One year after its final sharing in Germany, we bring Outwitting the Devil back to life for three special performances tonight until Sunday. Shanghai, it’s time.
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Score by @belrumore
🎥 @YeastCulture
https://t.co/5lmHSIcndK
I didn’t realise how much I needed Akram Khan’s new production of ‘Giselle’. Truly inspirational and moving. Theatre that dares to be visionary, dark, and silent. It’s reminded me that #theartswillalwayssurvive@AkramKhanLive@belrumore @ENBallet
@asifkapadia Top that with the fact that this Scudetto comes after 33 years since the last one and Jesus died at 33. You can imagine what’s going on in Naples 😂 #ForzaNapoliSempre
@AkramKhanLive @ENBallet #Creature what an incredible creative energy of a show. The leads, ensemble, breathtaking choreography, musical masterpiece. It will stay with me for a long time.
Saw Akram Khan's Creature tonight at Sadler’s Wells theatre & loved every minute of it. The English National Ballet & the live orchestra were superb: the combo really wowed me. Having seen also Kapadia’s movie adaptation just a couple of months ago made it even more enjoyable. 🩰
CREATURE, the cinematic adaptation of @AkramKhanLive's @ENBallet of the same name, captured ambitiously by @asifkapadia, is a visceral, challenging & technically brilliant watch. Fab Q&A @BFI hosted by @lillcrawf, with Asif, Daniel Landin, Stephen Griffiths & @belrumore.
Italian composer Vincenzo Lamagna's created the original score for Joy Alpuerto Ritter's BABAE at @BrxHouseTheatre, part of #DUFest22
🎧 We also interviewed Vincenzo for our brand new podcast series Sound in Motion, which you can listen to now: https://t.co/JbRacntMI9
We are proud to see our good friend and close collaborator Vincenzo Lamagna (@belrumore) has been selected as one of The Guardian's seven talents bringing breathtaking dance shows to the stage... It is always a blessing working with Vince.
https://t.co/0KCgPeNXVl