Axel Grigor

Filmmaker 🇸🇪 🇦🇺

[Axel Grigor @axelgrigor]

@JohnMurphyEdit Big congrats to you and the entire team, John!!

[Axel Grigor @axelgrigor]

@3pointedit Go David!! Good luck with the rehab and the re-blendering.

[Axel Grigor @axelgrigor]

@missmiaanne @balagonline Thanks for watching it. Loved making it!

[Axel Grigor @axelgrigor]

@JustinPamenter @3pointedit Get better soon David!! Sending loving, healing thoughts you way.

[PC Gamer @pcgamer]

The world's first trombone rhythm game is instantly a GOTY contender. And no, I'm not kidding. Turn up the volume and hear Beethoven like you've never heard it before. https://t.co/Qu7Cmkhjzc

[Axel Grigor @axelgrigor]

@GunnarRehlin @IMDBorg Somehow managed to get a seat for WHITE NOISE. System not allowing me to do anything else since then.

[Creative Arts Research Institute @CreativeArts_GU]

Enormous congratulations to Peter Hegedus who will premiere Sorella's Story at the Venice International Film Festival!

[Griffith University @Griffith_Uni]

We are proud to announce A/Prof Peter Hegedus has been selected to premier Sorella’s Story at the prestigious Venice International Film Festival in August. This harrowing film was created with the support of the @GriffithFilm and tells a powerful story. https://t.co/J5NkD42XDb

[EspressoCinema @EspressoCinema]

Australia's Sorella's Story has just been announced In Competition at the Venice International Film Festival in Venice Immersive!! 🎬👏 @la_Biennale @AusAtVenice @AusAmbRome https://t.co/HrTTpgd1ij

[ScreenAustralia @ScreenAustralia]

Congratulations to Australian VR projects Sorella’s Story and Lustration on their selection for @la_Biennale!

[IF magazine @insidefilm]

@Peterfilmmaker’ 'Sorella’s Story' and @RyanJGriffen's 'Lustration' have joined the Australian contingent for next month’s Venice International Film Festival, selected as part of the Venice Immersive strand.

https://t.co/VQAaYxqMud

[Axel Grigor @axelgrigor]

Proud to have co-produced the haunting and timely SORELLA’S STORY (dir. Peter Hegedus), competing at #BiennaleCinema2022 #VeniceImmersive at Venezia79.

[La Biennale di Venezia @la_Biennale]

#BiennaleCinema2022 43 projects from 19 countries, 32 works in the Worlds Gallery and 1 Special Event – Out of Competition: the Island of Lazzaretto Vecchio opens again for #VeniceImmersive, the XR - Extended Reality section of #Venezia79 → https://t.co/vIextk5IHF

[Cinema Australia @CinemaAustralia]

Innovative Aus film Sorella’s Story has been selected to World Premiere In Competition at the Venice Immersive strand of the prestigious Venice International Film Festival, the only Australian film In Competition.
https://t.co/YOX1MZxBcZ

[La Biennale di Venezia @la_Biennale]

#BiennaleCinema2022 43 projects from 19 countries, 32 works in the Worlds Gallery and 1 Special Event – Out of Competition: the Island of Lazzaretto Vecchio opens again for #VeniceImmersive, the XR - Extended Reality section of #Venezia79 → https://t.co/vIextk5IHF

[Axel Grigor @axelgrigor]

@jmechner Departunsure

[Patton Oswalt @pattonoswalt]

Anne V. Coats didn't wrestle LAWRENCE OF ARABIA and THE RED SHOES into the transcendent visions they were to see her category relegated to Tweets.

[Patton Oswalt @pattonoswalt]

No FILM EDITING? You may as well also not have Best Director. ANY director will tell you the editor is equally (cough cough sometimes WAY MORE cough cough) important to the final artistic vision.

[NFSA National Film and Sound Archive of Australia @NFSAonline]

Did you know that editor Jill Bilcock won an @AACTA Award for Moulin Rouge!? Discover the craft & creativity behind @bazluhrmann’s masterpiece in the upcoming exhibition Australians & Hollywood at the NFSA. Tickets on sale now #HollywoodNFSA #AACTAAwards https://t.co/cOHpSdo07D

[British Film Editors BFE @BFEditors]

Editors #OnEditing - Jill Bilcock - https://t.co/SQFv7u9nH0

[Axel Grigor @axelgrigor]

@JudithReviews So very glad you enjoyed the film. I loved making it.