12.12.01 / bnha / kny / movies / books / sebastian stan / kenshi yonezu / fujii kaze / i don't know what else to add in my bio so i'm just gonna leave it here
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KENSHI YONEZU
2026–2027 WORLD TOUR / GHOST
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ASIA / NORTH AMERICA / UK& EUROPE
It’s official!
Kenshi Yonezu returns in 2026–2027.
GHOST is going worldwide.
We look forward to seeing you again!!
https://t.co/62XRm7pt2N
#米津玄師
#KenshiYonezu
#KENSHIYONEZU2026_2027WORLDTOUR_GHOST
You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild.
Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real.
The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later.
Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him.
Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman.
Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact.
95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.
You’re telling me a gay actor was under so much pressure sitting in front of fourteen people reciting a deeply personal script, that he was anxious the entire 12 hour shoot and ended up blocking the memory out??!!?
หลังมีข่าวว่า Disney+ จะเริ่มลงคอนเทนต์ AI ในแอป คุณ Dana Terrace ผู้สร้างการ์ตูนซีรีส์เรื่อง The Owl House ของดิสนีย์ ก็ทวีตว่า "เลิกซับ Disney+ ซะ ไปหา Owl House ดูเถื่อนเอา กูไม่แคร์ ช่างแม่งไอ้พวก Gen AI"
Hi. Thai here.
Almost nobody in Thailand uses the term “ladyboy” when discussing trans identity in Thai. The word is an orientalist construction and is a Western projection that exists only within English speaking contexts.
What these viral misinformed takes always leave out is that trans women in Thailand use feminine language in the exact same way cis women do, and they are addressed as women by almost everyone whether they are conservatives, men, women, children, monks etc.
Unlike Indonesia, very few people in Thailand spend time policing other people’s use of language, which restrooms they use and how they choose to live their lives.
These hot takes from people stems from one thing: the fact that most of you have never actually known a trans person, listened to a trans person, or opened your hearts to one in real life.
And you certainly don’t understand how Thai language functions either. In Thailand this is almost unthinkable as Trans people are normalised members of society.
You can’t avoid trans people in Thailand because they don’t need to hide. If their family doesn’t accept them, they still have friends and the larger Thai community to lean on.
They are doctors, nurses, business owners, entertainers, teachers, service workers, creatives, athletes, and more. While you’re all busy debating bathroom politics and indulging in religious and political hysteria, the world keeps turning in Thailand lol
I see this discourse often and it really does expose how colonial language hierarchies erase the nuance of non-Western gender systems - systems that, while imperfect and still evolving, have long recognised identities beyond the narrow Western binary and flatten them into stereotypes for global consumption.
I’ve said this before but social media algorithms amplify English-language content to the rest of the world while Thai opinions remain trapped within Thailand’s content ecosystem. That asymmetry is exactly why so many of you speak about Thais instead of with Thais and it’s why your understanding of Thai trans identity will always sound like a mistranslation.