Bobi Brilyan Bastenjar

AI Playground | Creative Riot

[Bobi Brilyan Bastenjar @bastenjar13]

@D_studioproject Kelaaas, Kiiing!

[DStudioproject @D_studioproject]

another seedance 2.5 vs seedance 2.0

It's easy to focus on explosions and big action shots.

I think the real test is a simple conversation.

If a character can hold your attention without distracting artifacts, you're heading in the right direction.

Seedance 2.5 is coming to Higgsfield soon.

[Bobi Brilyan Bastenjar @bastenjar13]

@D_studioproject Gr8 😍😍😍

[DStudioproject @D_studioproject]

Seedance 2.0 Higgsfield Prompt :

SCENE CONTEXT
Scorching midday beach, aggressively bright and saturated. Turquoise water, red beach umbrellas, children's plastic toys scattered across the sand, a sand castle built near the shoreline path. Into this she walks — entirely in black, long dark hair, white-painted face — moving through the crowd toward an empty lounger ahead.

ACTIVE REFERENCES
<<<image_1>>> — the woman: long straight black hair falling to the waist, pale white-painted face with elongated white eye corners giving an otherworldly mask quality, black feather-trimmed jacket, black tulle midi skirt with ruffled floral rosettes, black leather combat boots. Reference controls face identity, hair, and full outfit throughout. Reference does not control beach environment or lighting color.

<<<image_2>>> — the beach location: wide white sand beach, clear turquoise water, beach chairs, people in summer clothes, bright open midday sky. Reference controls environment, color saturation, and atmospheric brightness.

<<<image_3>>> — the black umbrella with black lace fringe trim: folded and closed, tied shut, tucked firmly under her left arm with the lace tip pointing slightly downward behind her. Reference controls umbrella design. In this scene it stays closed under her arm for the entire shot.

LOCATION MAP
Wide white sand beach, hot and bright. Children's plastic toys scattered on the sand surface in the foreground and midground — small buckets, shovels, a toy boat. A sand castle approximately knee height sits in the path directly ahead of her, built on the right side of the walking corridor. A large inflatable pink flamingo is visible on the sand 3 to 4 meters to screen-right, clearly legible in the frame. An empty beach lounger sits in the midground approximately 15 meters ahead of her, slightly left of center. People — adults seated, a child running — are present between her and the lounger.

FIRST FRAME AND SPATIAL BLOCKING
First frame: low angle close shot, camera positioned at sand level looking up the length of her legs. Her black combat boots are in the foreground filling the lower frame, walking toward camera. The sand surface between her steps shows scattered plastic toys — a small bucket at screen-left, a plastic shovel near her right boot. The sand castle is visible ahead of her boots in the near midground. She enters already in motion.

FORMAT MODE
Single continuous take, 8 seconds, horizontal cinematic format.

OPTICS
SEGMENT 1 — 0.0s to 3.0s
65° diagonal field of view, wide low-angle lens character, camera at sand level approximately 1.5 meters ahead of her boots, angled upward slightly. Her boots, lower skirt hem, and the sand surface with toys are the primary elements. The inflatable flamingo is readable at the right edge of frame. Lens lock: 65°, no drift.

SEGMENT 2 — 3.0s to 8.0s
45° diagonal field of view, normal cinematic eye-level lens character, camera cuts to a position 4 meters to her screen-left side, at eye level. Her full figure is visible — face, body, umbrella under arm — as she continues walking and passes through the crowd toward the lounger. Lens lock: 45°, no drift.

CAMERA
SEGMENT 1: Camera locked at sand level, static. She walks toward it.
SEGMENT 2: Camera locked at eye level to her left, static. She walks through the frame left to right, past camera, continuing toward the lounger. No pan. She crosses through the static composition.

ACTION TIMING
0.0s to 1.5s
Her black boots advance across the sand, navigating around a plastic bucket and stepping past a toy shovel. Her pace is deliberate and unhurried. The sand castle is directly ahead of her path — she does not deviate. Low angle reads her boots large against the bright beach background.

1.5s to 2.5s
Her right boot makes full contact with the sand castle. She steps directly onto it — not a stomp, not dramatic, simply the natural consequence of walking without diverting. The castle collapses under her boot: the packed sand walls crumble outward, the small turrets fall. She does not stop. She does not look away yet. Then her eyes drop to the sand beneath her for one beat — she looks down at what she crushed with a faint expression of contempt, not guilt, the white-painted face briefly visible angled downward. In this downward glance the closed black umbrella tucked under her left arm becomes clearly visible — the folded black canopy pressed against her side, lace tip trailing behind her elbow.

2.5s to 3.0s
She raises her gaze back to forward and continues walking. The inflatable pink flamingo is visible at screen-right, large and vivid pink. CUT.

3.0s to 8.0s
Eye level shot. She walks in front of seated beachgoers — people in swimsuits on towels and loungers who glance at her briefly and look away. She passes them without acknowledgment. The closed umbrella under her left arm is clearly visible — black fabric, the lace fringe at the tip moving very slightly with her stride. The empty lounger is visible ahead and she moves toward it with complete certainty. She arrives at its edge, stops, looks at it for one beat, then looks out toward the water.

PHYSICS
Combat boots on dry packed sand: each step has slight resistance, the sand compressing under the boot sole with visible displacement. The sand castle collapse is physically accurate — the walls of packed sand crumble outward from the point of contact, the top structure falls and scatters, loose sand fans away from the boot. Her tulle skirt hem swings with a slow natural arc from her stride. The umbrella stays completely still under her arm — it is gripped firmly, no bounce, no sway.

LIGHTING
Harsh overhead midday sun producing short hard shadows on the sand. The plastic toys cast small bright shadows. The sand castle held its own small shadow before she destroyed it. She, in all black, absorbs the direct sun without reflecting it — her figure reads as a dark void in the saturated scene. Her white face catches the full overhead sun and reads pale and precise against the warm beach environment.

AUDIO
Full beach ambient: radio from a distance, children's voices nearby, gentle wave sound, faint wind. Her boots on the sand — dry compressed footfalls. At the moment of the sand castle impact: a brief muffled crunch as the packed sand gives way, small and unremarkable. Then her footsteps continue. No music.

POSITIVE LOCKS
She does not avoid the sand castle — she walks through it without stopping or changing pace. Her downward glance is brief and contemptuous, not apologetic. The umbrella stays closed and tucked under her left arm for the entire shot without exception. The inflatable pink flamingo is visible and clearly pink in Segment 1 at screen-right. Her face identity, hair, and full black outfit stay identical to the reference throughout. The beach stays fully saturated and bright — no desaturation in this scene.

[Kent Dhani @kentdhani]

Feel the Detail! This is 4k on Seedance 2.0

Prompt🔽

[DStudioproject @D_studioproject]

When you push realism too far with midjourney V8.2 Preview &amp; Seedance 2.0 4K on OpenArt AI

[Bobi Brilyan Bastenjar @bastenjar13]

@BGKuaci Ketek

[Yunan Helmy A @unxinstudio]

KING - Kneel Before Power.

Created using Seedance 2.0 on @capcutapp Video Studio!

[Bobi Brilyan Bastenjar @bastenjar13]

The Wolf Banner: Broken Sky Over Persia

No charge. No siege. Just one man, waiting in the dark for the shot that would end a war.

Powered by @invideoOfficial

[Bobi Brilyan Bastenjar @bastenjar13]

@invideoOfficial When to hold. When to cut. When to let a frame breathe. When silence says more than movement. That’s always been my weak spot, and this one got me closer than I’ve been before.

[Bobi Brilyan Bastenjar @bastenjar13]

Making The Wolf Banner - The Last Daughter of the Zhou with @invideoOfficial Agent One (Ultra) taught me something I used to only feel, but couldn’t always control: rhythm.

[Kent Dhani @kentdhani]

I think Seedance 2 has peaked.

Created a viral-style Japanese festival performance where two legendary spirits battle on stage while hundreds of spectators record with their phones.

The craziest part is how believable the audience footage feels.

#Seedance2 #AIVideo #Japan #Tokusatsu #GhostStory #AIFilm

Prompt 👇

[DStudioproject @D_studioproject]

comparison between Starlight Precise 2.5 and Astra 2 by TopazLabs

after testing both models on several clips, i found that each one shines in different situations.

for Starlight Precise 2.5, i personally prefer it for continuous shots where preserving the original texture is important. it tends to retain fine details from the source footage better, such as skin pores, wrinkles, tattoos, and other subtle textures.

Astra 2, on the other hand, works really well for multi-shot sequences within the same scene. it does a great job recovering missing details, improving consistency between shots, and cleaning up areas that may look soft or blurry.

neither model is objectively better — it really depends on the type of footage you're working with.

for a more precise comparison, i've attached the real preview below 👇

[DStudioproject @D_studioproject]

Got early access to @openart_ai Director and finally had some time to test it.

Yeah... this one's pretty cool🔥

[Bobi Brilyan Bastenjar @bastenjar13]

The Wolf Banner: The Night She Was Human

Built this one with @invideo.io Agent One. Three guardians, one princess, three days to the border, and the quietest character in the saga ends up carrying the most.

[ragnala92 @aditiasiswara]

**THE DIGITAL ANCESTOR**

In a futuristic Shanghai, Liang Wei uses AR glasses to reconstruct his family’s old alley from forgotten archives. What begins as a digital memory slowly becomes something deeper — not a ghost, not the past coming back, but technology guiding him toward a piece of reality that still exists.

When the AR fades, only one thing remains: a small family mark carved into an old wall.

Technology didn’t take him away from reality.
It brought him back to it.

#FilmFestival #AIFilm
#AICinefestByTelkomsel #ConnectedReality
#TheDigitalAncestor #ConnectedToReality #AIStorytelling #CinematicAI #ShortFilm #SciFiDrama #FutureOfTechnology #FilmFestival #AIFilm

[Bobi Brilyan Bastenjar @bastenjar13]

@exposuro PARADISOOO EXOTICO MUACHOOO &lt;3

[Exposuro @exposuro]

Comment on "PARADISE" to unlock exclusive access to the cinematic AI tool website and receive 100 credits. ❄️🔥

They crossed the ocean in pursuit of hope.

The border responded with famine, disease, and death.

PARADISE VALLEY: 1883
EPISODE I — DEVIL'S RIVER

The river took everything.

#MadeWithThankYouAI #ThankYouAI

[Bobi Brilyan Bastenjar @bastenjar13]

The Wolf Banner: Fall of the White Huns.

Two empires shook hands to destroy a common enemy. Eight days later, they looked across the river at each other and understood: today's ally is tomorrow's war.

Powered by @invideo.io Agent One.

[Exposuro @exposuro]

KINGDOM OF SAND - Episode 1

From the golden deserts of Shurabad to the final battle for freedom, witness a dark cinematic fantasy where courage is greater than strength and destiny belongs to those who dare to rise.

"The greatest power is not magic...
It's just a choice to do what's right."

#MadeWithThankYouAI #ThankYouAI