I don't come around here anymore, but I wanted to share some free @Bandcamp codes.
732e-j92q
lxmg-y8xz
qq8z-bnmg
9rnn-xmk3
yjdd-w6g3
yg4e-hyn4
3tsb-53vm
dzql-3szg
ac65-hsru
8p3b-vswq
h469-htam
hc3n-52ug
hsbf-ke6t
q4xx-gu87
nssr-59a9
5q4w-b8ut
Enjoy: https://t.co/rDgp6hnKnX
i don't come around here much anymore, but here's an update: I have some openings for a few meetings at Folk Alliance this year Friday and Saturday. Please DM if interested.
We have some new music this year. Follow on all the other socials to keep up to date.
Thanks @AmericanaHiways for this review of the @blckmsrcrds rereleases of SPECIAL 20 & NOT COOL. My first & tenth albums. Dig it https://t.co/mk08cQDs8r
on this day in 1998, Special 20 was released to the world introducing Tim Easton along with it.
Graba copy of the reissue here: https://t.co/OMMUZ4sEhJ
Well, here we go @Delta Thank you for taking care of my beloved Paco the black J-45 @gibsonguitar inside the @CaltonCasesAtx on our way from Nashville to JFK to Zurich.
@WarHenRecords Bandcamp isn't the industry savior everyone thinks it is. They're the same as nearly ever other DSP, just in different clothing. Maybe with the new owners it will be different, but they're taking in considerable monies and then throw artists a tiny bone every once in a while
@beaujennings I only came back to post my thread this morning. I thought I would need a replacement for twitter, so I joined threads and mastadon, but I've come to find out over the last however long it's been that I just don't miss anything about short-form social text.
@WarHenRecords valid. I sort of do the same on Fridays. Since there is already a lot of attention on BC, I will go and generate a dozen or so YUM codes and give them away here.
Lately, I've been thinking about the environmental impact a business like mine has. Not only do I produce plastic products, I often have manufacturing done overseas to save on costs.