Eiso 英相

Bakamono guitar/vocals. Game Maker / Mobile Growth, Father to a Black Pug named Maxwell.

[Domino's Pizza UK @Dominos_UK]

BREAKING NEWS

[vids that go hard @vidsthatgohard]

Keegan Michael from Key & Peele recreated the name sketch with the names of football players from the World Cup🤣

[SportsCenter @SportsCenter]

Japan fans always clean up their section after the match and this time, they were joined by Jameis Winston

[MLFootball @MLFootball]

🚨🚨THIS IS CHEATING🚨🚨

THE #SPURS JUST INTENTIONALLY GOAL-TENDED ON A SHOT BY THE #KNICKS THAT WAS CLEARLY GOING IN.

THIS IS ONE OF THE WORST CALLS OF ALL TIME AND IT SEEMS LIKE THE REFS ARE INTENTIONALLY SCREWING NEW YORK.

NOT NORMAL.

[Moonsault Slayer @VolSkimmer]

Harada and Nakastu left Bandai Namco Studios due to greed and terrible treatment of staff. In 2024, A whistleblower exposed the work conditions BNE created after making the decision to cut staff. At the same time, Harada began expressing frustration with BNE focusing on profits over passion

❗️Whistleblower 2024 leak press:
“BNE wanted to downsize their gaming studios to cut cost so they ended work from home and fired the employees who couldn’t come back immediately. Due to the sudden mandatory return to work, there weren't enough seats, so people had to cram in, resulting in many floors experiencing oxygen deprivation. The contracts of temporary employees were terminated, permanent employees were sent to a department known as the "dismissal department," where they were given no work but their performance evaluations were lowered to encourage voluntary resignation. They rummage through past events and PC logs to find faults, investigate employees' PC logs and work performance over several years, and if there is even the slightest mistake, use that as an excuse to fire them saying, "I committed problematic behavior in the past, so I have no future at the company going forward." They also spread negative reviews about employees whose resignations have been confirmed to other companies. Employees whose resignation has been confirmed are contacted with messages such as "You should not associate with a person named (partially modified)," obstructing their transfer to other companies.”

❗️Harada’s post from 2024:
“As games have become a major industry, many stakeholders have emerged. There are more and more "self-proclaimed game industry people" and executives who are not creators, do not even have development experience, and do not directly face the voices from the fan community. Come to think of it, it seems like every year there are more and more people who, when I try to do something with an idea, tell me, "Don't do it just because of an idea or passion. I've done a lot of things with an idea, and that's why we have the foundation we have today, but I guess people who don't have experience in making things don't understand that. Well, that is how mature this field has become.

❗️Harada in 2024 IGN interview:
“If you’re worried that Jun’s appearance means Harada isn’t thinking about throwing her son (or anyone else) into a volcano, think again: “The first people that came to mind were perhaps certain executives at our company," Harada says. "They change quite frequently and some of them are only interested in obtaining the highest profits possible to further their careers, and they have no regard for development schedules or brand timelines. So some of them quickly flashed into my head. But if I had to think and I had to pick a Tekken character, it’s tough because most of them would probably survive if we look at past instances.””

[Rebecca Aguilar (on Blue Sky & LinkedIn) @RebeccaAguilar]

Everyone COPY this video, share it far and wide. Paramount Skydance billionaire baby David Ellison can’t handle that Stephen Colbert is getting millions of views . @Youtube we will cancel our subscription as we did when we dumped @paramountplus.

[Sulekha Tripathi @sulekhat95]

Anthropic just showed a 27-minute workshop on how to actually do prompts for Claude.

Taught by the people who built it.

Free. No registration. No paywall.

I've seen $300 courses that don't cover what they teach in the first 8 minutes.

Watch it and bookmark it now.

[france.tv cinéma @francetvcinema]

Quel bonheur, quelle émotion ! 🥹

Voici un autre double prix d’interprétation : Virginie Efira et Tao Okamoto pour le film de Ryūsuke Hamaguchi, “Soudain” !

#cannes2026

[Los Angeles Chargers @chargers]

should we REALLY make our schedule release video in halo?

yes yes yesyes
yesyes yes yes yes
yes yes yes yes yes
yes yesyes yes yes
yes yesye yes yes
yes yes yesyes

[あきら @whiskeyathome]

「止まれ！撃つぞ！」世田谷の住宅街で発砲　パトカーから追跡の軽トラック　荷台に警察官乗せ急発進　20歳の男を逮捕（2026年05月11日）
#東京 #警察 #発砲

[中山淳雄 @atsuonakayama]

SusHi Tech Tokyo2026
「東京がアニメ業界のハリウッドになるために」
IG石川会長、CWF川口会長、MAPPA大塚社長

1987年に石川さんが28歳でIGタツノコを創業し、1998年伊藤忠社内ベンチャーとしてCWF創業と川口さんが2002年に新海誠監督を見出し2007年にMBO。おなじタイミングでよんどしいに入社した大塚さんが2011年にMAPPA入社、実は3社ともに「不況化で独立している」。そしてお三方とも「30前半までの若いうちに経営者になっている」という共通点があり、どうアニメ制作会社を経営してきたかをお聞きしました。

『攻殻機動隊』『ハイキュー!!』『進撃の巨人』『SPY×FAMILY』『君の名は。』『すずめの戸締り』『呪術廻戦』『チェンソーマン』、アニメ作品として世界を席巻する数々を生み出したトップアニメプロダクションが、いまやアニメ制作だけじゃないよね、もはや事業会社だよねという話から名プロデューサーがどう生まれるのか、経営論・継承論まで深くお聞きできました。

川口さんに「ハリウッドの背中見てるようじゃダメだよね」という言葉もズシンときました

[HazzadorGamin, Dragon of Dojima @HazzadorGamin]

Former head of Sony Worldwide Studio Shuhei Yoshida says Jim Ryan fired him from Playstation studio.

“Jim Ryan wanted to remove me from first-party because I didn’t listen to him,” “He asked to do some ridiculous things, and I said ‘No.'”

https://t.co/72NHDuzpQy

[mgrn @mgrnjp]

The fact 692 out of Japan’s 811 animation studios are located in Tokyo is crazy.

[GameVerse @TheGameVerse]

Pepsiman (1999)

[cob @sillierdeadite]

oscar nominated horror performances

[Boring_Business @BoringBiz_]

Mood for first Monday after the New Years

[Metal Gear Network - MGN @MGSMGN]

Director Kojima and Yoji during the early days of Metal Gear Solid’s development. Bonus photo shows Kojima’s LEGO layouts for MGS, mapping the docks and cargo area on Shadow Moses Island and the entry route leading to the lift.

[小島秀夫 @Kojima_Hideo]

朝イチ、ジャッキー・チェンの「シャドウズ・エッジ」を観た！！ひやあああああ！！！！堪らん！！！凄いぃいい！もう最高だわ！！！冒頭から最後の最後まで、アクション、諜報、テンポ、スリル、ドラマ、見せ場、“ジャッキー”も全部入りの大サービス！！アナログとデジタル、AIと追跡班、若者と歴戦老人との世代を跨ぐコントラスト！ジャッキー(71)とレオン・カーフェイ(67)の死闘は凄まじかった。お約束のEDロールでのNG集も泣ける。何秋果役のチャン・ツィフォンが良かった。年末にこれを観れて、幸せ！超おすすめ！多くの人にみて欲しい。これ、観ないと損。流行らないとおかしい。

[HIDEO_KOJIMA @HIDEO_KOJIMA_EN]

I watched “Avatar: Fire and Ash” in 3D IMAX. People often say, “God is in the details,” but truly seeing that philosophy carried through in the act of creation is not an easy thing to do. This film shows absolutely no compromise, right down to the finest details, in the construction of the Avatar “universe.” It was magnificent.
For the past 40 years, I’ve been weaving entertainment and art alongside the evolution of cutting-edge digital technology. I’m a creator on the “digital side.” DEATH STRANDING was also shot and produced using technologies developed for Avatar.
Lately, films shot entirely in analog, without CG or VFX, have been increasingly praised. Even movies shot on film are celebrated, while digital works are sometimes dismissed with comments like, “Anyone can make it easily if it’s digital.” But that is a serious misunderstanding. CG works are also created by people. Countless actors, artists, and programmers pour their thoughts and passion into them, breathing life into the work.
Today, this film gave me renewed “pride” and “courage” as we look toward the future. It made me feel positive again about continuing to pursue “new things” using digital technology. Thank you, James Cameron. And I was also happy to see Kevin Dorman on the screen. He did so many performances for us on the set of DEATH STRANDING too. 🙏🙇🏻🫶😍