Love belongs here too.
I painted these two Indigenous Oaxacan women sharing a kiss among the cactus-covered hills of southern Mexico. For generations, queer people have built lives, found love, and created families in Indigenous communities, even when history books chose not to tell those stories.
For my queer artwork and stories:
[https://t.co/zPSgZbU79j](https://t.co/zPSgZbU79j)
These body paintings were created by my friend Redsbodyart, drawing on ancestral motifs from western Mexico.
The four-lobed signs over the eyes and mouth evoke sacred vision and sacred speech.
Join my mailing list for more of my work: https://t.co/5U8t3qauGH
Looking at Jean-Claude Mézières's work on Valérian and Laureline. If I made a cute girl in a hyper-futuristic setting I'd also draw her getting xenobukkaked at least once in my lifetime
Moonlight and flirtation.
A little amorous scene from a new toile pattern inspired by old Mexican romance illustrations.
Join my mailing list for paintings, studio glimpses, and future print releases: [mailing list](https://t.co/7NQFoEIGMN)
#felixdeon#gayart#toiledejouy
¡El Diablo!
Handsome, tempting, and always leading good boys into terrible decisions.
This card comes from my queer Lotería game, now available in my Etsy shop:
[https://t.co/YWorBc8879](https://t.co/YWorBc8879)
#PiezaDelDía 🌽 Incensario Chen Mul
El dios E o descendente se identifica como dios del Maíz, es extremadamente común en la iconografía de la época postclásica de la península de Yucatán.
This painting tells a sacred narrative of the end of the Fourth Sun, when Tata and Nene survive the flood and, after kindling fire whose smoke reaches the heavens, are transformed into dogs. In these traditions, dogs are ancient kin in another form, bound to humanity since the beginning.
I paint these sacred narratives of creation and the early world throughout my work. My books The Birth of the Fifth Sun and The Birth of Death explore many of these stories and the beings who shaped them.
https://t.co/9q5b0hVhx0