by that logic, we’re a new person everyday, as our structures are constantly changing. Every cell in your body replaced in a 6 year time span. Also, if we’re stuck in metatron’s cube, then we’ll be reborn in the same body and mind an infinite amount of times with the same structure. Though, none of this is true. Our soul, while eternal, is beyond existence and non existence, it can be explained by infinite, which is infinitely complex and will never be understood or quantified in any form.
@valsaven@NightSkyToday But that still dodges the bigger question: what is the sentience, the awareness, the power that drives the body in the first place? You can describe the ashes of the book, but not the thing that made the story mean something while it was being read.
The logic here is flawed.
Matter is indeed immortal, but "we" are more than just matter.
Think of a book. If you burn it, all of its atoms remain as gas, smoke and ash - physically, they aren't destroyed. But the book itself is gone. The unique order of letters, the meaning of the words and the photos are destroyed forever.
The same goes for death. Our atoms don't vanish - they just return to the cycle of nature. But the complex structure - our personality, memory and consciousness - breaks down🤷♂️
The immortality of matter does not mean the immortality of the self. When we die, we simply turn into cosmic ash ~
La danza folclórica circasiana es una de las expresiones culturales más distintivas, elegantes y rigurosas de la región del Cáucaso Norte.
Para el pueblo circasiano (o adigué), el baile no es un mero espectáculo folclórico, sino una forma de memoria corporal y un estricto código de etiqueta social (Xabze) que preserva su identidad frente a la historia y la diáspora.
Los hombres bailan completamente de puntillas sobre botas de cuero blando (sin refuerzo de yeso ni madera, a diferencia del ballet). Este paso veloz simula que el bailarín flota o desafía la gravedad, reflejando el control absoluto del cuerpo.
Las mujeres se mueven con pasos extremadamente cortos y sutiles. El efecto visual es que se deslizan suavemente por el suelo, manteniendo la cabeza y el torso completamente inmóviles, mientras mueven los brazos de forma tersa, asemejándose a alas de cisne o mariposa.
NORWAY’S JEWISH RITUAL TRAP.
Here where i live, stands the world-famous Vigeland Sculpture Park.
Reptiles. Demons.
Children devoured alive.
Pure blasphemy.
And yes, the sculptor himself, Gustav Vigeland, had Ashkenazi-Jewish origins.