని తిట్టిస్తూ…. వద్దు రా ఈ పాలిటిక్స్ అని ఆలోచన చేసి పాలిటిక్స్ ట్వీట్స్ ఆపేసి ప్రశాంతం గా ఉన్నప్పుడు ఇంత మంచి స్టఫ్ ఇచ్చావ్ ఏంటి అన్నా @ysjagan

Worst asalu… నిన్ను చూసి నాకే జాలి వేసింది 🙏🙏🙏🙏…

ఈరోజు కంట్రోల్ చేసుకుందాం అనుకున్న ట్వీట్స్ ఆగలేదు…. 5 ట్వీట్స్ వెయ్యాల్సి వచ్చింది

మా పాత టీడీపీ ట్విట్టర్ అకౌంట్స్ అన్ని ఆక్టివ్ అయ్యాయి….😷

విశాఖపట్నం రాజధాని అని సైలెంట్ గా ఒక స్టాండ్ మీద ఉండి ఉంటే సరిపోయేది గా

మూడు రాజధానిలు నుంచి మావిగన్ వరకు వచ్చావ్ అంటే నీకు స్క్రిప్ట్ ఇచ్చిన వాడిని మింగాలి

[Ram Gopal Varma @RGVzoomin]

CONTINUING FROM PREVIOUS TWEET

Production design shifts from hyper detailed, noisy, lived in realism showcasing multiple storylines unfolding in cluttered frames that mirror the chaos of happenings . Production Designer Saini Johray made me believe that I was in pakistan
Editor Shiv Kumar who Dhar gives a lot of credit to (Dhar told me personally about Shiv’s contribution ) delivers a “pulsating edit pattern” that compresses the cuts and then releases like a heartbeat both in quiet tension and also in exploding emotions . Slow burn domestic/emotional beats give way to rapid fire action cuts

The use of retro Hindi songs (“Tamma Tamma Loge,” “Tirchi Topiwale”) cheekily during violence not for the effect sake , but as ironic, mood shifting devises transport you into a heightened, almost mythical and trance like world.

Sound design is equally masterful: stripped back silence builds dread, then erupts into an array of thunderous, fragment driven scores (Shashwat Sachdev’s hip hop influenced work). Every grunt, impact, and explosion lands with physical weight. This “silence as sound” technique keeps you on edge for the entire runtime.
The complexly layered, internalized performances wouldn’t have been possible without Dhar’s crystal clear and precise briefs and then him giving the actors their space for their own interpretations. Ranveer’s performance is a study in it’s nuances of controlled rage and emotional vulnerability
Madhavan’s strategist is quiet authority personified. His helplessness of an entire nation on his shoulders he channels it into a cold, precise strategy rather than displaying overt emotion.
In a film where Ranveer Singh delivers explosive energy and the ensemble brings intensity, he has choosen subtlety not relying on loud dialogues or dramatic outbursts, but on micro expressions, a measured voice with an aura of quiet authority. Each and every character no matter how small get real and deeply felt arcs and never in a single frame do they get reduced to props.
Dhar’s world building is like a master chef mixing Geo politics , gang dynamics, espionage without once feeling lectured in grounding this larger than life revenge drama in a never before seen or experienced setting of a tangible and pulsating atmosphere created by Saini Johray
Dhar’s genius lies not in balance but in glorifying each aspect of his craft addictive and delicious and the food items prepared In the pre march 19 th 2026 era will be now stale and disease ridden
This isn’t direction. It’s surgical warfare on celluloid. #Dhurandhar2 should not be just seen but should be read like a textbook.
My one line advise to all film students is “Leave your institutes and spend that money and time in #Dhurandhar2 theatres”

[Ram Gopal Varma @RGVzoomin]

My Review of the #Dhurandhars

My one line advise to all film students is “Leave your institutes and spend that money and time in #Dhurandhar2 theatres”

For all film students out there , here is what I studied of how , Aditya Dhar did not direct , but weaponized cinema itself.
Dhar fused raw visceral intensity with surgical precision, creating a film that feels like a live electric wire humming with tension and then exploding into cinematic brilliance
His techniques redefine the genre, blending Scorsese’s gritty realism with a Tarantino’s stylization, all while maintaining an iron grip on both pacing and hovering over emotional land scapes.

He seems to have given action director Aejaz Gulab total freedom with just one directive: “Think as brutally as you can. Kill in the most intense ways you can imagine.” and Aejaz shot extreme gore (torn limbs, burnt bodies, blood soaked incidents ), but Dhar reined it in the final cut for broader accessibility , but what still remains is ultra ferocious.. The 30+ minute climax, reportedly rehearsed for six days and shot over 14 with meticulous continuity , turns a masjid fight into a visceral symphony of debris, chains, and the deadliest kills imaginable

This isn’t mindless gore like the pre march 19 th 2026 films because in here , it serves character depth and theme elevation and Hamza/Jaskirat’s dual identity rocket fuels the tremendous fury, turning every punch, shot, and explosion into an extension of both national and personal rage .

Dhar blends practical effects, clever camerawork, and minimal VFX making the carnage feel dangerously real.

Dhar structures the film like a strategic dossier, dividing it into named chapters (e.g., “A Burnt Memory,” “Lucifer,” “Ghosts from the Past,” “Trial by Fire,” “Unknown Men,” “The Revenge,” “Dhurandhar”) each acting as a mini three act arc, giving the audience a clear “cognitive map” of escalating stakes. This technique prevents the massive runtime from feeling bloated and instead, it builds like a procedural intelligence operation as in setup, infiltration, detonation.

He opens with high stakes emotional anchors (personal tragedy fueling national duty), then shifts into mandatory planning sequences that feel as dramatic as the fast moving action.

No predictable flashbacks and information unfolds through sharp, razor edged dialogue and highly innovative montages. The result? A nearly four hour film that “never once distracts” and every chapter propels you forward with surprises, twists, and turbulent emotional undercurrents.

Dhar’s visual language is controlled and strategically indulgent. He favours gritty realism captured in handheld shots, using rustic/sepia toned palettes for Pakistan’s underbelly, saturated colors for dramatic spikes but layered in prestige cinema aesthetics (amber gold interiors, teal grey exteriors)

Heavy use of medium close ups and tight frames captures not only hyper masculinity, but also micro expressions, with smoldering intensity (especially in Ranveer’s eyes).
Low angles, shallow depth of field, and occasional high frame rate/shutter speed shots heighten the tension without disorienting us from the drama

TO BE CONTINUED in next TWEET

[Ram Gopal Varma @RGVzoomin]

Now that @AdityaDharFilms has EXPLODED a ATOMIC BOMB right under the film industry, what is shocking is the loud silence from the rest of the film industry .

I don’t know whether this is because the #Dhurandhar2 ‘s devastating explosion has hurled everyone else in the film industry so far into OUTER SPACE that their applause cannot reach here due to the long distances , OR whether they’re huddled in denial, whispering to each other , “It’s just propaganda… it will go away soon ,” so that they can crawl back and resume making their same old repetitive films.
OR are they just paralysed by the film’s sheer brilliance , realising that whatever they’ve been making or planning to make , now simply cannot measure up?
But isn’t it extremely unwise to ignore a DINOSAUR like #Dhurandhar2 staring you in the face and BREATHING FIRE into your eyes with its BOX OFFICE ROAR shaking the very ground beneath their feet , how can anyone be so foolish enough to look away?

My sincere advice to all my colleagues in the film industry is to please take #Dhurandhar2 deadly seriously and study it like a ultra fresh course in filmmaking and educate yourselves OR risk being buried forever in the graveyard of pre March 19th 2026 cinema.🙏

[Ram Gopal Varma @RGVzoomin]

Between #Dhurandhar and #SeeDance , I think the FILM INDUSTRY is going to be FUCKED into OBLIVION

[Ram Gopal Varma @RGVzoomin]

WHY SYNDICATE and not SARKAR?

SYNDICATE is based on a premise “ What if the entire law and order of INDIA collapses in just one single day”

It will be almost like a HORROR film , not because of any super natural elements , but because it will bare open the horrors that exist in some human minds which they can enact TERRIFYINGLY  

SYNDICATE is about the rise of a organization so powerful , so integrated, and so maniacally driven that it threatens the very existence of INDIA

I believe that SYNDICATE is something which will match up to the post #Dhrandhar2 era and that is the reason for my decision.

Here’s my take on why I want to wipe out my entire past and be a new born or a reborn director post watching #Dhurandhar2 …

I wanted to be a auto rickshaw driver when I was around 10 , because I was fascinated with the vrooom vroom sound when the accelerator revs up..And then around 15 , I wanted to live in a forest inspired by a cousin of mine , and then a few years later , I wanted to be a engineer and then once again I changed my mind to become a director
Likewise I was heavily into Enid blyton’s books which I abandoned , when I discovered James Hadley chase , who I thought was the greatest writer ever
And then after a few years I discovered Fredrick Forsyth who awed me beyond my imagination

In effect we all keep getting re shaped from time to time because of newer and newer experiences which keep on elevating our bench marks as they should.

My bench mark films were The sound of music(Rangeela) , Exorcist(Raat, Bhoot) , Godfather(Satya,Company,Sarkar) .. in my entire career I was making films derived from those bench marks and mainly from Godfather
But now after seeing #Dhurandhar2 all my earlier films look like nothing .. if Godfather was my earlier benchmark in this genre , I now felt #Dhurandhar2 is like Godfather’s GODFATHER in the way , it redefined and reinvented everything , whether it’s craft , story telling style , character design , background music , laying out emotional landscapes, artistes performances , action choreography etc etc etc

So it’s common sense that I need to abandon the lessons learnt from the old schools of Coppola and join the new school of @AdityaDharFilms and that’s the only way one can stay updated.

It will be a suicidal blunder on the part of any film maker/writer/star, not to shed their egos and do an intensive academic research study of #Dhurandhar2 and then take a deep re look and then re work on whatever they believed so far, and drastically adapt.
By not doing so , and if you all will still stick to the same old cinematic beliefs, which were brutally killed on March 19 th 2026 , YOU TOO WILL DIE

[Ram Gopal Varma @RGVzoomin]

I have a WONDERFUL IDEA for all those in PAKISTAN who claim #Dhurandhar2 is a PROPAGANDA film full of lies , they can get their own Pakistani @AdityaDharFilms , and make #DhurandharTheTruth 💃🏼💃🏼💃🏼😎😎😎

[Ram Gopal Varma @RGVzoomin]

Post experiencing the impact of #Dhurandhar2‌ , in the same breath of letting go of the past and inventing a new future , if SATYA, COMPANY and SARKAR were my ode to my old guru COPPOLA, my next film SYNDICATE , will be my ode to my new GURU @AdityaDharFilms.”

[Ram Gopal Varma @RGVzoomin]

The #Dhurandhar2‌ isn’t just smashing box office records , but it is actually NUCLEAR BOMBING the very FOUNDATION of what we thought INDIAN CINEMA is .. And it would be an ABSOLUTE UNFORGIVABLE STUPIDITY to get BLINDED by just those THUNDEROUS COLLECTIONS alone , and MISS the real DEVASTATING EARTHQUAKE @AdityaDharFilms has created and moved the goal post from INDIAN CINEMA IS to INDIAN CINEMA WAS .
More than the shocking TWISTS in the story , what was even more SHOCKING were the unthinkable TWISTS in the very STRUCTURE of CINEMA being followed ever since the MOVIE CAMERA was invented

My creations , inspired from the likes of GODFATHER whether it is SHIVA , SATYA, COMPANY or SARKAR , were 4 RAW, UNFLINCHING MIRRORS to the BRUTAL REALISM of CRIME ORGANISATIONS and INTRINSIC POWER PLAYS at high places etc and @AdityaDharFilms studied them and others works like a SCIENTIST, extracted their HEARTS, multiplied their DNA by a 100 , and then injected HIGH OCTANE ROCKET FUEL called PATRIOTISM and mixed it with a huge dose of ACIDIC GEOPOLITICS and further added dollops of TERRORISM and ESPIONAGE in addition to INTELLIGENCE WARFARE all poured into a BEAUTIFUL jar to make a TOXIC CONCOCTION of BETRAYAL AND LOYALTY laced with HEART WRENCHING HUMAN VALUES ..And it is the LAVA of that VOLCANIC MIXTURE is what is making THE TECTONIC PLATES of the FILM INDUSTRY TREMBLE in it’s PANTS
My 4 films are SCHOOL BOY’S ESSAYS compared to @AdithyaDharFilms SCIENCE THESIS OF the NEW AGE of FUTURE CINEMA
Any filmmaker including me , if he still clings to scripts written before March 19th 2026 without asking himself the brutal question “Is this better or even anywhere near to the new benchmark set by Dhurandhar 2 ? will be a SUPREME IDIOT WALKING STRAIGHT INTO OBLIVION
#Dhurandhar2 is not just a GAME CHANGER .. it just BURNED THE ENTIRE FUCKING RULEBOOK on which we were making films
So here’s my RAW ADVISE to every director out there (MOST OF ALL MYSELF)
Throw the old drafts of your scripts, whatever has been written before March 19 th 2026 into the #dhurandhar fire and
let’s all RUN BACK to the drawing board right now. SEE YOU THERE ! 💪🔥💐

“ Art is not about what it is.. It is about what it could be, and what it should be “
— AYN RAND

On behalf of INDIAN CINEMA’S FUTURE , Thank you @AdityaDharFilms , for showing us what CINEMA could be , and SHOULD BE 🙏🙏🙏

[Ram Gopal Varma @RGVzoomin]

ME with the POWER COUPLE.
The reel HUMZA @RanveerOfficial destroyed the Pakistani terrorists and the real HUMZA @AdityaDharFilms is destroying the Indian film makers 🙏 Terrorists can run to save their lives,but where will film makers run to save their films from his brilliance?

[Ram Gopal Varma @RGVzoomin]

The #Dhurandhar2 is not a film .. it is a RESET BUTTON for INDIAN CINEMA ..it will be foolish on all film makers part not to forget all films which were made before March 19 th 2026 and starting from March 19 th 2026 onwards everybody should bench mark all their to be made films with #Dhurandhar2 or else they will PERISH in it’s FIRE