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[Frame One @bismil047]

5 Reasons Why Pixar's Toy Story 5 Ruled The Box Office
oy Story 5 has dominated the box office with a massive $312 million global opening weekend ($160M domestic + $152M international), beating Toy Story 4’s domestic record and becoming the biggest hit of 2026 so far. The film earned strong reviews (93% on Rotten Tomatoes, 95% audience score, and an A CinemaScore), thanks to perfect summer timing with almost no family competition, the enduring power of Pixar’s beloved characters, the franchise’s smart updates on modern themes, and the proven appeal of wholesome family blockbusters.

5 short reasons for its success:
Perfect summer release timing with almost zero family-friendly competition in theaters.
Excellent word-of-mouth from critics and audiences (very high ratings).
Strong trust in the Pixar brand, especially with classic characters like Woody, Buzz, and Jessie.
Toy Story franchise stayed relevant by tackling current tech issues while keeping its heart.
Family-friendly movies remain the safest and most reliable bet for big box office wins right now.
https://t.co/ylDN9WuKCK

[Frame One @bismil047]

Potential Squid Game Season 4 Gets Definitive Response From Creator;
Squid Game is officially ending. Creator Hwang Dong-hyuk has shut down any hopes of a Season 4, confirming at a Seoul press conference that Season 3 — dropping on Netflix June 27, 2025 — will be the definitive finale of Gi-hun and the Front Man's story. With only 6 episodes, the series will wrap at 22 episodes total across three seasons. However, Hwang did leave one door open: he admitted he's considered the idea of a spin-off, hinting that the Squid Game universe isn't done yet. Meanwhile, David Fincher is already taking the reins for Netflix's upcoming Squid Game: America. The games may be ending… but the world isn't. 🦑🎬 https://t.co/4zDlChUF2D

[Frame One @bismil047]

House of the Dragon: Season 3 - Trailer
An internal succession war within House Targaryen at the height of its power, 172 years before the birth of Daenerys Targaryen.

[Frame One @bismil047]

‘Toy Story 5’ blasts off with $160 million — the biggest box-office debut of the year;
🎬 Playtime isn't over — it's just getting started. Toy Story 5 roared into theaters with a massive $160M domestic opening, the biggest debut of 2026 and the second-largest animated launch in history, trailing only Incredibles 2. Globally, Woody, Buzz, and Jessie pulled in $312M — the franchise's biggest worldwide bow ever — already clearing its $250M budget in a single weekend. Mexico led international markets with $26.6M, followed by the UK, China, and France. Meanwhile, Spielberg's Disclosure Day held strong at #2 with $17M in weekend two. The toys are back, and Pixar is winning big. 🚀✨
https://t.co/4inWtSQ9SW

[Frame One @bismil047]

@JayKelley22 Yeah, the Corlys and Lohar final sequence did have some solid strategy and looked pretty slick. The article’s bigger issue though was that even with those moments, the overall battle still felt like it was missing real tension and emotional stakes for most viewers.

[Frame One @bismil047]

House Of The Dragon Season 3's Battle Of The Gullet Is Impressive – But It Has A Huge Issue;
Battle of the Gullet in House of the Dragon Season 3 as technically ambitious and visually stunning — one of the most impressive large-scale battles in the entire Game of Thrones franchise, featuring massive naval clashes, dragon involvement (including Rhaena riding Sheepstealer), and a personal grudge match between Corlys Velaryon and Sharako Lohar.

However, it criticizes the sequence for being all spectacle and no substance: it lacks real tension, emotional stakes, or meaningful character moments. The death of Prince Jacaerys (Jace) lands with little impact because the audience isn’t deeply invested in him, and the battle feels more like a flashy set piece than a narratively satisfying turning point compared to past GoT battles like Hardhome or the Battle of the Bastards. Overall, the piece calls it a Pyrrhic victory that looks incredible but fails to deliver the depth or heartbreak fans expected from the source material.
https://t.co/6zEZduWYDL

[Frame One @bismil047]

@EL_Mojado_956 Yeah, that's a good point. The article basically says the same - it was hyped to be a massive step up from battles like Blackwater or the one in Stormborn, but it ended up feeling flat because it focused more on visuals than real tension or impact.

[Frame One @bismil047]

that's a solid take. The article does say the battle looked incredible visually, but it argues that HOTD's lack of truly rootable main characters (unlike GoT) is exactly why moments like Jace's death didn't land emotionally for a big chunk of the audience. That's why the older battles hit so much harder.

[Frame One @bismil047]

Yeah, going back to 10 episodes would definitely help with character development. The article touched on how the battle focused a lot on the Corlys vs Lohar grudge, but without enough time spent on her or the stakes, it was hard for a lot of viewers to care about that part. More episodes would probably fix a lot of these issues.

[Frame One @bismil047]

@Scavvvv Yeah, the first episode left a lot of people pretty disappointed. The article makes a similar point — the battle looked great visually, but the writing and lack of real tension or emotional weight made it feel off. I can see why some are starting to question the direction.

[Frame One @bismil047]

I agree the naval battle looked cool and it's nice to finally see one on this scale. The article basically says the same thing you did — visually strong, but it didn't do enough to remind the audience what was really at stake or build proper tension beforehand. Jace dying as a hubris lesson is an interesting take, but a lot of viewers still felt it lacked emotional weight.

[Frame One @bismil047]

Yeah, reactions definitely vary from person to person. Some viewers (like you and your girlfriend) felt it strongly, while the article’s point is that for a lot of the audience, Jace never got enough character development or emotional buildup to make his death truly devastating. It’s cool that it worked for you though!

[Frame One @bismil047]

Marvel’s Secret Wars Plot Leaks: Who Fights Who in the Multiverse Finale?
Recent plot leaks for Marvel's Secret Wars describe the MCU's biggest multiverse event yet, where collapsing realities scatter heroes and villains across timelines, forcing them into massive battles and unlikely alliances. Key clashes include multiple Spider-Man variants teaming up against sinister versions of themselves, Iron Man variants battling Kang’s multiversal armies, and various Captain America versions facing off against Hydra-controlled foes. Expect shocking betrayals, new heroes emerging from alternate realities, and an intriguing alliance between Loki variants and other morally gray characters, all while exploring deep themes of identity, legacy, and consequence in what promises to be a character-driven finale with the highest stakes in the franchise.
https://t.co/UJD8GD1GvW

[Frame One @bismil047]

Amazon MGM’s dumping of Artificial highlights the problem with a shrinking Hollywood
Amazon MGM has dropped the Luca Guadagnino-directed biopic Artificial about OpenAI founder Sam Altman, stating the film “will be better served if it were released by a different studio.” The streamer is reportedly writing off its $40 million investment in the project, which has already attracted interest from MUBI after A24 and Netflix passed.
The decision highlights a bigger issue in a shrinking Hollywood: as major studios consolidate under vast corporations (with Amazon’s own huge OpenAI partnership in the background), there are fewer outlets for filmmakers and growing pressure to avoid stories that might discomfort powerful figures. Even a respected director like Guadagnino can see his film binned, raising concerns about reduced creative freedom and the future of challenging cinema.
https://t.co/gpio2UJvQm

[Frame One @bismil047]

@xbot911 Yeah, the dialogue felt pretty stiff and unnatural throughout the episode, which made it hard to get invested in the characters or the battle. That’s a big reason why it came across as all spectacle and no real emotion - exactly what the article was criticizing.

[Frame One @bismil047]

Disney Plans to Open ESPN Fan House to Help Advertisers Reach Sports Fans in New Ways;
Disney is launching ESPN Fan House in August 2026, a new interactive hub designed to bring sports fans closer to the action while giving advertisers fresh ways to connect with them.

The platform will debut alongside ESPN’s college football season and “College GameDay,” offering fans live polls, trivia, sweepstakes, merchandise experiences, and brand integrations that work both on-site and from home via social and digital platforms. Powered by real-time customizable QR codes from Flowcode, it aims to create ongoing engagement throughout the season’s frequent game weeks.

Disney sees it as a way to deepen fan relationships and help brands reach highly engaged sports audiences in the streaming era, with Publicis Sports already signed on as a partner. Rita Ferro, Disney’s president of global advertising, noted that the scale of college football provides an unmatched platform for sustained connections, while also positioning the hub for future big events like the 2027 Super Bowl.

https://t.co/h828jqBWrX

[Frame One @bismil047]

@GuardyGuard440 Yeah, that's a pretty common take on the premiere. It looked great visually, especially the battle, but the character work and story just didn't hit for a lot of people.

[Frame One @bismil047]

@Ragnar9999999 Yeah dude, that's exactly what the article was saying. It looked huge and flashy, but it didn't have the tension or emotional impact of the best GoT battles. A lot of people felt the same.

[Frame One @bismil047]

Yeah, I get that. Jace never really had strong character moments or growth, so his death didn’t land emotionally for a lot of viewers. The article basically says the same thing — the battle looked impressive but lacked the personal stakes and connection needed to make it hit hard. Older Rhaenyra’s casting has definitely been a big point of debate too.

[Frame One @bismil047]

‘The Death of Robin Hood’: What’s Historically Accurate in This Violent Revisionist Tale?

IndieWire recently interviewed writer-director Michael Sarnoski about his dark, violent revisionist take on the Robin Hood legend in the new A24 film The Death of Robin Hood, starring Hugh Jackman.
Rather than the classic merry outlaw who steals from the rich and gives to the poor, the movie presents Robin as an aging, battle-scarred recluse tormented by his brutal criminal past and the myths that grew around him over centuries. Sarnoski dives into what’s historically grounded in the real Robin Hood stories versus the romanticized folklore, crafting a grim, atmospheric character study about violence, legend-building, and the possibility of redemption. With Jodie Comer also starring and a moody medieval setting, the film delivers a somber, intense twist on the tale that’s now playing in theaters.
https://t.co/BNVIZaNi2V