I was mostly exploring the deep contrasts of black, and how white found its significance on that black. All the greys are just a power struggle among these two colours.
I've always liked a driving force to finish a piece, as in someone or something is driving me to finish it. It might look a bit hasty, but I do not tend to settle down with unfinished or uninspired pieces and I cannot give away it without an absolute satisfaction.
Also I'm been exploring contemporary art through acrylic paints, rather than sticking to the photo realistic portraits that I used to make with charcoal.
Thanks to @robertaboffoart for the inspiration, I've found a way to get back into art
I've been out of touch with some of my art skills, but over the time I've grown alot as an artist. I needed a medium to explore and represent that Artistic side of me. Hence I'm moving if from charcoal sketching and into acrylic paints.
They are roughly dated back to 9000-10000BCE.
Your Netflix documentary barely covered anything about these places. It's worth looking into it, cause they have strong connections with indian mythology.
@Graham__Hancock
Been following you for awhile now, ever since you've appeared on @joerogan experience. I was just wondering if you ever had a chance to look into indian archeology? Especially the recent excavations of Indus in Haryana and underwater Ancient mega city, Dwaraka?