The entire show automation was programmed by me in Steinberg Cubase on the Atari. To ensure the necessary flexibility for the live scenario, I utilized a structure based on stop bits. The sequencer did not run through linearly; instead,
an Atari 1040 ST serving as the central hardware sequencer, and the Yamaha Promix 01 digital mixing console, which had just recently been released on the market. The linking and control of both systems was handled exclusively via the MIDI interface.
Since conventional analog theater mixing concepts reached their limits due to the required density of cues and switching operations, I developed my own fully digital control concept. The core architecture consisted of two components:
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🚨 Do you understand what this man just pulled off..
> a guy from North Carolina used AI to generate hundreds of thousands of songs.. uploaded them to Spotify, Apple Music, Amazon.. then botted billions of streams on his own tracks and walked away with $8 million
> 660,000 fake streams per day.. spread across thousands of AI songs so nobody noticed.. $1.2 million a year.. for music no human ever actually listened to
real artists are out here grinding for 0.003 cents per stream.. promoting on TikTok.. begging for playlist placements.. and this guy just had AI make the music AND the audience
first-ever criminal streaming fraud case.. he's paying back $8 million.. but the playbook is out there now.. and AI just got better since he started
the music industry spent 10 years fighting piracy.. now they have to fight songs that don't exist being listened to by people who don't exist.
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