@OvercastFM I really miss Concourse, but understand. I encourage you to experiment with sizes and weights of San Francisco in your new design to achieve the level of awesome that you achieved with the old font, though!
How often, I wonder, is our more-than-human environmental humanities moment the academic and human equivalent of white people being enthusiastic about “exotic ethnic food”?
Waiting for Villeneuve’s Dune is… hard. As Dr Kynes says (in the best line of the novel), “I should've suspected trouble when the coffee failed to arrive.”
one reason i love working with sound and listening is because things unfold and i follow. listening is antithetical to novelty and ego. there is no beginning or end. sound moves, and in moving with it, invites humility because there are no definitive answers to be found
“Movements that seek control over existing institutions give them a new legitimacy, and also render their contradictions more acute. Changes in management are not revolutions.” — Ivan Illich
"Stubborn Northerners" don't have ridged foreheads because of some variant mutation from the past. They have it because they're the remnants of Vulcan in the far future.
Think about it: Romulan myths are "the news"; "I remember you from tomorrow"; they can somehow convince people to do the unthinkable to prevent a worse future. They think it's worth destroying the Martian shipyards because _they're already refugees_. From the future.
Design learnings: yeah, I know they’re called “thumbnails”, but I find that keeping my hand-drawn thumbnail sketches smaller than a *hand-span* allows them to really flourish. There’s a kind of optimum proportionality to them.