Please listen to this, it may provoke you but this is nothing but pure truth. ๐ฑ๐ฅ
Unfortunately the majority of the current crop of Yoruba people today DON'T subscribe to such. They only believe in POLICY that doesn't create wealth for their own people.
A message for all Nigerians especially the Obidiots and Ipob illiterates.
I just love the fact that everyone in Nigeria and Africa now knows who these ibo people are. Theyโre a very desperate set of people, and itโs hard to see any evidence that their wealth was acquired through legitimate means.๐คทโโ๏ธ๐คทโโ๏ธ๐คทโโ๏ธ๐คทโโ๏ธ
I just love the fact that everyone in Nigeria and Africa now knows who these ibo people are. Theyโre a very desperate set of people, and itโs hard to see any evidence that their wealth was acquired through legitimate means.๐คทโโ๏ธ๐คทโโ๏ธ๐คทโโ๏ธ๐คทโโ๏ธ
I just love the fact that everyone in Nigeria and Africa now knows who these ibo people are. Theyโre a very desperate set of people, and itโs hard to see any evidence that their wealth was acquired through legitimate means.๐คทโโ๏ธ๐คทโโ๏ธ๐คทโโ๏ธ๐คทโโ๏ธ
I just love the fact that everyone in Nigeria and Africa now knows who these ibo people are. Theyโre a very desperate set of people, and itโs hard to see any evidence that their wealth was acquired through legitimate means.๐คทโโ๏ธ๐คทโโ๏ธ๐คทโโ๏ธ๐คทโโ๏ธ
@EmmyPromise71 Una people won do money na water, na know say na only una sabi business, such cover up shady business you do use to back of your so called โam doing businessโ
"You Came to Lagos with Slippers and Nylon Bags" โ Man Delivers Intellectual Smackdown to Failed Musician Ill Bliss for Rewriting Yoruba History
A failed musician by the name of Ill Bliss, whose musical career has been in a state of permanent vegetative arrest, recently decided to lecture Yorubas on who developed Lagos. His claim that Igbos built Lagos is not just historically bankrupt; it is a monument to intellectual laziness and ethnic entitlement.
The response came swift and brutal.
"You only came for greener pastures, not to develop Lagos. 95% of you came to Lagos with slippers and nylon bags. Go and sit down."
This is not an insult. It is a historical fact wrapped in the unsparing grammar of truth.
The economic migration of Igbos to Lagos, like that of many other ethnic groups, was driven by the opportunities created by Yoruba enterprise and governance. The infrastructure, the policies, the urban planning, the educational institutions, and the legal frameworks that made Lagos a magnet for commerce were built by Yoruba people long before the first "Nylon bag" arrived at Oshodi.
To claim that migrants developed the city that welcomed them is the intellectual equivalent of a guest claiming ownership of the house that fed him.
Ill Bliss, whose own career trajectory mirrors the very dependency he falsely projects onto others, has developed nothing. Not a genre. Not a movement. Not a single infrastructure. His claim to relevance expired before his last album flopped. He is a man who could not even develop his own talent, yet he presumes to lecture a civilisation on development.
This is the tragedy of the failed artist turned ethnic crusader. Unable to build a legacy in his chosen field, he pivots to identity politics, hoping to find in collective myth the success he could not achieve as an individual.
But history is not a song you can rewrite because your lyrics were forgettable. Lagos was built by Yoruba hands, Yoruba sweat, and Yoruba vision. Everyone else came to partake. There is no shame in that. The shame is in rewriting the story to erase the host.
Ill Bliss should focus on developing his career. It needs more rescue than Lagos ever did.
"You Came to Lagos with Slippers and Nylon Bags" โ Man Delivers Intellectual Smackdown to Failed Musician Ill Bliss for Rewriting Yoruba History
A failed musician by the name of Ill Bliss, whose musical career has been in a state of permanent vegetative arrest, recently decided to lecture Yorubas on who developed Lagos. His claim that Igbos built Lagos is not just historically bankrupt; it is a monument to intellectual laziness and ethnic entitlement.
The response came swift and brutal.
"You only came for greener pastures, not to develop Lagos. 95% of you came to Lagos with slippers and nylon bags. Go and sit down."
This is not an insult. It is a historical fact wrapped in the unsparing grammar of truth.
The economic migration of Igbos to Lagos, like that of many other ethnic groups, was driven by the opportunities created by Yoruba enterprise and governance. The infrastructure, the policies, the urban planning, the educational institutions, and the legal frameworks that made Lagos a magnet for commerce were built by Yoruba people long before the first "Nylon bag" arrived at Oshodi.
To claim that migrants developed the city that welcomed them is the intellectual equivalent of a guest claiming ownership of the house that fed him.
Ill Bliss, whose own career trajectory mirrors the very dependency he falsely projects onto others, has developed nothing. Not a genre. Not a movement. Not a single infrastructure. His claim to relevance expired before his last album flopped. He is a man who could not even develop his own talent, yet he presumes to lecture a civilisation on development.
This is the tragedy of the failed artist turned ethnic crusader. Unable to build a legacy in his chosen field, he pivots to identity politics, hoping to find in collective myth the success he could not achieve as an individual.
But history is not a song you can rewrite because your lyrics were forgettable. Lagos was built by Yoruba hands, Yoruba sweat, and Yoruba vision. Everyone else came to partake. There is no shame in that. The shame is in rewriting the story to erase the host.
Ill Bliss should focus on developing his career. It needs more rescue than Lagos ever did.
"You Came to Lagos with Slippers and Nylon Bags" โ Man Delivers Intellectual Smackdown to Failed Musician Ill Bliss for Rewriting Yoruba History
A failed musician by the name of Ill Bliss, whose musical career has been in a state of permanent vegetative arrest, recently decided to lecture Yorubas on who developed Lagos. His claim that Igbos built Lagos is not just historically bankrupt; it is a monument to intellectual laziness and ethnic entitlement.
The response came swift and brutal.
"You only came for greener pastures, not to develop Lagos. 95% of you came to Lagos with slippers and nylon bags. Go and sit down."
This is not an insult. It is a historical fact wrapped in the unsparing grammar of truth.
The economic migration of Igbos to Lagos, like that of many other ethnic groups, was driven by the opportunities created by Yoruba enterprise and governance. The infrastructure, the policies, the urban planning, the educational institutions, and the legal frameworks that made Lagos a magnet for commerce were built by Yoruba people long before the first "Nylon bag" arrived at Oshodi.
To claim that migrants developed the city that welcomed them is the intellectual equivalent of a guest claiming ownership of the house that fed him.
Ill Bliss, whose own career trajectory mirrors the very dependency he falsely projects onto others, has developed nothing. Not a genre. Not a movement. Not a single infrastructure. His claim to relevance expired before his last album flopped. He is a man who could not even develop his own talent, yet he presumes to lecture a civilisation on development.
This is the tragedy of the failed artist turned ethnic crusader. Unable to build a legacy in his chosen field, he pivots to identity politics, hoping to find in collective myth the success he could not achieve as an individual.
But history is not a song you can rewrite because your lyrics were forgettable. Lagos was built by Yoruba hands, Yoruba sweat, and Yoruba vision. Everyone else came to partake. There is no shame in that. The shame is in rewriting the story to erase the host.
Ill Bliss should focus on developing his career. It needs more rescue than Lagos ever did.
@femiogunleye9 Yes have the right to do as you like in Ibo land where you would first have to relocate, but not in Yoruba land. Awon were, won fe Biafraud mo, na Yoruba land dem want. You people are too comfortable in our that Y