20 Year Old Director, Kane Parsons. Has taken an interest in making a DogHaus film adaptation.
"i find the characters very relatable, yes.
i am also lesbian, sassy, nerdy and latino too!"
If there's one thing we should all take away from Backrooms and Obsession's success, it's that they made young people talk about and care about movies. That's huge for the future of cinema and I couldn't be happier
As someone who's been a diehard "Always Sunny" fan for years, seeing one of the show's central cast members post AI slop of it hurts my soul. I'm genuinely really sad about this.
Aaron Sorkin spent 3 days trying to convince Jesse Eisenberg to return as Mark Zuckerberg in ‘THE SOCIAL RECKONING’:
“He simply did not want to be conflated with Mark Zuckerberg anymore, that he has his problems with the guy. He doesn’t like kids coming up to him in airports with business cards that say ‘I’m CEO, bitch’ for him to sign.”
(https://t.co/3cKiDDgW3Z)
feel like it’s the perfect cover to convey that you’re heartbroken, your homies are all going schizophrenic, the 60s are over, and you’re crying on the beach in Malibu on a lot of acid, 10/10 album, only student demonstration time feels out of place and that song also rules
Derek wtf
The video contained no footage of your film.
I am legally allowed to use a thumbnail showing the film I am reacting to. It is the most clear-cut example of Fair Use one could imagine.
What do you even think my thumbnail should be? @CoolCatlovesyou@HoodRatRaps
It’s very funny to watch The Social Reckoning trailer feel so haphazardly and awkwardly assembled, when the teaser for The Social Network remains one of the greatest teasers ever made. A true coughing baby vs hydrogen bomb.
The Art Directors Guild, IATSE Local 800 #adg800 has issued a statement on Martin Scorsese’s recent promotion of generative Artificial Intelligence (AI):
"Mr. Scorsese, The Business is not in flux.
Oscar winning director Martin Scorsese is turning his back on the human artists who throughout his career have helped him create his most memorable works.
In the recently released Black Forest Labs video promoting their generative AI product FLUX, Mr. Scorsese asks the question, “how do you communicate what you see in your head to your cast and crew?” He claims the solution is the use of this generative AI program to do the jobs that are rightfully the jurisdiction of Art Directors Guild Local 800 artists and designers - human artists and designers who have been successfully collaborating with directors to visualize their films for decades. Mr. Scorsese's promotion of a generative AI product circumvents the input of Art Directors Guild Local 800 art directors, graphic artists, illustrators, production designers, scenic artists, set designers, and other talented Union professionals.
Generative AI is only capable of producing this type of “cinematic intelligence” by ingesting large swaths of copyrighted work, likely scraped from the internet without consent, credit, compensation, or transparency.
The skills of Art Directors Guild Local 800 artists and designers bring the highest level of value to any film or television production. To think their professional contributions can be mimicked or outshone by generative AI, which is built on work likely stolen from them and many other artists from around the world, is a betrayal of the collaborative nature of cinema."
Michael review is under attack.
EVERYONE RETWEET THIS so that @warnermusic can learn about Fair Use and Lenz v. Universal Music Corp.
@WarnerMedia@warnerbros Why does your company continue to violate the copyrights of others?
Was not aware that NTBTSTM was not written at all and was just kinda structured in the editing room, which is both impressive considering how well constructed it feels as a story, and also deranged lol